Retro Television Review: Fantasy Island 6.5 “Everybody Goes to Gilley’s/Face of Fire”

Posted on February 11, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, Fantasy Island goes country.

Episode 6.5 “Everybody Goes to Gilley’s/Face of Fire”

(Dir by Jerome Courtland, originally aired on November 20th, 1982)

Mickey Gilley is a country-western singer who comes to Fantasy Island because he wants to finally become a star after years of struggling. Tattoo, who is a huge country music fan, puts on a cowboy hat and decides that he’ll be Gilley’s “exclusive manager.” Not so fast, Mr. Roarke says. Apparently, there’s a country-western bar on the other side of the Island and the owner, Mr. Sherwood (Dennis Cole), has a fantasy of finally having a successful bar. Roarke arranges for Gilley and Sherwood to become partners. Gilley is a star whenever he performs in Sherwood’s bar. In the end, Sherwood and Gilley leave the Island together with Sherwood as Gilley’s new manager.

I’m not a huge country music fan so I have to admit that, until I watched this episode, I had no idea who Mickey Gilley was. (In fact, in my first draft of this review, I repeatedly called him “Dennis Gilley,” so that tells you how much I know about county-western singers.) Gilley actually was a country music star, one who did spend several years toiling away in small clubs before he finally found success. This role was autobiographical for him. It’s a bit odd that he plays himself but maybe he was a big deal in 1982. As I said, country music is not my area of expertise and 1982 is a bit before my time. What I can say is that, on the show, Gilley was portrayed in a way that kind of made him seem like a jerk. I mean, the nonstop complaining and all the demands! “I’m not here for romance,” he tells Roarke at one point. Don’t tell Mr. Roarke how to do his job, Gilley!

The other storyline was a take on Jane Eyre. Jean Harrigan (Lynn Redgrave) is from Nevada, despite being totally English. She needs a million dollars. A mysterious rich guy (David Hedison) offers it to her if she can survive a weekend at his home. His crazy wife is locked away in a bedroom. She ends up catching on fire towards the end of the episode, freeing things up for Jean and the rich guy. What’s interesting is that the rich guy says that he originally met Jean when his car broke down in the Nevada desert and Jean gave him a ride. What’s interesting about this is that, when the legendary Howard Hughes died, a man named Melvin Dummar claimed that he had once given Hughes a ride after coming across him stranded in the Nevada desert and, in return, Hughes left him a good deal of his fortune. Dummar even produced a will in support of his claim. The courts ruled the will to have been a forgery and Dummar never received his money, though there still are people out there who defend “the Dummar will” and claims that he was telling the truth about meeting Hughes. Fortunately, Jean does get her money and a chance to spend some time with the totally charming and handsome David Hedison.

(Hedison was also the best Felix Leiter, appearing in Live and Let Die and License to Kill.)

Perhaps not surprisingly, I preferred the gothic story to the country music story. I appreciated that Tattoo got to do something this episode. The scene where he declares himself to be Gilley’s manager felt like a throwback to the show’s earlier seasons. This journey to the Island was a mixed bag for me, though overall it was a pleasant trip.

Retro Television Review: Fantasy Island 5.17 “Funny Man/Tattoo, The Matchmaker”

Posted on November 12, 2024 by Lisa Marie Bowman

Smiles, everyone! Smiles!

Episode 5.17 “Funny Man/Tattoo, The Matchmaker”

(Dir by George W. Brooks, originally aired on February 20th, 1982)

For the second week in a row, Julie only appears in the stock footage at the start of the episode. And again, for the second week in a row, no mention is made of her. Mr. Roarke doesn’t say anything about why she’s not greeting the guests at the docks. Tattoo doesn’t seem to care.

This is actually a big episode for Tattoo. It turns out that Tattoo has a side hustle going. He’s running a computer dating service! (This isn’t surprising. During the early seasons of the show, Tattoo always had some sort of extra money-making scheme going on.) He’s invited both Harriet Wilson (Laurie Walters) and Claudette Mills (Misty Rowe) to the Island so that they can be set up with the perfect future husband. Usually, Roarke isn’t happy when Tattoo invites people to the Island on his own but this time, he doesn’t seem to be too upset about it. He tells Tattoo that the two women and their fantasies will be his responsibility. At one point, Roarke even mentions that Tattoo is in charge of overseeing all of the weddings that occur on Fantasy Island. Does that include Mr. Roarke’s wedding from a few seasons ago?

However, there’s a problem. Tattoo’s big computer has decided that both Harriet and Claudette should marry Mr. Roarke. Tattoo and his business partner, Ambrose Tuttle (Skip Stephenson), think that the computer must be malfunctioning but Tattoo did promise the women that he would set them up with the most charming man on the Island and what better description is there for Mr. Roarke?

