Ken Metcalf | Through the Shattered Lens

During the Vietnam War, an American patrol is captured by a German (Vernon Welles) who plans to sell them to the VC. Only their commanding officer, Lt. Vance Calhoun (Brad Johnson), manages to get away. When he’s told the the Army can’t spare any men for a POW rescue mission, he instead recruits a group of Hell’s Angels who just happen to be hanging out in Vietnam. When the Hell’s Angels learn that there’s gold hidden in the caves near the POW camp, they hop on their motorcycles and heard on out.

You might wonder why the Hell’s Angels were in South Vietnam to begin with. The easy answer is that they were there to raise Hell and spread the legend of their motorcycle club. The truth is that they were there to win the war for America. Like many Vietnam films released in the 80s, the main message of Nam Angels is that America could have won if not for the cowardly officers who weren’t willing to rescue our POWs. America should have listened to Vance Calhoun and the Hell’s Angels. Meanwhile, the real-life Hell’s Angels sued the filmmakers for trademark infringement. It doesn’t get more American that!

As for Nam Angels, it has all of the explosions and motorcycles that are promised by the title and, as always, Vernon Wells is a good villain. Considering the premise, it’s disappointing that Nam Angels proves itself to be a typical straight-to-video war movie but it still features all of the action, torture, and tough talk the fans usually want from these movies. It ends with a quote from John Milton that doesn’t really have anything to do with the film that we just watched.

This was one of the 104 films that Cirio Santiago directed over his career. Reportedly, Steven Spielberg was a fan of this one, casting Brad Johnson in Always on the basis of his performance in Nam Angels. Make good movies because you never know who might be watching.

Ed Neilson (Ken Metcalf) is a business executive who just wants to spend the weekend grilling with his family but then a bunch of gunmen show up and, in a surprisingly violent sequence that even shows children being shot in slow motion, massacre his entire family.

Ed barely survives and begs his old friend, a former CIA agent named Duke Smith (Robert Conrad), to find out who murdered his family. Duke would rather hang out on the beach with his wife (Aline Samson) and daughter (Nancy Conrad) and he refuses to help Ed. But then Ed gets blown up in his car and Duke and his former partner (Felton Perry) come out of retirement to get justice. Duke’s investigation leads to a corrupt businessman (Thayer David), a murderous government official (John Ashley, who also produced), and a ruthless hitman (Don Stroud).

Filmed in The Philippines and directed by Eddie Romero, Sudden Death is a violent and brutal thriller with a twisty the plot that is nearly impossible to follow. It seems like a lot of killing for no particular reason. The thing that sets Sudden Death apart from other action films is its willingness to violently kill off anyone, regardless of age, gender, or relative innocence. The 70s was a decade known for downbeat endings but, even by the standards of that decade, Sudden Death‘s ending is shockingly abrupt and bleak. In the lead role, Robert Conrad shows off the ruthless intensity that made him the most feared of all of the coaches on Battle of the Network Stars.

Originally, the sidekick role was offered to Jim Kelly. When Kelly dropped out, the role was given to the far more laid back Felton Perry. I think if Kelly had stayed with the film, it would probably be a cult classic today. Instead, it’s an obscurity that reminds us of how bleak even exploitation films were in the 70s.