Joyce Gordon | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, it’s all up to Johnny Ventura!

By the way, it is true that these reviews usually run on Friday. This week, however, all the cold weather caught up to me and I spent most of yesterday in bed. As a result, this week’s review got preempted to tonight. Now, let’s find out what’s been going on in the world of cursed antiques!

Episode 3.4 “Crippled Inside”

(Dir by Timothy Bond, originally aired on October 21st, 1989)

This week’s episode opens with teenager Rachel Horn (Stephanie Morgenstern) nearly getting gang-raped by a group of jocks. Rachel manages to escape from them but, as she runs away, she’s hit by a car and left a quadriplegic. Feeling that her life is over, things start to look up for Rachel when an old man (John Gilbert) gives her his antique wheelchair, which he suggests will help her regain the ability to move. When Rachel sits in the antique wheelchair, she can send out her astral form. Each time she uses the wheelchair, her body heals just a little bit more. The only catch is that the wheelchair only works if Rachel kills people while in her astral form. Hey, I can think of at least four guys that Rachel might want to kill….

With Jack and Micki in London, it falls to Johnny Ventura to try to get the wheelchair back. I have to admit that I was a bit skeptical when I saw this episode was going to be a solo effort on Johnny’s part. I was like, “Johnny’s only been a regular for two episodes and he’s already working alone?” (I have to admit that my feelings towards the Johnny Ventura character are very much influenced by how much I liked Ryan.) But I have to say that this was a good episode and a lot of that was because Johnny was working alone. Not understanding the true danger of the cursed antiques, Johnny was torn about whether or not to take the wheelchair away from Rachel. Rachel was a very sympathetic character and the people she was targeting truly were terrible. Johnny, not understanding that Rachel was losing her soul to the devil, actually gave the wheelchair back at one point. By the end of the episode, he realized he had made a mistake. Steve Monarque did a wonderful job portraying Johnny’s growing realization that there are no good curses.

This was a good episode. I still miss Ryan but Johnny held his own. The story was emotionally effective and the ending left me feeling genuinely unsettled. Johnny learned the truth about curses and I learned that, even during its final season, Friday the 13th: The Series was capable of producing intelligent and memorable horror.

Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

The search for cursed antiques continues!

Episode 2.6 “Master of Disguise”

(Dir by Tom McLoughlin, originally aired on November 11th, 1988)

A side job delivering antiques for use in a horror film leads to Micki meeting her favorite actor, the amazingly handsome and charming William Pratt (John Bolger). And when the film’s leading lady refuses to shoot a scene because of Pratt’s method obsessiveness, Micki finds herself cast as her replacement. Soon, Pratt and Micki are having a torrid romance. Ryan feels that there’s something wrong with Pratt but then again, we all know that Ryan has unrequited romantic feelings for his cousin (ewwww!).

That said, Ryan is right. Pratt is actually Jeff Amory, an actor who was so disfigured that he was previously typecast in horror films. Amory disappeared after the murder of one of his co-stars, an actress who looked a lot like Micki. Using a cursed makeup box that once belonged to John Wilkes Booth (“the actor who shot Lincoln,” Ryan helpfully explains), Amory has transformed himself into the handsome Pratt. Unfortunately, the box needs to constantly absorb blood to work and Pratt has become a one-man murder spree. (One of his victims is played by Aaron Schwartz, of Check It Out! fame.) Will Micki become his next victim?

(An interesting piece of trivia: Booth is often described as just being “the actor who shot Lincoln,” but he was actually a legitimate star and a celebrity in both the North and the South in the years leading up to the Civil War. The youngest and best-looking of the Booth brothers, he was an acclaimed and popular Shakespearean actor who was so handsome that women would flock to the theater whenever one of his show’s came to town. He was the 19th century stage’s version of Ryan Reynolds. Everyone who was into theater knew his name, even before he shot Lincoln. America has seen many assassins who wanted to be celebrities. Booth was a celebrity who wanted to be an assassin.)

This was an okay episode. I liked the fact that Pratt was a bit more tormented by his actions than some of the other villains who have appeared on this show and I was also happy that Micki got to be at the center of the action, even if the episode’s script did make her a bit more flighty than she’s ever been previously portrayed. Ryan’s romantic feelings for Micki are a little bit awkward, seeing as how they’re related but, again, they were necessary to establish why Micki was originally dismissive of Ryan’s concerns.

This episode ended with a bit of trivia, with Jack mentioning that William Pratt was also the real name of one of the gentlest men in show business …. Boris Karloff. Again, you have to wonder why no one else noticed that is before Jack and why it took Jack so long to mention it. Still, it’s nice that Karloff got a shout out.