The Things You Find On Netflix: We Summon The Darkness (dir by Marc Meyers)


We Summon The Darkness is a horror/comedy that has got a devilish little twist that I can’t spoil in this review.

That’s a shame because, believe me, I would love to spoil it.  I would love to tell you all about the twist and about how much I love the twit and how clever I felt it all was but really, this is a twist that you need to experience for yourself.  I don’t know if it’s really possible to go into a movie blind anymore but if there’s any movie that benefits from being viewed with as little foreknowledge as possible, it’s We Summon The Darkness.

I can tell you that that movie takes place in Indiana in 1988.  It follows six people — three women and three guys — over the course of one long and very eventful night.  It starts with Alexis (Alexandria Daddario), Val (Maddie Hasson),  and Bev (Amy Forsyth) heading to a heavy metal concert out in the middle of nowhere.  As they head to the concert, we see glimpses over an evangelist (Johnny Knoxville) railing against heavy metal and Satanism.  We also hear some random news reports about some recent murders, all of which appear to have been the work of Satanists.  It’s obvious that this film takes place in a very religious community, one that feels it is currently under attack from the forces of darkness.

At the concert, the girls meet up with three dorky guys, Mark (Keenan Johnson), Kovacs (Logan Miller), and Ivan (Austin Swift).  Ivan is the leader of the guys, an outspoken atheist who is clearly skeptical of all of this Satanic panic.  Mark, meanwhile, is celebrating one last hurrah before heading off to Los Angeles.  Alexis invites the boys to come back to her father’s mansion, which is apparently empty for the night.  The boys agree and….

….all Hell breaks loose.

And that’s all I’m going to tell you about the plot.  In fact, I probably shared too much already.  What I will say is that the film takes you by surprise.  Just from reading about the film’s opening few minutes, you may think you know who these characters are but, instead, they surprise you.  You may also think that you know how all of the chaos at the mansion is going to play out but again, the film surprises you.

We Summon The Darkness is a clever and intense mix of horror and satire, one that keeps the audience guessing.  From the strong opening to the twisty conclusion, this is a film that grabs your attention and refuses to let it go.  Director Marc Meyers does a great job of ramping up the tension and he’s helped by a wonderful cast, all of whom bring their odd characters to life.  Alexandra Daddario and Ivan Swift are the cast stand-outs, with Daddario especially tearing through the film like a force of nature.  Though I initially assumed that Johnny Knoxville’s role was an example of stunt casting, he actually gives a good performance as a character who turns out to be far more important than you might initially assume.

We Summon The Darkness can currently be summoned from Netflix and it’s worth the watch.

Film Review: My Friend Dahmer (dir by Marc Meyers)


The 2017 film, My Friend Dahmer, opens in a suburban high school in the 1970s.  It’s a school like any other, with the usual collection of jocks, nerds, geeks, and outcasts.  Jeff (Ross Lynch) is the token weird kid.  Every school has one.  He’s obviously intelligent but there’s something off about him.  He shuffles around the school with his eyes down.  When he speaks, he rarely shows any emotion, leaving you to wonder if he’s just shy or if he’s lost in a world of his own.  There are rumors, of course, about all the strange things that Jeff has done.  Some people say that they’ve seen him collecting dead animals.  Jeff has told people that he has a shack where he uses acid to dissolve carcasses.  Jeff frequently comes to school drunk, reeking of alcohol.  And then there’s his parents!  His father (Dallas Roberts) tries to be strict but usually just comes across as befuddled.  Meanwhile, his mother (Anne Heche) alternates between doting on her oldest son and making paranoid accusations.

His father demands that Jeffrey make some friends.  That’s why Jeff ends up in such unlikely places as both the school band and the school’s tennis team.  Still feeling out-of-place, Jeff starts to act out in school.  Walking through the hallway, he’ll suddenly start shouting and twitching.  Jeff becomes known as the kid who will do anything.  One his classmates, an artist named John “Derf” Backderf (Alex Wolff), even starts to draw pictures based on Jeffrey’s antics.  Derf and his friends describe themselves as being Jeffrey’s fan club.  For the rest of the school year, they encourage Jeff to act stranger and stranger.  It would be incorrect to say that Derf and Jeff are really friends.  In fact, towards the end of the school year, Derf starts to realize that he’s basically been exploiting Jeff for his own amusement.  And yet, Derf and his friends provide perhaps the closest thing to “normal” human interaction that Jeff will ever experience.

As you’ve probably already guessed from the film’s title, Jeff is Jeffrey Dahmer, the infamous Milwaukee-based serial killer and cannibal who is estimated to have killed 17 young men before he was arrested in 1991.  (In 1994, Dahmer was murdered in prison by an inmate who claimed to have been motivated by Dahmer’s lack of remorse.)  Dahmer committed his first murder when he was 18, a fact alluded to towards the end of the film when we see Dahmer picking up a hitchhiker.  (Disturbingly, the only time in the film in which Dahmer smiles and sounds like a “normal” person is when he’s trying to convince that hitchhiker to get in his car.)  With the exception of that one scene, My Friend Dahmer deals with the year before Dahmer started his killing spree, when Dahmer was just the token weird kid.

The fact that we know what Jeffrey Dahmer is ultimately going to becomes add an ominous subtext to every scene in the film.  Throughout, there are signs that something is wrong with Dahmer and yet neither his classmates nor his teachers ever seem to take those signs seriously.  When Dahmer brutally cuts open a fish because he wants to see what’s inside of it, his friends are disgusted but they assume that’s just Dahmer being weird again.  When he shows up drunk for class and his grades start to go downhill, his teachers just ignore him.  No matter what he says (and he does say some truly disturbing things), everyone just shrugs it off.  Their attitude is that Jeff’s the weird kid so, of course, he’s going to say weird things.

To its credit, My Friend Dahmer resists the temptation to sensationalize or make excuses for the monster that Jeffrey Dahmer became.  Ross Lynch plays Dahmer as a hulking, inarticulate time bomb.  It’s not so much that Dahmer can’t control his dark thoughts as he really has no desire to do so.  The film contrasts Dahmer’s darkness with the light-hearted and, quite frankly, dorky guys who briefly became his clique.  (Again, despite the film’s title, it would probably be a bit of a stretch to say that Dahmer had any real friends.)  One practical joke, in which Derf sneaks Dahmer into every club’s yearbook picture, is so likable in its dorkiness that you almost forget that Derf’s scheme centers around a guy who will grow up to murder 17 people.  In the end, both Dahmer’s crimes and his fate feels as inevitable as the fact that Derf will ultimately write and draw graphic novel about their relationship.

By any stretch of the imagination, it’s not a happy or pleasant film.  I watched the film last night and I doubt I’ll ever watch it again.  And yet, it’s an effective film, one that left me wondering what happened to some of the “weird kids” that I went to school with.  Do we ever really know what’s going on inside someone’s head?  Ross Lynch turns Dahmer into a disturbingly familiar monster while Alex Wolff is sympathetic in the role of Derf.  Anne Heche goes a bit overboard as Dahmer’s unstable mother but Dallas Roberts has a few good scenes as the father who can only watch helplessly as his son grows more and more disturbed.  The film is a disturbing trip into the heart of darkness, one that will haunt you after it ends.