Late Night Retro Television Review: Monsters 1.20 “The Cocoon”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

This week, Billy Drago learns an important lesson about cheating, greed, and cocoons.

Episode 1.20 “The Cocoon”

(Dir by John Gray, originally aired on April 29th, 1989)

A woman (Kim Ulrich) is involved in a serious traffic accident, one that should have killed her.  Instead, she survives the accident with hardly a scratch but also without her memory (or so she claims).  A greedy police detective named Richard (Billy Drago) is called in when it is discovered that the woman has a good deal of money but no identification on her.  When the woman says that she knows that she’s wealthy, Richard becomes very interested in helping her regain her memory.

Richard’s girlfriend, Sarah (Silvana Gallardo), is a psychic.  Richard brings her to see the woman, hoping that Sarah will have a vision.  When she handles the woman’s comb, Sarah has a vision of the woman in the 1920s, seducing a man who has been missing for over 60 years.  But the woman appears to be in her 20s in both the present and in Sarah’s vision.  Richard suggests that Sarah might be seeing the woman’s grandmother.

Of course, the truth is a bit more complex.  The woman has been alive for centuries, surviving by wrapping her lovers in a cocoon and then feasting off their life force.  The woman is hoping to make Richard her next lover and Richard, being a bit of a sleazeball, is prepared to go along with it.  However, Sarah has a few tricks of her own….

This was an interesting and ambitious episode, one that attempted to tell a very complex story in just 21 minutes and on a very limited budget.  Unfortunately, the show didn’t really have the resources to do this particular story justice but it’s still hard not to admire the imagination involved.  Throughout the episode there are moments that work really well, like a sequence where Sarah has a vision of all of the different costumes that the woman has worn through the centuries.  The episode also ends with an entertaining little twist.  It’s effective, even if the scenes involving the actual spinning of the cocoon fall victim to the show’s low budget.

Billy Drago was a veteran screen bad guy, one who almost always cast as an evil henchman.  (In Brian De Palma’s The Untouchables, Kevin Costner memorably threw him off of a roof.)  This episode gives Drago a rare leading role, though Richard is just as amoral and sleazy as the characters for which Drago was best known.  Drago does a good job in the lead, playing Richard as being a not particularly smart guy who is undone by his own cockiness.  If nothing else, it’s impossible not to enjoy seeing him get his comeuppance.

Next week on Monsters …. Adrienne Barbeau dabbles in the magical arts!

A Movie A Day #122: The Lost Capone (1990, directed by John Gray)


Chicago.  1915.  Up-and-coming gangster Al Capone (Eric Roberts) berates his younger brother, Jimmy (Adrian Pasdar), for not being aggressive enough in a street fight.  Not wanting to follow his brothers into a life of organized crime, Jimmy runs away from home and eventually finds himself in Harmony, Nebraska.  Claiming to be a World War I vet named Richard Hart, Jimmy impresses everyone with both his marksmanship and his incorruptible nature.  Soon, the new Richard Hart has been named town marshal.  While Al Capone is taking over the Chicago rackets, Richard is keeping the town safe with his Native American deputy, Joseph Littlecloud (Jimmie F. Skaggs), and starting a family with the local school teacher, Kathleen (Ally Sheedy).  When illegal liquor from Chicago starts to show up on a nearby Indian reservation, Richard Hart comes into conflict with the Chicago Outfit and his secret is finally revealed.

There is a sliver of truth to this made-for-TV movie.  Al Capone really did have a brother named James, who ended up changing his name to Richard Hart and working as a prohibition agent in Nebraska.  Otherwise, the movie changes so many facts that it is hard to know where to begin.  In real life, Al and James Capone grew up in New York.  James, who was actually several years older than Al, ran away from home not to escape Al’s bullying but because he wanted to join the circus.  (Al was only 9 when James ran away.)  James changed his name to Richard Hart not to keep people from realizing that he was related to Al but because he admired silent screen cowboy William S. Hart.  Though James did work in law enforcement, he never came into conflict with Al Capone’s organization and, in fact, regularly visited Chicago.

The Lost Capone is a forgettable mix of western and gangster clichés, featuring a notably stiff performance from Adrian Pasdar in the lead role.  It does feature two of the strangest performances that I have ever seen.  Eric Roberts, complete with a phony scar, playing Al Capone is just as weird as it sounds, while Ally Sheedy plays a wholesome and always smiling teacher but delivers her lines in the same halting tone of voice that she used as the “basket case” in The Breakfast Club.

There is probably a good movie that could be made about the life of James Capone/Richard Hart but The Lost Capone is not it.