Duffy (Frank Grillo) is haunted by the past. When he was serving in the U.S. military, he watched as his friends and fellow soldiers were killed in battle. Now that he’s back in America, he’s haunted by the memories and the trauma has left him incapable of finding peace. He’s angry and paranoid and restless. He drifts around the country, making whatever money that he can as a gambler. But when a poker game at a Los Angeles roadhouse leads to a physical confrontation, Duffy is offered a new opportunity.
Max (Mekhi Phifer) watches as Duffy defends himself and is impressed with what he sees. Max is a ex-con who works as a recruiter for underground fight clubs. Max recognizes the source of Duffy’s anger because Max’s brother was also a veteran who returned to America carrying the mental and physical scars of war. Max feels that he failed his brother but maybe he can make up for it by saving Duffy’s life. Max recruits Duffy as a fighter and gives him a place to live. Duffy and Max soon find themselves in conflict with an evil gym owner (Dermot Mulroney, making the most of a rare villainous role) and a corrupt cop (Jaime King) who is secretly in charge of the town’s underground fight scene.
Lights Out is a fast-paced and occasionally self-aware B-movie. I always find movies like this fascinating because they present a world where there’s an underground fight club located in every backroom and lumber yard. Don’t get me wrong. I’m not saying that there aren’t underground fight clubs. I’m sure they’re out there and I’m sure that there are some dangerous people involved in promoting them. I’m just saying that I kind of suspect that there might not be as many of them as there tends to be in the movies. I always find it interesting that so many underground fight clubs seem to have a “fight until the death” rule. I mean, it seems to me that would cause you to quickly run out of fighters. I also wonder what people do when they want to start an underground fight club but they don’t have access to an abandoned warehouse or any acquaintances in the Russian Mafia. I guess those people are just screwed.
While Mulroney and King definitely make an impression as the two over-the-top villains, Lights Out is dominated by Frank Grillo. Grillo has been lucky enough to be blessed with a down-to-Earth screen presence that allows him to be likable while also leaving little doubt that he is someone who can handle himself in a fight. He has the weathered good looks of some one who has seen some things but who hasn’t yet surrendered his humanity. He’s like the modern day version of one of those wonderful character actors who used to populate the gangster movies of the 1930s. Grillo’s tough sincerity and streetwise persona is well-used here. John Garfield had his Body and Soul. Frank Grillo has his Lights Out.