Brad reviews THE GHOST AND MR. CHICKEN (1966), starring Don Knotts.


I love Don Knotts. I’m one of those people who have watched every episode of THE ANDY GRIFFITH SHOW (1960-1968) multiple times. And while it’s true that there are good episodes in the last three seasons, the series was at its best when Sheriff Andy Taylor and his sidekick Barney Fife were serving the townsfolk of Mayberry, North Carolina during the first five seasons. In Barney Fife, Don Knotts created one of the best characters in television history, earning five Emmy Awards in the process. When Don Knotts left the series at the height of its popularity, the first movie he made was THE GHOST AND MR. CHICKEN!  

In THE GHOST AND MR. CHICKEN, Knotts plays Luther Heggs, a meek typesetter at a small-town newspaper in Rachel, Kansas, who dreams of being a serious reporter but is treated like a joke by nearly everyone around him. When the town prepares for the 20-year anniversary of an unsolved murder at the supposedly haunted Simmons Mansion, Luther unexpectedly gets a chance to prove himself. He volunteers to spend the night alone in the mansion to see if it really is haunted. As you might expect, Luther is scared out of his mind as he hears banging on the walls, discovers secret passageways, and observes blood-stained organs playing themselves. The night culminates with Luther seeing a portrait of poor Mrs. Simmons with gardening shears piercing her throat! By surviving the night, and then telling the truth about what he experienced, Luther just may uncover a real crime being committed behind all of this “supernatural” activity!

Since Don Knotts left THE ANDY GRIFFITH SHOW to pursue a movie career, I’m glad to report that his decision to star in THE GHOST AND MR. CHICKEN was a really good choice. His performance is a masterpiece of physical comedy. Sure, Knotts trembles, shakes and delivers his lines in his awkward, nervous way for a lot of laughs, but he also provides a vulnerability that really makes you root for him. Knotts knew how to play lovable losers in a way that shows a quiet decency. He may actually be scared, and he may seem like a real pushover, but he also finds the courage to do the right thing even when it’s not easy. This was true for Barney Fife, and it’s also true for Luther Heggs in THE GHOST AND MR. CHICKEN.

Aside from Don Knotts, THE GHOST AND MR. CHICKEN has a solid supporting cast! Joan Staley is very beautiful as Luther’s love interest, Alma. Staley was a Playboy Playmate in 1958, so I can definitely see why Luther is in love. I like the fact that her Alma is more than just a pretty face. Rather, she’s one of the few people who sees Luther as more than a joke, which makes her even more appealing. Meanwhile, Luther’s newsroom boss (Dick Sargent) and office rival (Skip Homeier) never miss an opportunity to be condescending. The director Alan Rafkin directed 27 episodes of THE ANDY GRIFFITH SHOW, so he definitely knows how to get the best comedy out of Knotts and the rest of his cast. He also keeps the tone light, with the haunted house set pieces playing out like gentle, kid-friendly chills rather than anything truly scary. The blood-stained organ / garden shears sequence in the mansion is especially effective, with Don Knotts perfectly walking the line between raging fear and slapstick comedy. Signaling that there was a big audience for Don Knotts in the movies, THE GHOST AND MR. CHICKEN proved to be a box office hit, taking the number one spot during its first week of release, and grossing about eight times its budget!  

Ultimately, THE GHOST AND MR. CHICKEN endures because it understands the special qualities of its star. Don Knotts is funny, and he’s also human. He may be scared out of his mind, but he also has decency and an ability to find courage when he must. In that way, it’s a comfort movie, a should-be Halloween staple, and finally, a reminder that sometimes the bravest person in the room is the one who can’t quit shaking.  

30 Days of Noir #15: The Man With My Face (dir by Edward Montagne)


The 1951 film, The Man With My Face, tells the story of Chick Graham (Barry Nelson).

Chick’s a nice guy.  He might be a little bit bland but, at the same time, he’s also never been in any real trouble.  He’s the type of person who you would trust to look after your money but, at the same time, you would probably also forget to wish him a happy birthday on Facebook.  He’s just one of those decent but forgettable human beings.

After serving his country in World War II, Chick moved to Puerto Rico and opened up a business with his best friend from the army, Buster Cox (John Harvey).  Not only that but he also married Buster’s sister, Cora (Lynn Ainley).  Of course, when he fell in love with Cora, he also abandoned his then-girlfriend, Mary (Carole Mathews).  Mary’s still a little bit upset about that but you know who is really bitter about it?  Mary’s brother, Walt (Jack Warden).  Walt says that Chick’s no good and there’s no way that he would ever help Chick out if Chick ever got in any trouble.

But no matter!  Chick’s got a nice house.  He’s got a loving wife.  He’s got a loyal best friend.  And he’s got a dog!  It’s a perfect life!

Or is it?

One day, Chick is shocked when his wife doesn’t pick him up after dropping him off in the city.  When she calls his house and asks her what’s going on, she replies that she doesn’t have the slightest idea who he is.  When Chick finally makes it home, both Cora and Buster continue to insist that they don’t know who he is.  His own dog doesn’t even seem to know him!

However, what’s really strange is that, in Chick’s house, there’s a man who looks exactly like him.  Cora, Buster, and the man all claim that he’s the real Chick Graham and that the original Chick is just a double. Fleeing his house, Chick soon discovers that his picture is on the front page of every newspaper!

Except, of course, it’s not his picture.  Instead, it’s a picture of Bert Rand!  Bert is a notorious criminal who recently robbed a bank in Miami.  It’s rumored that he’s fled to Puerto Rico!  It doesn’t take long for Chick to figure out that Bert has stolen his identity and moved into his house.  But how can Chick prove it?  (Remember this film was made in 1951, back when most people didn’t even know what DNA was.)  Making things even worse for Chick is that he now has a crazed dog handler (Jim Boles) and a doberman chasing him all over San Juan….

As far as stolen identity films are concerned, The Man With My Face isn’t bad, though it is kind of predictable.  It’s not a spoiler to say that people are conspiring against Chick but, as you watch the film, you have to wonder why these criminals would pursue such a needlessly complicated scheme.  You have to admire their dedication but, at the same time, it’s seems like they could have gotten the same results with a much simpler plan.  On the plus side, Barry Nelson (who you might recognize as Mr. Ullman from Kubrick’s The Shining) is a sympathetic hero and character actor Jack Warden has a nice supporting role as Mary’s world weary brother.  Though Puerto Rico may seem like a strange place to set a film noir, the film’s final chase scene makes good and atmospheric use of the Fort San Cristobal.  All in all, The Man With My Face is an entertaining little time waster.