Keith Knight | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!

I don’t even know where to start this week.

Episode 2.20 “The Son Also Rises”

(Dir by Stuart Gillard, originally aired on March 8th, 1987)

For what seems like the 100th time since I started watching the second season of this show, Edna is going on vacation. Technically, she’s going to be taking a computer course but everyone refers to it as being a vacation. Not that it matters because, knowing this show, we’ll never hear another word about this class that Edna is taking or the promotion that she’s hoping to get.

No sooner has Edna left then Howard’s ex-girlfriend, Molly Maguire (Diana Barrington), shows up. As Howard explains it to his employees (though why they would care, I have no idea), Molly was the great love of Howard’s life when he was in college and studying hotel management. (We often hear about all of these wonderful things that Howard did in the past, which leads me to wonder why, in his mid-50s, he’s just the manager of a middling grocery store in Canada.) Howard is excited to reconnect with Molly. It’s hard not to notice that, for all the episodes that have portrayed Howard as being the perfect boyfriend, he always tries to hook up with someone else whenever Edna is out of town. Oddly, it appears that none of her friends at the store have ever told Edna that Howard isn’t particularly faithful when she’s away.

(Remember when Howard threw a snit fit over Edna having dinner with her ex-husband? Seems kind of hypocritical, no?)

Howard’s plan to hook up with Molly is to invite her over to his apartment and to have Viker dress up like a butler in order to fool her into thinking that he’s rich. However, when Molly shows up, she reveals that she doesn’t want to rekindle any sort of romance with Howard. Instead, she wants Howard to give her child support because, according to Molly, he’s the father of her “teenage” son, Mickey (Keith Knight).

(Teenage is in quotes because, despite everything that Howard and Molly say to the contrary, Mickey is clearly not a teenager. Actor Keith Knight, who appeared in a number of classic Canadian films including My Bloody Valentine and Class of 1984, was 31 years old when he appeared in this episode.)

Howard and Mickey bond. Mickey turns out to be a pretty nice and intelligent “kid” and Howard starts to think that maybe he would like to be a father. (Good luck explaining any of this to Edna, Howard.) Howard worries about paying child support. Leslie the cashier offers to loan him the money. (What?) But then Molly shows up and reveals that — ha ha! — Howard’s not Mickey’s father after all. She just said that to get some money from Howard but since Howard obviously doesn’t have any money, never mind.

Well, that was …. interesting. Seriously, what a weird episode. Howard’s a jerk and, after bonding with 30-something Mickey, he discovers that he’s not Mickey’s father. Edna comes back from her trip and asks Howard if anything happened while she was gone. Howard says he doesn’t know where to start. Roll credits! There have been many inconsequential episodes of Check It Out! but none as inconsequential as this.

http://www.youtube.com/watch?v=-wFVpKYNvRU

“I am the future!” — Peter Stegman (Timothy Van Patten) in Class of 1984 (1982)

In many ways, the classic exploitation film Class of 1984 feels like an update of Blackboard Jungle. An idealistic teacher Andrew Norris (Perry King) takes a job teaching at a crime-ridden inner city school. There are a few differences. For one thing, the teacher in Class of 1984 teaches music. The graffiti-covered school in Class of 1984 looks a hundreds times worse than the one in Blackboard Jungle. Sidney Poitier is nowhere to be seen in Class of 1984 though Michael J. Fox does show up as one of the good students. Bad student Peter Stegman (Timothy Van Patten) and his gang are a lot more colorful and flamboyant than Vic Morrow ever was in Blackboard Jungle.

And, of course, the main difference between Blackboard Jungle and Class of 1984 is that, in the former film, teacher Glenn Ford’s liberal idealism ultimately defeated the forces of juvenile delinquency. Ford may have been tempted to turn violent but, ultimately, he appealed to the better instincts of his other students and the world was better for it.

In Class of 1984, Andy Norris may start off as a liberal idealist but, ultimately, he reveals himself to be just as violent as his students. And again, the world appears to be better for it.

(I imagine that, when this film was originally released, a lot of teachers probably watched it as a form of wish-fulfillment.)

Now, Andy’s actions may be extreme but he has his reasons. Just consider everything that happened to him after he started teaching.

First off, his best friend and fellow teacher Terry Corrigan (Roddy McDowall) was driven insane by the school’s students. Terry eventually ended up teaching while pointing a gun at his entire class. (The scene where McDowall finally gets his class to pay attention is one of the best in the film, largely due to McDowall’s excellent performance. The look of happiness that crosses his face when a student finally gives him the correct answer is both disturbing and funny at the same time.)

Secondly, his best student (that would be Michael J. Fox) ended up getting stabbed in the cafeteria by one of Stegman’s goons.

And finally, Stegman and his gang assaulted Andy’s wife.

Can you blame Andy Norris for taking the law into his own hands?

Now, me, I have a tendency towards being a bleeding heart when it comes to those living on the fringes of society. I’m against the death penalty. I’m against the war on drugs. I’m against violence. I believe in compassion. I believe in understanding. I believe in love. But even with all that in mind, I couldn’t help but enjoy Class of 1984. Some of that is because the film is surprisingly well-acted. You find yourself really caring about the characters played Perry King and Roddy McDowall and you also find yourself really hating Peter Stegman and his goons. I don’t care how compassionate you are, there’s something very cathartic about watching Andy finally get back at his tormentors. And then there’s the fact that, of all the directors to work in what has been termed the “exploitation” field, Mark Lester is one of the best. He’s one of those directors who knows exactly how to tell a story and what buttons to push to get the proper emotional respect.

But mostly, the film works because of Timothy Van Patten’s performance as Peter Stegman. Van Patten makes Stegman into one of the definitive teenage psychos. As intimidating as Van Patten is, his best moments come when the film reveals the type of person that Stegman could have been if not for the fact that he’s a total sociopath. At one point, when Andy tries to kick him out of music class, Stegman responds by sitting down at a piano and playing a beautiful piece of music. Perhaps my favorite Stegman moments comes late in the film, when he’s seen sweetly talking to his devoted (and clueless) mother.

Not surprisingly for a film that was released over 30 years ago, Class of 1984 is undeniably dated. But it doesn’t matter because Class of 1984 captures a universal and timeless truth. There are always going to be frustrated teachers and dangerous students. The only thing that changes is how society deals with the frustration and the danger.