Freefall: Flight 174 (1995, directed by Jorge Montesi)


During a routine flight from Montreal to Edmonton, the two pilots (played by William Devane and Scott Hylands) discover that they do not have enough fuel to make it to their destination.  Their aircraft was one of the first in the fleet to use the metric system but a conversion era led to the ground crew measuring the plane’s fuel in pounds instead of kilograms.  With the help of an air  traffic controller (Nicholas Turturro), the pilots try to land their plane before it falls out of the sky.

Based on a true story, Freefall is one of the many airflight disaster films that were made for television in the 80s and 90s.  (Not surprisingly, the genre became less popular after 9-11.)  The emphasis is on the pilots and ground control remaining calm and professional in the face of seemingly insurmountable odds.  While Devane and Hylands look for a place to land, flight attendant Shelley Hack keeps the passengers from panicking.  In typical disaster movie style, the passengers have their own dramas that are wrapped up as they wait for the plane to either land or crash.  It’s a low-budget movie but the cast does a good job.  William Devane is one of those actors who just looks credible flying an airplane.

The movie’s main lesson?  Don’t use the Metric System unless you absolutely have to,

 

October Hacks: Valentine (dir by Jamie Blanks)


A holiday slasher, 2001’s Valentine tells the story of five girls and the nosebleed-prone incel who has never forgiven them for not dancing with him in high school….

Well, no, actually, it’s a bit more serious than that.  In high school, dorky Jeremy Melton asked four popular girls to dance with him at the Valentine’s Day dance.  Shelley, Lilly, and Paige rejected him and were rather rude about it.  Kate was polite and promised that maybe she would dance with him later.  Only Dorothy agreed to dance with him but when Dorothy and Jeremy were subsequently discovered making out underneath the bleachers, Dorothy falsely claimed that Jeremy forced himself on her.  School jock Joe beat up Jeremy and humiliated him in front of the entire school.  Jeremy ended up in a reform school and was eventually sent to a mental institution.

Years later, everyone has grown up.  Shelley (Katherine Heigl) is a medical student.  Lily (Jessica Caufiel) is dating an artist named Max (Johnny Whitworth) and having to deal with Max’s angry ex, Ruthie (Heddy Burress).  Dorothy (Jessica Capshaw) is insecure and dating the caddish Campbell (Daniel Cosgrove).  Paige (Denise Richards) is still living her life as if she’s everyone’s favorite mean girl.  And Kate (Marley Shelton) is in an on-and-off again relationship with Adam (David Boreanaz), a recovering alcoholic and writer.  No one is really sure what has happened to Jeremy but when someone starts picking off the members of their group and they start to get morbid Valentines in the mail, everyone starts to wonder if maybe Jeremy has returned.

Of course, this group isn’t going to let the fact that a murderer is stalking them keep them from throwing a big Valentine’s party as Dorothy’s house.  These are extremely stupid people, as you may have guessed.  It’s a bit of an awkward party, largely because everyone is having relationship issues and Ruthie Walker shows up and yells at everyone.  Things get even more awkward when the a killer wearing a cupid’s mask shows up and starts killing everyone at the party.

I always remember Valentine as being a really big deal when it was first released but, when I was doing a little research for this review, I discovered that Valentine was actually considered to be a flop at the box office.  Maybe I just got in into my head that it was some sort of huge success because Valentine was one of those films that used to show up on Showtime constantly.  I think I’ve seen the film’s ending over a hundred times, just while waiting for the next movie to start.

As far as slasher films go, it’s adequate without being particularly memorable.  The killer is creepy but the victims are all so shallow that it’s difficult to have much sympathy for them.  Probably the most interesting thing about this film is that all of the supporting characters are so strange and perverse that it almost feels as if they’ve wondered over from an old giallo film.  This the type of film where everyone’s either an ex-addict or a notorious con artist or an underwear thief.  Undoubtedly, the best supporting character is Ruthie Walker, if just because she’s the only character in the film who is willing to call out everyone on their shallowness.  Unfortunately, Ruthie doesn’t come to a good end but she does get the best death scene in the film and, when it comes to something like Valentine, that has to be considered a triumph.

Anyway, Valentine ends with the set up for a sequel but it never happened.  Valentine’s Day remains an awesome holiday!  Don’t let any killer cupids ruin it for you.