Late Night Retro Television Review: Friday the 13th: The Series 2.6 “Master of Disguise”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

The search for cursed antiques continues!

Episode 2.6 “Master of Disguise”

(Dir by Tom McLoughlin, originally aired on November 11th, 1988)

A side job delivering antiques for use in a horror film leads to Micki meeting her favorite actor, the amazingly handsome and charming William Pratt (John Bolger).  And when the film’s leading lady refuses to shoot a scene because of Pratt’s method obsessiveness, Micki finds herself cast as her replacement.  Soon, Pratt and Micki are having a torrid romance.  Ryan feels that there’s something wrong with Pratt but then again, we all know that Ryan has unrequited romantic feelings for his cousin (ewwww!).

That said, Ryan is right.  Pratt is actually Jeff Amory, an actor who was so disfigured that he was previously typecast in horror films.  Amory disappeared after the murder of one of his co-stars, an actress who looked a lot like Micki.  Using a cursed makeup box that once belonged to John Wilkes Booth (“the actor who shot Lincoln,” Ryan helpfully explains), Amory has transformed himself into the handsome Pratt.  Unfortunately, the box needs to constantly absorb blood to work and Pratt has become a one-man murder spree.  (One of his victims is played by Aaron Schwartz, of Check It Out! fame.)  Will Micki become his next victim?

(An interesting piece of trivia: Booth is often described as just being “the actor who shot Lincoln,” but he was actually a legitimate star and a celebrity in both the North and the South in the years leading up to the Civil War.  The youngest and best-looking of the Booth brothers, he was an acclaimed and popular Shakespearean actor who was so handsome that women would flock to the theater whenever one of his show’s came to town.  He was the 19th century stage’s version of Ryan Reynolds.  Everyone who was into theater knew his name, even before he shot Lincoln.  America has seen many assassins who wanted to be celebrities.  Booth was a celebrity who wanted to be an assassin.)

This was an okay episode.  I liked the fact that Pratt was a bit more tormented by his actions than some of the other villains who have appeared on this show and I was also happy that Micki got to be at the center of the action, even if the episode’s script did make her a bit more flighty than she’s ever been previously portrayed.  Ryan’s romantic feelings for Micki are a little bit awkward, seeing as how they’re related but, again, they were necessary to establish why Micki was originally dismissive of Ryan’s concerns.

This episode ended with a bit of trivia, with Jack mentioning that William Pratt was also the real name of one of the gentlest men in show business …. Boris Karloff.  Again, you have to wonder why no one else noticed that is before Jack and why it took Jack so long to mention it.  Still, it’s nice that Karloff got a shout out.

Late Night Retro Television Reviews: Monsters 1.4 “The Vampire Hunter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991.  The entire show is streaming on Youtube.

This week, Monsters features a vampire!  Yay!  I usually love a good vampire story.

Episode 1.4 “The Vampire Hunter”

(Dir by Michael Gornick, originally aired on November 12th, 1988)

The fourth episode of Monsters opens in New England, towards the end of the 19th century.  Ernest Chariot (Robert Lansing) is a veteran vampire hunter who is planning on hanging up his crucifix and his stake so he can concentrate on flirting with the women who come to him searching for answers about the paranormal.  He even tells his young assistant, Jack (Jack Koening), that is planning on heading over to Austria so he can meet with Sigmund Freud and talk about dream interpretation with him.  Interestingly enough, it appears that Ernest doesn’t really believe in anything paranormal, outside of vampires.  Myself, I think if I ever saw proof that vampires existed, I would probably accept that anything could exist.  I mean, it’d be strange for it just be vampires.

Before he can retire, Ernest does have one last job to complete.  Ms. Warren (Page Hannah) claims that her brother has been acting strangely, as if he’s been bitten by a vampire.  Ernest is skeptical of Ms. Warren’s claims and decides to take a trip to Ms. Warren’s hometown so that he can investigate her background before he agrees to help her.  The far more naïve Jack, however, goes with Ms. Warren back to her home.

It turns out that Ernest was right to be suspicious because Ms. Warren is the reluctant servant of Charles Poole (John Bolger), a vampire who wears a blue mask because of a facial injury that was inflicted upon him by Ernest in the past.  Jack holds Ernest off with a crucifix but, after he loses that, he soon discovers that it’s not as easy to stake a vampire as he thought.

Ernest returns to his office from investigating Ms. Warren’s background, saying that it required him to work in cotton mill.  His housekeeper tells him that Jack left with Ms. Warren.  A panicked Ernest goes to Ms. Warren’s home where he finds Jack in a coffin and Charles Poole eager for a final battle….

And that’s pretty much it.  This was a really weird episode, largely because there wasn’t even an attempt at a clever twist at the end or anything like that.  Instead, it was just a straight-forward story of an old vampire hunter coming face-to-face with a vampire.  In the end, Ms. Warren chooses to help Ernest instead of Charles.  The good guys win and the final credits role.  It’s all very earnest and, again, straight-forward.  At the same time, it’s also not that interesting.  It feels like a scene from a bigger story and, when viewed outside of the context of that bigger story, it lacks the type of emotional depth necessary to really hold the viewer’s attention.

It’s a shame.  I usually love a good vampire story!  Unfortunately, this isn’t one.  Oh well.