The 1977 made-for-television movie, Red Alert, opens with a man walking through a cemetery on a rainy day.  As we watch Howard Ives (Jim Siedow) move amongst the tombstones, we hear his thoughts.  He’s a sad and bitter man, wondering why he’s wasted so many years of his life at work.  He thinks about someone close to him who has died.  He’s obviously very troubled.

(Of course, any horror fans in the audience will immediately recognize Jim Siedow from his role as the Drayton Sawyer in the the original Texas Chainsaw Massacre.  He was troubled in that film as well!)

Howard works at the local nuclear power plant.  Ominously, when the film cuts to the plant, the first thing we see is a leak of very hot water.  I don’t know much about nuclear power plants but I imagine any type of leak is not a good thing.  The water leak causes the computer that runs the plant assuming that a nuclear disaster is minutes away from happening.  The compound is automatically sealed off, trapping fourteen men (including Howard), inside the reactor.  As Commander Stone (Ralph Waite) tries to keep a possible nuclear disaster from occurring, two investigators (played by William Devane and Michael Brandon) try to determined whether the accident was the result of a malfunction or of deliberate sabotage.  When the local sheriff (M. Emmet Walsh) informs them that Howard Ives’s wife has committed suicide, the investigators look into the troubled man’s history.  Eventually, the two investigators realize that the only way to prevent a nuclear disaster is by risking their lives by entering the sealed-off power plant.  The two investigators attempt to do their work under the cover of night and without causing a panic.  Needless to say, it doesn’t work.  One of them calls his wife (Adrienne Barbeau) and tells her that she needs to leave the area.  She tells her mother, who then tells her neighbor and soon the airport is crowded with people looking to get out of town.

Red Alert contrasts the intuitive approach of the two inspector with Commander Stone’s insistence that every bit of a data be fed to his computer before any decisions are made.  Stone’s hands are so tied by protocol and red tape that he stands by while the fourteen men who are trapped in the nuclear power plant die.  Wisely, though, the film doesn’t turn Stone into a cardboard villain.  He’s very much aware of what will happen if the plant suffers a core meltdown.  When one of his assistants mentions that he hasn’t been given any instructions on how to evacuate the town in case the plant does explode, Stone tells him that no plans have ever been drawn up because the plans would be useless.  There would be no way to evacuate everyone in time.

In the end, Red Alert is scary not because it deals with nuclear power but because it presents us with a world where no one — not even Devane and Brandon’s heroic investigators — seems to know what to do.  Everyone is slowed down by a combination of red tape and their own personal angst.  Devane is a strong investigator because, as a widower whose only son died in Vietnam, he has no family to worry about.  Unlike everyone else in Red Alert, he has nothing left to lose.  In the end, the film suggests that the only way to save the world is to cut yourself off from it.

Red Alert is a compelling and intelligent thriller, one that is well-acted by the entire cast and which builds up to strong conclusion.  The film’s anti-nuclear message is a bit heavy-handed but I imagine it was an accurate reflection of the fears that people were feeling at the time.  Today, the film works best as a warning about bureaucracy and depending too much on AI to make important, life-or-death decisions.  In the end, it’s human ingenuity that saves the day and that message is timeless.