Lifetime Film Review: My Amish Double Life (dir by Cooper Harrington)


In 2025’s My Amish Double Life, Lexi Minetree plays Emma, a young Amish woman who suspects that her father was murdered and who starts sneaking into the city so that she can see for herself what life is like amongst the English.

While hanging out at the club with her friend Rebecca (Rebecca Coopes), Emma meets the handsome and charming Heath (Ty Trumbo).  When Emma, much like Cinderella at midnight, announces that she has to go home, Heath asks her to meet with him the next day.  He says he really likes her.  Even though it goes against her way of life, Emma does so.  In fact, Emma even ends up at Heath’s large and beautiful home.  Unfortunately, when another woman is murdered by a scythe-wielding assailant, Emma finds herself trapped in a web of deception and danger!

Oh, the Amish!  I feel kind of bad for them.  For the most part, they just want to be left alone but, over the past few years, Lifetime and Hallmark have become obsessed with them.  As a result, we’ve gotten several movies about life amongst the Amish.  On Hallmark, Amish men and woman are falling in love with the English.  On Lifetime, young Amish women are having to solve murders and stand up to condescending male elders.  For the most part, most of these films present the Amish as just being a bunch of people who wear old timey clothes and work on farms.  And certainly, I imagine that the farms and the clothes are an important part of Amish life but it’s still hard not to feel that most of these movies are simplifying things a bit.  If nothing else, they tend to ignore the huge role that both religion and pacifism play in the Amish community.  There’s also a tendency to assume that every Amish person secretly yearns to sneak off to the big city.  In the movies, the Amish obsess about life amongst “the English.”  In reality, it seems to be the other way around.

(I should mention that there’s a fascinating documentary called Devil’s Playground, which follows a group of Amish teenagers on Rumspringa.  I recommend it for anyone who is curious about the Amish.)

But what about My Amish Double Life?  Is it an entertaining film?  Heck yeah, it’s an entertaining film.  I mean, let’s set aside the question of accuracy.  This is a Lifetime film.  You’re not watching it for accuracy.  You’re watching it for the melodrama.  You’re watching it for the mystery.  You’re watching it for the clothes and the houses.  That’s why we watch Lifetime films.  My Amish Double Life had a good mystery, one that features several viable suspects.  Clothes?  Not only did we get old timey Amish clothes but we also got sneaking off to the club in the middle of the night clothes!  Houses?  Heath lives in a mansion and the Amish farmhouses were pretty cozy too!  And melodrama?  This film totally embraced the melodrama!  Lexi Minetree was a sympathetic lead, Lesa Wilson did a good job as her overprotective mother, and Rachel Coopes was a force of chaos as the Amish girl who liked to break the rules.  It was an entertaining film, which is the main thing that a Lifetime film should be.

Seriously, though — if you’re in Pennsylvania and you see a horse-drawn buggy on the road, be polite when you pass and don’t gawk.  The Amish are just living their lives.

The Films of 2025: The Surfer (dir by Lorcan Finnegan)


The Surfer (Nicolas Cage) is an American who has returned to the Australian beach where his dad used to surf.  He wants to buy a home overlooking the ocean.  Even more importantly, he wants to surf with his teenage son (Finn Little).  As the Surfer and his son walk towards the water, they are confronted by three men.  The leader of the men goes by the name of Pitbull (Alexander Bertrand).

“Don’t live here,” Pitbull says, “don’t surf here.”

The Surfer assures Pitbull that his son is an amazing surfer.  (The Surfer’s son looks embarrassed.)

“Don’t live here, don’t surf here,” Pitbull replies.

Pitbull is a member of a cult of local surfers, all of whom follow Scally (Julian McMahon), a self-appointed guru who recites his rules with a ruthless but charismatic intensity.  Scally brands his followers, burning their flesh in a ritual to announce that they are now a part of his family.  “Before you can surf, you must suffer,” Scally says.

Now, to be honest, I would just go to a different beach.  I’m not a surfer.  I’m not even that much of a swimmer.  I do, however, enjoy laying out on a nice beach or by a big swimming pool.  One thing that I’ve learned is that, when the cult arrives, you leave.  Seriously, there’s always somewhere better to go.  Any place that does not have a cult will be infinitely better than a place that does.

The Surfer’s son agrees with me and suggests just going to another beach but that’s not an option for the Surfer.  The Surfer is obsessed with Scally’s beach and he’s determined to surf it.  It was on that beach where the Surfer made his best childhood memories.  It was on that beach where his father died.  The Surfer sends his son back home and then the Surfer literally moves into his Lexus.  He sleeps in the parking lot and he keeps an obsessive eye on the beach.

