Joseph Whipp | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bike patrol continues to be largely ineffective.

Episode 3.2 “Ties That Bind”

(Dir by Sara Rose, originally aired on August 10th, 1997)

TC is excited because Jeff Pierce has moved to Santa Monica. I had no idea who Jeff Pierce was but the show explained that he was some sort of professional bike rider. Even if Jeff Pierce hadn’t been credited as “himself,” I would have guessed that he was a professional athlete just by how bad of an actor he was.

Pierce needs help retrieving his pink competition shirt. TC and Victor help him out. That was nice of them. Pierce challenges the thief to a race and the thief is so excited about getting to race Jeff Pierce that he doesn’t even mind when he gets arrested at the finish line. He even gets an autographed picture of Jeff Pierece!

Meanwhile, Gloria Allred also appears as herself. She appears as an advocate for a group of women who are protesting the release and the return of former serial killer Conway Henriksen (Marc Riffon). Conway has spent ten years in a mental hospital and he says that he’s now reformed. However, after he gets harassed by some of his former victims (apparently, he didn’t kill everyone) and his house house is set on fire, Conway snaps and kidnaps Cory’s best friend, Billie (Rainer Grant). Conway thinks that Billie is his abusive mother and he starts quoting from the Bible and the overacting gets a bit embarrassing. Finally, Conway shoots himself.

Now, this storyline had potential. Conway was sincere in his desire to start his life over again but the harassment campaign pushed him over the edge. Unfortunately, because this is Pacific Blue, the idea of the people trying to protect their neighborhood from a serial killer pushing the guy into becoming just that was left largely unexplored. Instead, everyone just breathes a sigh of relief after Conway shoots himself.

Finally, Chris’s real father (Kent McCord), shows up at headquarters and explains to Chris that, despite what her mother told her, he didn’t actually die in Vietnam. Instead, he’s been working as a commercial pilot and now he wants to get to know Chris. Chris, of course, acts like a total bitch about it, especially after she discovers that he’s married and that Chris has a teenage half-sister who is as much of a sullen brat as she is. Still, Chris eventually forgives her father for having a life and the episode ends with Chris and her real father going sky-diving. This episode missed an opportunity to have Gloria Allred and Jeff Pierce join them in jumping out of the plane. That would have been classic Blue.

It’s just another day in L.A.

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

Jonathan and Mark are once again in Hollywood, bringing yet another family together.

Episode 1.21 “The Brightest Star”

(Dir by Victor French, originally aired on March 6th, 1985)

Despite the fact that Mark was hoping to finally have a vacation from work, the Boss has other ideas. Jonathan and Mark end up picking up a hitchhiking little girl who claims that she’s escaped from an abusive orphanage. It doesn’t take long for Jonathan and Mark to figure out that she’s lying. She’s actually Laurie Parks (Carrie Wells), one of the most in-demand child actresses working in Hollywood.

Hired to do some carpentry at the Parks home, Jonathan and Mark soon start offering advice to the family and indeed, this family needs a lot of help. The family is totally dependent on Laurie’s salary and Laurie deals with the pressure of being the main provider by acting like a monstrous brat. Her alcoholic father (Gerald S. O’Loughlin) wants to return to his previous life of driving a cab. Her mother (Trish Van Devere) spends all of her time watching out for Carrie’s career. The daughter (Laura Jacoby) of the family’s loyal maid (Mary Armstrong) is the selfless angel that Laurie is not and, with Jonathan’s help, she begins her own acting career. Unfortunately, her success comes at Laurie’s expense.

As I watched this episode, I was struck by how familiar it felt. Eventually, I realized that it was reminding me of an earlier episode from season 1, in which a father was the one who neglected his family until his son was cast opposite of him in a movie that was he was shooting. Both of these episodes present Hollywood as being a shallow place, where family is often put second and people are corrupted by the pressures of stardom. Both episodes were critical of Hollywood but ultimately ended with the classic Hollywood story of a new star being discovered from out of nowhere. One gets the feeling that Michael Landon, as the show’s guiding force, was dealing with his own issues of trying balance his career with his family. Highway to Heaven both loves and criticizes the entertainment industry with equal abandon.

As for the episode itself, it wasn’t particularly memorable and it struggled to balance moments of sentimental drama with moments of comedy. One could understand the father’s unhappiness with his situation without necessarily thinking that the solution would be for him to move out of the house and start driving a cab again. In the end, Laurie was such a monster that it was difficult to care about what happened to her one way or the other.

Next week, Jonathan and Mark go up against another heartless corporation!