KID GALAHAD (1962) – Charles Bronson teaches Elvis how to box! Happy Birthday to the King!


In celebration of the January 8th birthday of the great Elvis Presley, I decided to watch his 1962 film KID GALAHAD, the only film where he co-stars with my movie hero Charles Bronson. I’ve always been a fan of Elvis Presley and seeing him on-screen with Bronson is a real treat for me.

KID GALAHAD opens with Walter Gulick (Elvis Presley) returning to his hometown in upstate New York. Recently discharged from the army, and in the need of money, the aspiring mechanic finds his way to Willy Grogan’s (Gig Young) boxing camp and agrees to spar with one of his up-and-coming young boxers. Walter doesn’t have much boxing skill, but he ends up having one hell of a right hook and knocks the young boxer flat on his ass. Seeing this, Willy Grogan, who has all sorts of personal and financial problems, thinks Walter might be the answer to getting out of debt to his bookie. Willy asks his trainer Lew (Charles Bronson) to work with the young, strong Walter, who’s now been dubbed “Galahad” by Willy’s girlfriend Dolly (Lola Albright) after he had protected her honor from a “man who doesn’t know how to behave around a lady.” Pretty soon, Willy has fights arranged for Walter under the name of “Kid Galahad.” The first fight begins with Galahad getting his faced being punched repeatedly until he gets one opening and then knocks the other fighter out with one punch. After that, with Lew’s help, Galahad’s skills start showing definite improvement. When he’s not working with Lew at the gym, Galahad finds time to romance and propose to Willy’s sister, Rose (Joan Blackman). This causes problems with the troubled Willy who doesn’t want his sister married to some “meatball” or “grease monkey.” Even worse, smelling money, gangster Otto Danzig (David Lewis) and his henchmen start putting pressure on the financially troubled Willy to force Galahad to take a dive in his big fight with “Sugar Boy” Romero so they can clean up on the fix, going so far as breaking Lew’s hands. Will Willy get the balls to say no to the gangsters? Will Galahad be able to beat Sugar Boy Romero and then retire to open his garage with Rose by his side? You probably already know, but you’ll just have to watch and see!

1962’s KID GALAHAD is a remake of a 1937 movie of the same name directed by Michael Curtiz, and starring cinematic legends Edward G. Robinson, Bette Davis, and Humphrey Bogart. I’ve never seen the earlier version, so I will not compare the two in any way. And to be completely honest, I haven’t watched very many Elvis Presley movies either. As I type this, I can’t think of a single moment I remember in his filmography not included in KID GALAHAD, and I wouldn’t have watched this one without the presence of Charles Bronson. With that said, I think Elvis gives a good performance in KID GALAHAD. He’s very likable, with his character having an old-fashioned chivalry towards women, a friendly, open way with men, and an appreciation for a strong work ethic. I think Elvis handles each of these parts of his character in a way to that makes me want to root for him. As good as Elvis is as Kid Galahad, Gig Young does most of the heavy lifting as the story really revolves around his character’s troubles even more than it does around Galahad. I think he does a pretty good job of taking a character who’s a pretty sorry guy, and by the end of the movie we actually find ourselves starting to like him. Even though he’s in a true supporting role, Charles Bronson is excellent as the trainer who teaches Galahad how to box. Every scene Bronson’s in is elevated by his enormous screen presence and authority. With Bronson in his corner, you feel Galahad is capable of anything. The most powerful scene in the entire film is when the gangsters try to buy his character off under the threat of violence, and he refuses, leading to his hands being broken. After becoming one of the biggest stars on the planet a number of years later, it’s easy to look back at these moments and wonder how in the hell was he not already a huge star in 1962.

Of course, this being an Elvis Presley movie, there are several musical numbers spread throughout the movie. While I don’t remember too much about the songs themselves, they didn’t really take me out of the drama of the movie either. I actually enjoyed seeing Elvis perform, with the people around him clapping along and enjoying themselves. I do remember a specific scene where Elvis is singing as he’s driving down the road, and Bronson’s sitting in the back seat with a big smile on his face like he’s having a great time. That’s my favorite moment of all the songs.  

Although I haven’t watched many of his movies, I’ve been an appreciative fan of Elvis Presley all my life. I can’t tell you how many times I heard his Christmas album in my younger years, as my mom would play it almost on repeat once we got to November. He was a talented, versatile singer whose charisma and stage presence have never been matched, and whose influence on music and entertainment is immeasurable. The fact that Elvis Presley and Charles Bronson made KID GALAHAD together means something to me, and I had a great time revisiting the film on his birthday!

See the Original Trailer for KID GALAHAD below.

MACON COUNTY LINE – Jethro goes mad!


Max Baer, Jr. co-wrote, co-produced and co-starred in this southern fried thriller about a couple of good ‘ole boys (brothers Alan & Jesse Vint) who break down in the wrong county. The sheriff (Baer), who’s somewhat suspicious of the boys, goes after them with fierce vengeance when his wife is murdered.