People come and go.  The Surfer meets the Bum (Nic Cassim), who claims that Scally is responsible for the death of both his dog and his son.  A local cop comes by and is quickly revealed to be a member of Scally’s cult.  The Surfer become more and more disheveled.  He loses his money.  He loses his car.  He runs into his real estate agent (Rahel Romahn) but the agent says that he’s never seen the Surfer before.  The Surfer starts to hallucinate and can no longer keep straight who is who.  What at first seemed like an intense midlife crisis and a desire to reclaim one’s youth starts to seem like something much more troubling and potentially psychotic.  Everyone tells The Surfer to leave.  Everyone tells him that he’s never going to get his house and he’s never going to surfer the beach.  But, like the Bum, the Surfer is a man obsessed.

The Surfer is an intriguing film.  At first, it seems like it’s going to be another Nicolas Cage revenge film.  Then, it becomes a surreal head trip, one that leaves you wondering just who exactly Cage’s surfer actually is.  Unfortunately, the film loses it’s way during its final third and instead becomes a rather mundane thriller.  That said, the cinematography is gorgeous and, if you’re a fan of Cage’s unique style (as I am), this film allows him a chance to get totally unhinged.  I wish the film had stuck with its surreal implications rather than chickening out during the final third but still, The Surfer and Nicolas Cage held my interest.

4 Shots From 4 Horror Film: Special Herschell Gordon Lewis Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today, on what would have been his birthday, the Shattered Lens remembers director Herschell Gordon Lewis.  It’s time for…..

4 Shots From 4 Herschell Gordon Lewis Films

Blood Feast (1963, dir by Herschell Gordon Lewis, DP: Herschell Gordon Lewis)

Color Me Blood Red (1965, dir by Herschell Gordon Lewis, DP: Herschell Gordon Lewis)

Something Weird (1967, dir by Herschell Gordon Lewis, DP: Andy Romanoff)

The Wizard of Gore (1970, dir by Herschell Gordon Lewis, DP: Alex Ameri and Daniel Krogh)

6 Shots From 6 Films: “Mads Mikkelsen / Anders Thomas Jensen” Special Edition!


6 Shots From 6 Films is just what it says it is, 6 shots from 6 films. As opposed to the reviews and recaps that we usually post, 6 Shots From 6 Films lets the visuals do the talking!

Today’s “6 Shots From 6 Films” celebrate the filmmaking partnership of actor Mads Mikkelsen and director Anders Thomas Jensen. These two began working together on movies 25 years ago and show no sign of slowing down. I watched my first Mikkelsen / Jensen film yesterday, RIDERS OF JUSTICE, and I can’t wait to get caught up as most of the movies are available for streaming. Without further adieu, here are the 6 films directed by Anders Thomas Jensen and starring Mads Mikkelsen:

FLICKERING LIGHTS (2000)

THE GREEN BUTCHERS (2003)

ADAM’S APPLES (2005)

MEN & CHICKEN (2015)

RIDERS OF JUSTICE (2020)

THE LAST VIKING – AKA BACK TO REALITY (2025)

Brad reviews RIDERS OF JUSTICE (2020), starring Mads Mikkelsen!


RIDERS OF JUSTICE (2020) is the genre-bending story of Markus (Mads Mikkelsen), a badass soldier who returns to his home in Denmark after his wife dies in a train accident. His daughter Mathilde (Andrea Heick Gadeberg), who survived the accident that took her mother’s life, needs her dad to help her through this difficult time, but he has no idea how to process what happened and is failing miserably. Enter Otto (Nikolaj Lie Kaas), a data analyst and another survivor of the train crash. Otto tells Markus that his mathematical analysis indicates that the “accident” was actually the staged assassination of a person on the train by a group of criminals who go by the name “Riders of Justice,” and that his wife was an innocent casualty of that attack. Otto also brings along his eccentric, intelligent and emotionally troubled friends Lennart (Lars Brygmann) and Emmenthaler (Nicolas Bro) to help convince Markus of their findings. Markus accepts their premise, mainly because he wants someone to blame and take vengeance upon. Soon, the badass and the unlikely trio of nerds set out to kick ass, compute probabilities, hack computers, and get in touch with their innermost feelings. It’s gonna be a bumpy ride, with both blood and tears flowing like raging rivers!

