Brad reviews VIGILANTE FORCE (1976), starring Kris Kristofferson and Jan-Michael Vincent! 


I’ve been a fan of actor Jan-Michael Vincent for about as long as I can remember. I was a grade schooler in the mid-80’s when AIRWOLF was playing on network TV. I loved the show and Vincent’s character, Stringfellow Hawke. It was also around that time that I began my obsession with Charles Bronson, and Vincent co-starred in the iconic 1972 Bronson film THE MECHANIC (1972). Fox 16 out of Little Rock played the movie often, further cementing my appreciation for his work. And I specifically remember renting his 1980 movie DEFIANCE where his character takes on a ruthless gang in New York. It was my kind of movie, and I still watch it every few years. There’s just something I’ve always liked about Jan-Michael Vincent. July 15th, 2025 would have been his 80th birthday so I decided to watch one of his movies that I’ve never seen, VIGILANTE FORCE from 1976. It was playing on Amazon Prime, so I fired it up for my initial viewing. 

In VIGILANTE FORCE, Jan-Michael Vincent plays Ben Arnold, a guy from the small town of Elk Hills, California. It seems that the discovery of oil in the area has brought about a financial boom, but it’s also brought in a lot of rowdy out-of-towners and a surge in violent crime. Ben convinces the local community leaders to allow him to bring in his brother Aaron (Kris Kristofferson), a Vietnam war hero, to help restore order in town. Aaron assembles a group of ex-military types, friends of his, to help the local police restore order in town. Successful in cleaning out the riffraff at first, Aaron and his team of vigilantes eventually become the riffraff and use their law enforcement powers for their own corrupt, get-rich-quick schemes. Realizing that he made a horrible mistake in bringing in his brother, Ben is forced to confront Aaron and his team of murderous mercenaries in order to reclaim Elk Hills for its citizens.

I had not read anything beyond the title VIGILANTE FORCE and the basic cast list when I sat down to watch this film. I guess that’s a good thing, because I wasn’t expecting this movie to pit the brothers played by Vincent and Kristofferson against each other. I thought the two guys would be working together to get rid of a bunch of rednecks, and we do get that for the first half of the film, but when Kris goes bad, he really goes bad! And nobody is safe. This is one of those movies where he just kills whoever gets in his way, no matter how important or attractive they are. Writer-Director George Armitage, who would direct the excellent MIAMI BLUES (1990) fourteen years later, has said that he was trying to make a point about America’s involvement in the Viet Nam war with the Kristofferson character. Armitage apparently enjoys his references, as the film was made during the USA’s bicentennial year, but his two main characters are named after Benedict Arnold and Aaron Burr. While these ideas may have amused the director, his heavy-handed approach is not good for Kristofferson’s character in this film. His Viet Nam vet basically turns into an evil cartoon about halfway through the film and is no longer interesting, which is a shame because he gives a good performance.

Allegories aside, at its heart VIGILANTE FORCE is B-movie, drive-in fodder, and it’s pretty good at being that. It’s got that unpolished look and raw, energetic feel that I like in my low budget 70’s action movies. As you would expect in a film at this time, Jan-Michael Vincent is impressive and believable as the tough, good guy of the flick. Highly motivated due to the actions of our evil, out of control villain, Vincent handles the action scenes well in the film’s explosive finale. And I mean that literally, it seems that everything blows up big time at the end! Besides Kristofferson and Vincent, the film has a very recognizable supporting cast, which is one of the things I love about 70’s movies. Producer Gene Corman put together a cast that also includes Brad Dexter, Andrew Stevens, Victoria Principal, Bernadette Peters, Paul Gleason, Charles Cyphers, Loni Anderson and a host of other familiar voices and faces who add their unique talents to the proceedings. Principal, still a couple of years away from her career defining role as Pamela Ewing in the DALLAS TV series, is especially beautiful as Vincent’s girlfriend. 

Overall, while VIGILANTE FORCE is not required viewing, I can definitely recommend it to anyone who likes 70’s redneck action cinema, or to fans of the main stars. I enjoyed it! 