I’m a big fan of this classic drive-in film. For one, I think it’s cool that Max Baer Jr., so well known as Jethro Bodine in the classic sitcom THE BEVERLY HILLBILLIES, took on this role of the somewhat racist sheriff who goes mad with rage in this movie. I enjoyed his performance very much. I also like these ‘70’s drive-in films. You get exactly what you expect in this tale, and it’s very entertaining. Finally, I like the Vint Brothers. Alan had an important role a year after this film was made in the Charles Bronson film BREAKOUT.  And what can I say about Jesse. Over the last few years, he’s actually become a friend in real life. He’s such a great guy, and he’s very proud of this movie. He told me one day that Tarantino had said it was one of “the best stories in cinema!” In the first season of his Video Archives podcast, I’ve personally heard Tarantino really brag on Jesse’s performance in the movie THE FORBIDDEN WORLD. I love it when good things happen to good people.

Horror on TV: Circle of Fear 1.16 “Earth, Air, Fire, and Wind” (dir by Alex Singer)


On tonight’s episode of the show that was once Ghost Story, six artists rent out a space to create and show their art.  Unfortunately, they also find a trunk, one that contains six ancient glass containers.  Everyone’s work starts to take a dark turn as the artists become more and more obsessed with the containers.

That plot description might not sound like much but this is a pretty good episode, one that’s full of atmosphere and sly humor.  The script was by Harlan Ellison and D.C. Fontana.  Anyone who has ever spent any time in a commune will be able to relate!

This episode aired on January 19th, 1973.

Moonrunners (1975, directed by Gy Waldron)


Does this sound familiar?

Grady and Bobby Lee Hagg (played by Kiel Martin and Jame Mitchum) are just some good ol’ boys, never meaning no harm, but they’ve still been in trouble with the law since they day they were born.  They live in rural Georgia, on a farm owned by their Uncle Jesse (Arthur Hunnicutt).  Uncle Jesse’s an expert on two things: the Bible and how to brew the best whiskey.  Uncle Jesse is moonshiner with integrity.  No one knows his formula and he won’t sell his moonshine to just anyone.  He doesn’t want anything to do with the New York mob and their efforts to move in on the moonshine racket.

Uncle Jesse’s main rival is Jake Rainey (George Ellis), the corpulent county commissioner who used to be Jesse’s business partner but who now is in league with the Mafia.  Jake and the Hagg boys have a rivalry that is sometimes friendly but still dangerous.  Helping Jake control the county is a formerly honest lawman named Rosco P. Coltrane (Bruce Atkins).

The Hagg boys are on probation so they can’t leave the county and they can’t carry guns.  Instead, they hunt with bow and arrow.  They drive a fast car that they’ve named Traveller (after General Lee’s horse).  Grady dreams of going to Nashville with Beth Anne Eubanks (Chris Forbes) and becoming a country music star.  Bobby is a laid back race car driver who is having an affair with Jake Rainey’s wife.

The film follows the Hagg boys as they transport moonshine, outrun the police, and occasionally get into bar fights.  The movie was shot on location on Georgia, features several car chases, and it’s narrated by country singer Waylon Jennings.

Moonrunners was filmed in 1973 but not released until 1975.  It didn’t get much attention when it was released but it did go on to inspire a television series called The Dukes of Hazzard.   Even considering the show’s popular success and current cult status, Moonrunners is still a largely unknown film.  (It’s so obscure that Warner Bros. was reportedly shocked to discover that they were required to pay several million in royalties to the film’s producers before they could move ahead with their own film adaptation of The Dukes of Hazzard.)  However, Moonrunners is superior to The Dukes of Hazzard in every way.

Of course, being better than The Dukes of Hazzard may seem like a low bar to clear but Moonrunners is still one of the better moonshiner films out there.  The car chases are genuinely exciting and well-filmed and the cast feels authentic.  Arthur Hunnicutt and George Ellis both seem like they naturally belong next to a still while James Mitchum and Kiel Martin are well-paired as Grady and Bobby Lee.  Mitchum, in particular, channels the laconic charisma of his father, Robert.  Not surprisingly, Moonracers is far rougher and has more of an edge than The Dukes of Hazzard.  The TV show may have been for kids but the movie is not.

It’s a B-movie, of course.  The soundtrack, which is full of outlaw country, is sometimes obtrusive.  I burst out laughing at the film’s most dramatic moment because Waylon Jennings suddenly started singing a song called “Whiskey Man.”  The DVD release appears to have been copied straight from a VHS tape so the images were often grainy.  It’s not a perfect movie but I still enjoyed Moonrunners for what it was, a celebration of fast cars, pretty girls, and rebellious attitudes.  Your collection of car chase films is incomplete without it!

Rockin’ in the Film World #13: Elvis Presley in KID GALAHAD (United Artists 1962)


gary loggins's avatarcracked rear viewer

Let’s face it – with a handful of exceptions, most of Elvis Presley’s  post-Army 1960’s movies are awful. They follow a tried-and-true formula that has The King in some colorful location torn between two (or more!) girls, some kind of vocational gimmick (race car driver, scuba diver), and a handful of forgettable songs. KID GALAHAD is one of those exceptions; although it does follow the formula, it’s redeemed by a stellar supporting cast, a fair plot lifted from an old Warner Brothers film, and a well choreographed and edited final boxing match.

The movie’s very loosely based on 1937’s KID GALAHAD, a boxing/gangster yarn that starred Edward G. Robinson, Bette Davis, Humphrey Bogart, and Wayne Morris in the role now played by and tailored for Presley. He’s a young man fresh out of the Army (how’s that for typecasting?) who returns to his upstate New York hometown of Cream Valley…

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