I must admit that prior to sitting down with a group of friends and watching RIDERS OF JUSTICE this weekend, I had never heard of the film. It came out during the COVID lockdown periods of 2020 and 2021 and somehow flew completely under my radar. I’m so glad my friend Stewart chose the film for us to watch because it’s filled with awesome action sequences, absurdist comedy, and real human emotions. I also give it bonus points for being a Christmas movie, as it begins and ends with musical renditions of “The Little Drummer Boy,” even featuring Mads Mikkelsen wearing an ugly Christmas sweater!

I’ll start my discussion of the film with Mads Mikkelsen, an actor I’ve always appreciated, as the emotionally repressed and extremely lethal soldier, Markus. Usually a film like this would star someone like Jason Statham or Liam Neeson and focus solely on his quest for vengeance and not detour too much from those goals. This movie leaves us with no doubt of Markus’ killing abilities, but it also forces him to deal with his daughter’s feelings, as well as her sensitive boyfriend’s attempts to help him heal. Men who try to push Markus into revealing his feelings usually end up with a black eye or broken nose. But to his credit, he usually does feel bad about it afterwards. Next we have Otto, the nerd whose math calculations convince Markus that the riders of justice need to die. Otto is a sweet guy who truly wants to help Markus and Mathilde, but we find out over the course of the film that beneath his pleasant personality is a life fueled by guilt and shame. And then there’s Otto’s nerdy friends Lennart and Emmenthaler. I won’t go into all of the details of their lives, but these guys are also revealed to be thoughtful, kind, angry, funny, and extremely damaged depending on the time and the circumstances. On a funny side note, Emmenthaler’s unexpected ability to assemble a weapon is second to none. RIDERS OF JUSTICE pulls off the genuinely surprising feat of creating a “family” out of this mismatched group, and we see how they come to help each other and depend on each other. This makes the stakes so much higher when they inevitably must battle the evil riders of justice. The movie is funny, dramatic, and badass in equal measures and somehow it all works! 

RIDERS OF JUSTICE was written and directed by a Danish filmmaker named Anders Thomas Jensen. I’m going to be emotionally vulnerable here and admit that I was completely unaware of Jensen, and that he and Mikkelson have an ongoing director / star, filmmaking collaboration that extends back to 2000 and currently includes six movies, with their latest, THE LAST VIKING (AKA BACK TO REALITY), set to be released in the fall of 2025. This collaboration also includes the actors Nicolaj Lie Kaas, Nicolas Bro and, with increasing frequency, Lars Brygmann. Based on my appreciation of RIDERS OF JUSTICE, I will be going back in time and watching some of their previous films to see how they stack up, and I’ll be looking forward with great anticipation to the release of their most recent work later this year. One of the great joys of cinema is the discovery of something new and special. I feel like this may have just happened for me again with a late night viewing of RIDERS OF JUSTICE!

Live Tweet Alert: Watch Tourist Trap With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting Tourist Trap!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

4 Shots From 4 Films: Special 1983 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a classic year in film.  It’s time for….

4 Shots From 4 1983 Films

Scarface (1983, dir by Brian De Palma, DP: John A. Alonzo)

Star 80 (1983, dir by Bob Fosse, DP: Sven Nyvkist)

Flashdance (1983, dir by Adrian Lyne, DP: Donald Peterman)

10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)

Brad’s “Scene of the Day” – Richard Thomas in SEPTEMBER 30 1955 (1977)!


Actor Richard Thomas turns 74 years old today. He’s especially important to me because of two specific roles. First, he co-starred with my favorite actor Charles Bronson in the 1991 Christmas movie, YES VIRGINIA, THERE IS A SANTA CLAUS. Along with IT’S A WONDERFUL LIFE, I watch YES VIRGINIA every year during the Christmas season. Second, he filmed a movie in central Arkansas back in 1977 called SEPTEMBER 30, 1955. Part of the movie was filmed along the Arkansas River in Toad Suck, AR. This is the community I grew up in, and my parents still live there. As a matter of fact, I’ll be spending Father’s Day with my Dad in Toad Suck. In my “scene of the day,” I share a scene from SEPTEMBER 30, 1955 where Thomas’ character learns of the fatal car crash of James Dean. Notice in the scene that his shirt has the initials ASTC, which stands for Arkansas State Teachers College. My dad received his teaching degree from ASTC. This college is now called The University of Central Arkansas (UCA), and that’s where I received my Finance Degree. The entire scene is filmed on the campus of UCA, and I’ve played tennis on those courts many times. I’ve attended football games at that stadium. The campus has been completely updated since this move was filmed in 1977, but it still looked a lot like that when I began my college years in 1991. It’s a trip down memory lane for me. 

Happy Birthday, Richard Thomas!!