A Movie A Day #244: Death of a Gunfighter (1969, directed by Allen Smithee)


At the turn of the 20th century, the mayor and the business community of Cottonwood Springs, Texas are determined to bring their small town into the modern era.  The Mayor (Larry Gates) has even purchased one of those newfangled automobiles that have been taking the country by storm.  However, the marshal of Cottonwood Spings, Frank Patch (Richard Widmark), is considered to be an embarrassing relic of the past.  Patch has served as marshal for 20 years but now, his old west style of justice is seen as being detrimental to the town’s development.  When Patch shoots a drunk in self-defense, the town leaders use it as an excuse to demand Patch’s resignation.  When Patch refuses to quit and points out that he knows all of the secrets of what everyone did before they became respectable, the business community responds by bringing in their own gunfighters to kill the old marshal.

Death of a Gunfighter is historically significant because it was the very first film to ever be credited to Allen Smithee.  The movie was actually started by TV director Robert Totten and, after Widmark demanded that Totten be fired, completed by the legendary Don Siegel.  Since Totten worked for 25 days on the film while Siegel was only on set for 9, Siegel refused to take credit for the film.  When Widmark protested against Totten receiving credit, the Director’s Guild of America compromised by allowing the film to be credited to the fictitious Allen Smithee.

In the years after the release of Death of a Gunfighter, the Allen (or, more often, Alan) Smithee name would be used for films on which the director felt that he had not been allowed to exercise creative control over the final product.  The Smithee credit became associated with bad films like The O.J. Simpson Story and Let’s Get Harry which makes it ironic that Death of a Gunfighter is not bad at all.  It’s an elegiac and intelligent film about the death of the old west and the coming of the modern era.  It also features not only one of Richard Widmark’s best performances but an interracial love story between the marshal and a brothel madame played by Lena Horne.  The supporting cast is full of familiar western actors, with Royal Dano, Harry Carey, Jr., Larry Gates, Dub Taylor, and Kent Smith all making an impression.  Even the great John Saxon has a small role.  Though it may be best known for its “director,” Death of a Gunfighter is a film that will be enjoyed by any good western fan.

The Fabulous Forties #46: The Town Went Wild (dir by Ralph Murphy)


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The 46th film in Mill Creek’s Fabulous Forties box set was 1946’s The Town Went Wild!  Nice name, huh?

The name is actually a lot nicer than the movie, which is a bit incoherent.  Basically, David (Freddie Bartholomew) is a nice guy who has lived his entire life in the small town.  His best friend is Bob (Jimmy Lydon) and David is also in love with Bob’s sister, Carol (Jill Browning).  David is an engineer who has just been assigned to go work in Alaska.  Before he leaves, he is determined to marry Carol.

Unfortunately, Bob’s father (Edward Everett Horton) and Carol’s father (Tom Tully) hate each other.  They have been feuding for so long that they’re not even sure what they’re feuding about.  However, Carol and David are determined to get married so they decided to elope.  Getting a ride from their friend Mille (Roberta Smith), they go to the next town over and ask the justice of the peace to marry them,

However, before the justice of the peace can marry them, he needs them to publicly post their wedding plans in the local newspaper.  And before David can post those plans, he needs to get his birth certificate from the local registrar.  When David gets his birth certificate, he discovers something shocking.  There was a mix-up at the hosptial!  His Dad went home with the wrong baby.  David is actually … CAROL’S BROTHER!

So, what can they do?  How can David and Carol still get married despite apparently being related?  And will the fathers be able to set aside their feud long enough to help their children out?  The entire town wants to know!

I have to admit that I’m struggling a bit to come up with anything to say about The Town Went Wild.  The movie is a mess and David and Carol are such boring characters that they even make incest look dull.  Unfortunately, the version I saw of The Town Went Wild suffered from one of those infamously cheap Mill Creek transfers, complete with grainy picture, inconsistent sound, abrupt cuts, and the sneaky suspicion that certain scenes did not make the transfer from film to video.

With all that in mind, it’s hard to fairly judge The Town Went Wild but I can say that at least it provided good roles for Edward Everett Horton and Tom Tully.  If nothing else, these two character actors appeared to enjoy playing loud and frequently stupid rivals.  Otherwise, The Town Went Wild is one of those poverty row films that can safely be forgotten.