The TSL Grindhouse: Rebel Rousers (dir by Martin B. Cohen)


1970’s Rebel Rousers tell the story of what happens when Paul Collier (Cameron Mitchell) arrives in a small desert town, searching for his girlfriend, Karen (Diane Ladd).  Karen ran away when she discovered she was pregnant because she was scared that Paul would attempt to force her to get an abortion.  While Paul talks to Karen in a cheap motel, a motorcycle gang rides into town.  The members of the gang include Randolph (Harry Dean Stanton) and Bunny (Jack Nicholson), who wears striped prison pants and a stocking hat.  The leader of the gang is J.J. Weston (Bruce Dern), who went to high school with Paul.  They even played on the same football team but their lives have since followed differing paths.  (How exactly 30ish Bruce Dern and 50ish Cameron Mitchell could have been in the same high school class is not an issue that the film chooses to explore.)

Paul reunites with Karen and swears his love for her.  However, when Paul and Karen run into the motorcycle gang, Karen is kidnapped.  Bunny wants to force himself on Karen but J.J. wants to set her free.  J.J. challenges Bunny to a series of motorcycle games on the beach.  The winner decides what happens to Karen.  Meanwhile, Paul heads back to the town in search of help but discovers that almost everyone is too much of a coward to help him out.  Only Miguel (Robert Dix), the leader of a rival gang is willing to step up and save the community from the Rebels!

Rebel Rousers was filmed in 1967 but was considered to be so bad that it was put on a shelf and forgotten about until Jack Nicholson suddenly became a star in Easy RiderRebel Rousers was released on the drive-in circuit as a Jack Nicholson movie, even though Nicholson is barely in the film and he gives a pretty one-note performance as Bunny.  The movie’s star is Cameron Mitchell, who usually played villains and doesn’t seem to be too invested in this film.  (Mitchell has such a naturally sinister screen presence that I was actually worried about Paul finding Karen.  Bruce Dern and Diane Ladd are the sole members of the cast who really stand out, with Dern taking on the type of cool rebel role that was usually played by Peter Fonda while Ladd (pregnant at the time with Laura Dern) actually manages to bring some real emotional depth to her character. The movie itself was obviously made for next to nothing and it seems like it was shot in a hurry.  Everything feels like a first take or, even worse, like a rehearsal that was deemed “good enough.”  The competition between Bunny and J.J. ultimately feels mostly like filler than anything else.

Rebel Rousers is one of the more obscure entries in Jack Nicholson’s filmography.  If not for the success of Easy Rider, it never would have been released at all.  By the time Rebel Rousers did come out, Jack Nicholson was too busy establishing himself as one of the best leading men of the 70s to spend too much time looking back.  Today, watching this film can make it easier to understand why Nicholson was considering dropping out of Hollywood all together before he was cast in Easy Rider.  That said, the film today serves as a reminder that everyone started somewhere and sometimes, the somewhere is the second feature at the grindhouse.

Embracing the Melodrama Part II #30: The Sweet Ride (dir by Harvey Hart)


The_Sweet_Ride_FilmPosterThe 1968 film The Sweet Ride takes the audience on a ride through Malibu and reminds us all that, in many ways, the 1960s sucked.

The Sweet Ride opens with actress Vicki Cartwright (Jacqueline Bisset) losing her top while swimming in the ocean.  While Vicki panics and tries to figure out how to get back to the beach without anyone seeing her breasts, she’s spotted by a surfer named Denny McGuire (Michael Sarrazin).  Denny hands her a towel and then leads her back to the beach house that he shares with aging tennis player Collie (Anthony Franciosa) and stoned musician Choo-Choo (Bob Denver).

The rest of the film is a 90 minute tour of California beach life in the late 60s.  Despite Collie’s cynical warning against falling in love, Denny does just that, despite the fact that Vicki refuses to tell him anything about her past or even where she lives.  Meanwhile, Collie spends his time hustling on the tennis court and the married Choo-Choo pretends to be gay in an attempt to get out of being drafted.  (Choo-Choo probably could have gotten out of the draft by pointing out that he appears to be 40 years old but the filmmakers decided to have him walk around with a poodle and speak in falsetto.  Just in case you had any doubt that this film was made in 1968…)  It’s a mix of comedy, romance, and drama and it’s features footage of some real bands performing in actual Malibu nightclubs and that’s a good thing for all of us history nerds.

And, since The Sweet Ride was made in 1968, the whole film gets progressively darker as it reaches its conclusion.  Choo-Choo does get drafted and it’s hard to believe he’ll survive a day in Viet Nam.  Collie’s perfect life is revealed to be an empty facade.  Denny realizes that his friends are all immature losers.  And Vicki ends up getting assaulted by a high-power studio executive (Warren Stevens).  It all leads to more violence, disillusionment, and general ennui.

For some reason, The Sweet Ride shows up on FXM fairly regularly.  It’s a strange film because it doesn’t really work and yet it’s also compulsively watchable.  It tries to be about everything and, as a result, it often feels like it’s about absolutely nothing.  And yet, somehow, it remains compelling…

Why is the film compelling despite itself?  It’s not because of the main characters, that’s for sure.  The boys in the beach house are probably some of the least likable film protagonists in cinematic history.  Anthony Franciosa gave some great performances in his career (check him out in A Face in the Crowd and Tenebrae) but Collie is such a smug jerk that you find yourself hoping that someone will just punch him in the face.  Meanwhile, Denny tends to come across like a weak-willed and obsessive stalker and Choo-Choo — well, Choo-Choo often seems to be a character in a totally different movie.  As for Vicki, her character pretty much exclusively exists to be victimized.

Ultimately, I think The Sweet Ride is watchable because it is such an imperfect time capsule.  If I wanted to know what it was like to be alive in the 60s, The Sweet Ride is one of the films that I would watch.  It’s not the best film ever made but it is a chance to look into the past.

(Incidentally, The Sweet Ride was directed by Harvey Hart, who also directed the underrated Shoot.)