Mr. Roarke is not particularly amused to discover that he is now expected to marry two women who he doesn’t even know. Considering the tragic ending of Mr. Roarke’s previous marriage, this isn’t a huge shock. Roarke tells Tattoo that he has to find other husbands for both Harriet and Claudia. Fortunately, Amrbose Tuttle is single and a former football player (Russ Francis) has also come to the Island. Can Tattoo pull it off and help all four of these people fall in love? To quote Mr. Roarke, “Indeed, he can.” This is Fantasy Island!

Along with learning about Tattoo’s computer dating operation, we also learn about Tattoo’s favorite comedian. Beau Gillette (Jimmy Dean) has built a successful career telling jokes about his redneck family. What he’s never told anyone, including his fiancée (Vicki Lawrence), is that his family is imaginary. Beau grew up in an orphanage and created his family in his head so he wouldn’t be lonely. Beau’s fantasy is for his family to exist, just so he can introduce them to his fiancée. Mr. Roarke suggests that it might be a better idea for Beau to just tell the truth but Beau’s like, “Nah, let’s just bring imaginary people to life.”

While Beau’s performing his act, Uncle Jack (Morgan Woodward), grandma (Jeanette Nolan), and cousin Lindy (Linda Thompson Jenner) all come to life. The only problem is that they all know that they’re really imaginary and they’re not happy that Beau’s been thinking less about them and more about his fiancée. They decide that Lindy should break up Beau’s engagement by seducing him. And if they doesn’t work, they can just kill Beau’s fiancée….

Wow, that got dark!

Actually, this isn’t a very dark fantasy at all. Both fantasies are played largely for laughs. Beau, realizing that his imaginary family has been a crutch that he’s been using for too long, confesses that they don’t really exist and, as a result, they all fade away. Beau’s free to get married and I guess come up with new act. Yay!

Much like last week, this episode felt like a throwback to the early seasons of Fantasy Island. Tattoo got a storyline and Mr. Roarke was heavily involved in the fantasies, as opposed to just being a bystander. Both Herve Villechaize and Ricardo Montalban appeared to be having fun in this episode and, as a result, it was fun to watch, even if it was hard to buy into the idea the Beau Gillette’s rather anodyne jokes about his redneck family would have made him into a star. Largely due to Tattoo and his computer dating service, this was an enjoyable trip to the Island.

Late Night Retro Television Review: CHiPs 1.21 “Crack-Up”

Posted on April 8, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Freevee!

This week, Ponch rides with Getraer!

Episode 1.21 “Crack-Up”

(Dir by Phil Bondelli, originally aired on March 9th, 1978)

After causing an accident that lands Officer Baker in the hospital, street racer and tow truck drive Niles (Joey Aresco) has a psychotic break and decides that he wants to put as many police officers in the hospital as possible. He starts driving recklessly in his tow truck, all the better to get the attention of highway patrol officers. Soon, Officer Grossman has joined Baker in the hospital.

Meanwhile, with his partner laid up, Ponch faces his greatest nightmare. His temporary partner is none other than Sgt. Getraer! Getraer tells Ponch that he expects Ponch to do everything by the book. He expects Ponch to follow orders and observe official procedure. Ponch, however, is more concerned with saving lives and getting results than following the book. Ponch is a rebel!

And that’s fine, except for the fact that there’s never been anything about Erik Estrada’s performance that has ever made Ponch seem like he’s actually the rebel who everyone claims he is. Estrada plays Ponch as someone who is quick to smile and quick to brag on himself and quick to get annoyed if a motorist doesn’t pull over for him. In short, Estrada has always been convincing when he plays Ponch as being a jackass but far less convincing when it comes to convincing us that Ponch is a cop who deliberately breaks the rules for the greater good.

While Getraer and Ponch get on each other’s nerves, Baker lies in bed and insists that he’s ready to get back on his bike. Wanda (Phyllis Diller), who is visiting her husband in the hospital, frequently stops by to tell jokes. When I saw this episode was going to be co-starring Phyllis Diller, I cringed because CHiPs seems like the type of show that would screw something like that up. But actually, Diller gives a really good performance as Wanda and her scenes were the best in the episode. She told a lot of jokes but, as she admitted to Baker, she was only joking to distract herself from worrying about her husband.

In the end, things work out. Baker gets back on his bike. Getraer and Ponch come to respect each other. And, eventually, Niles the mad mechanic is captured. To be honest, it’s kind of weird that it took so long to capture Niles. After Baker was injured, Niles called the police to say that someone has stolen his car an hour or so before. He also got another mechanic, Ray (Gary Sandy), to lie and provide him with an alibi. But then, Niles went driving around in his tow truck and that’s what he was driving when he injured Grossman. So, really, a smart cop would have said, “Hey, that stolen car belonged to a tow truck driver and now, another office has been injured by someone driving a tow truck! Maybe we should go talk to that guy again….”

This episode was better than I was expecting, largely due to Phyllis Diller and the comedic interplay between Officers Grossman and Baker. As always, the California scenery was the real star of the show and the state looked lovely.