Musical Film Review: Let It Be (dir by Michael Lindsay-Hogg)


Hey, it’s the Beatles!

The 1970 documentary Let It Be, which is now streaming on Disney+ after being impossible to see for decades, follows the Beatles as they record music, occasionally argue, occasionally laugh, collaborate on songs, and ultimately play the famous rooftop concert that was eventually ended by the London police.  Paul McCartney smiles and laughs and jokes but he also obsesses over every little musical detail and often seems to be talking in order to keep anyone else from getting a cross word in.  John Lennon dances with Yoko Ono and occasionally smiles but often seems like his mind is elsewhere.  George Harrison smiles whenever he know that the camera is on him but, when glimpsed in the background, he doesn’t seem happy at all.  Ringo patiently waits for his chance to perform, sometimes bored and sometimes amused but always the most likable of the bunch.  He and George work on Octopus Garden and it’s a charming moment, if just because it’s obvious that both men would rather be there than in the studio.

Even if you haven’t seen Peter Jackson’s The Beatles: Get Back (which was constructed out of material that was shot for but not used in this documentary), Let It Be is often time one of the most depressing behind-the-scenes documentaries ever made.  The more the individual members of the Beatles smile and perform for the camera, the more one can see the cracks that have formed in their relationships.  With Lennon spending most of his time with Yoko, it’s Paul who dominates the documentary.  Paul comes across as being charming and talented but his habit of nonstop talking gives the impression of someone who is desperately trying to hold together a sinking ship.  At one point, George snaps that he’ll play the guitar however Paul tells him to and it’s obvious that, for George and probably the others as well, being the world’s most popular band has gone from being a thrill to just being another job.  When Paul and John talk about how much fun they had when they first started playing live in  Hamburg, it’s obvious that the conversation is at least partially staged to set up the rooftop concert but there’s a genuine sadness to their voices.  Even as they write and record new songs, they’re realizing that all things must pass.

But then the Beatles give a rooftop concert and they bring London to a halt and, for a few minutes, it seems like everything is going to be alright.  Standing on the roof and performing a wonderful version of Get Back, the Beatles are suddenly a band just having fun and it’s delightful to see.  Later, John Lennon gets a devilish gleam in his eyes as he sings the raunchy (for 1969) lyrics for I’ve Got A Feeling.  Even George looks happy for a few moments.  People gather in the street below to watch and the camera is quick to show us that both young and old love the Beatles.  Of course, eventually, the police show up and shut down the show.  (Of course, being British police, they’re very polite about it.  One has to breathe a sigh of relief that the Beatles didn’t try to do their rooftop show in New York or Los Angeles.)  It’s a reminder that nothing lasts forever.  Eventually, every concert comes to an end.

It’s interesting to compare Let It Be to another 70s documentary about a famous British rock band.  In Gimme Shelter, the Altamont Free Concert ends with a murder as Mick Jagger pleads with the crowd to stop fighting and just sit down.  In Let It Be, things end with a random joke from John Lennon, who would himself be murdered in just ten years.  Both Gimme Shelter and Let It Be are about the end of an era and both are full of regret and a longing for a simpler and more idealistic era.  For those of us who want to understand history, they’re essential.

 

Music Video of the Day: Far Away Eyes by The Rolling Stones (1978, directed by Michael Lindsay-Hogg)


“You know, when you drive through Bakersfield on a Sunday morning or Sunday evening, all the country music radio stations start broadcasting black gospel services live from LA. And that’s what the song refers to. But the song’s really about driving alone, listening to the radio.”

— Mick Jagger on Far Away Eyes in 1978, to Rolling Stone

The Rolling Stones do country!

Actually, the Stones were always heavily influenced by both the Blues and Country music. This song was written by Keith Richards and Mick Jagger and there’s a bootleg version of Richards singing the lyrics. The official version, with Jagger singing, was the sixth track on the Stones’s 1978 album, Some Girls.

The video, a clip of the Stones performing the song in an intimate studio, was directed by Michael Lindsay-Hogg, who did a number of videos for both the Stones and the Beatles. For instance, Lindsay-Hogg is the credited director on Let It Be.

Enjoy!

Music Video of the Day: Worried About You by The Rolling Stones (1981, directed by Michael Lindsay-Hogg)


The Rolling Stones keep things simple in this music video for Worried About You.  Worried About You was first recorded in 1975 but was not released until 1981, when it was included on Tattoo You, an album that was largely made up of outtakes from previous recording sessions.

When Worried About You was first recorded, Billy Preston played the piano and the guitar solo was performed by Woody Perkins, who was then under consideration for the lead guitarist spot that had been vacated by Mick Taylor.  By the time the song was finally released and this video was filmed, Ron Wood had joined the band and, in the video, he’s the one who performs Perkins’s solo.  Jagger, meanwhile, stands in for Billy Preston.

This video one of many Tattoo You videos to be directed by Michael Lindsay-Hogg.  Lindsay-Hogg is probably best known for directing Let It Be.

Enjoy!

Music Video of the Day: Waiting On A Friend by The Rolling Stones (1981, directed by Michael Lindsay-Hogg)


“Just let me be cynical for a moment. First of all, it’s really NOT about waiting on a woman friend. It’s just about a FRIEND; it doesn’t matter if it’s a man or a woman. I can see people saying, Oh, we’re all much older now, Mick’s writing this much more compassionate stuff, must be about a real person. But that’s only in their perception of it.”

— Mick Jagger on Waiting For A Friend

Is our man Mick waiting for a friend or is he waiting for his drug connection?  Since the video features Mick hanging out in front of a building in New York and waiting for Keith Richards to come walking up, I guess both could be true.  Interestingly enough, Keith has often said that he and Mick have a strained relationship in real life, though Keith also wrote in his autobiography, “”I still love him dearly … your friends don’t have to be perfect.”

This video was popular in the early days of MTV.  At a time when many of the big rock bands were still skeptical about the music video format and many were also predicting that MTV would never last, the network was happy to have a video from a group as legendary as the Stones.  The video was directed by Michael Lindsay-Hogg, who was  doing videos even before MTV was a thing.  Waiting with Jagger in front of the building is Peter Tosh.

Enjoy!

Music Video of the Day: Paperback Writer by The Beatles (1966, dir by Michael Lindsay-Hogg)


This is my second favorite Beatles song, right after A Day In The Life.  I think the reason I like this song is because it feels like it could have been written about so many different people who I know.  According to Wikipedia, this song was written as the result of Paul McCartney’s aunt daring him to write a song that wasn’t a love song.  (Of course, Paperback Writer is kind of a love song.  It’s the story of an author who loves money enough to write a dirty story about a dirty man.)

This video was filmed outside of the Chiswick House in London.  Michael Lindsay-Hogg went on to direct the Beatles’s final film, Let It Be.

Enjoy!

Music Video Of The Day: Neighbours (1981, directed by Michael Lindsay-Hogg)


Imagine Rear Window with Jimmy Stewart and his broken leg replaced by Mick Jagger and the other members of the Rolling Stones and you have the concept behind the video for today’s music video of the day.

Neighbours first appeared on Tattoo You and was inspired by Keith Richards’s problems with his own neighbours in New York City.  According to Richards, his neighbours got him evicted from his New York apartment building because they felt that he played his music too loudly.  The actual lyrics were written by Mick Jagger, who, again according to Richards, never had any trouble with his own neighbours.

The video was directed by Michael Lindsay-Hogg, who directed several videos for The Rolling Stones but who is perhaps best known for directing the documentary about the final days of the Beatles, Let It Be.