What Lisa Watched Last Night #188: Killer Twin (dir by David Langlois)


Last night, I watched the latest Lifetime original film, Killer Twin!

Why Was I Watching It?

Well, it was on Lifetime, of course.

Plus, I love movies about evil twins!

What Was It About?

As babies, twin sisters Amber and Kendra were both abandoned at the same orphanage.  The head of the orphanage, Eunice (Bronwen Smith), took an instant dislike to Amber but always liked Kendra.  When it looked like the sisters had a chance to be adopted, Eunice arranged for Kendra to go off with new parents while Amber remained at the orphanage.

30 years later and Kendra doesn’t even remember that she had a sister.  However, Amber remembers.  Kendra has a great life, with a good job and a nice husband (Jason Cermak) and a big house.  Amber has … well, Amber has a lot of bitterness.  When Amber manages to track down Kendra, she sets out to make her sister’s life a living Hell.  That means breaking into her house, ruining her credit, lusting after her husband, and … even murder!

(They couldn’t call it Killer Twin if one of the twins wasn’t a killer!)

What Worked?

Occasionally, a supporting character will pop up in one of these movies and, despite having limited screen time, they’ll become something of a cause célèbre  for those of us watching.  In Killer Twin, that character was Marvin (Nelson Wong).  Marvin was a totally nice, friendly, and professional guy who worked at a bank.  When he suspected that Amber might be imitating her sister, Amber reacted by hitting him in the head with a safe deposit box and then running out of the bank.

Now, here’s the thing.  Amber hit Marvin pretty hard.  A lot of us were convinced that Marvin was dead.  BUT NO!  Marvin not only lived but he went back to his desk and called the police!  YAY MARVIN!  After that happened, I think we all definitely wanted Justice for Marvin.

As for the rest of this film, it was a good and entertaining Lifetime movie.  It was totally over-the-top, melodramatic, and fun.  Lindsay Hartley was obviously having a ball getting to play two totally opposite characters and director David Langlois and cinematography Jan Klompje brought some visual flair to the story.  There was one shot in particular, in which Amber seemed to literally emerge from the Seattle fog, that was especially impressive.  Visually, Lifetime films have come a long way.

What Didn’t Work?

It all worked!  If you can’t enjoy a good killer twin movie, I worry about you.

“Oh my God!  Just like me!” Moments

You know, at the start of the movie, I was pretty much Team Amber.  I mean, I went through a whole period of time when I only wore black and I refused to smile and I’m actually kind of amazed that people put up with me while all that was going on.  I knew that Amber was serious about her scheme when she removed her nose ring because seriously, nose rings are almost as painful to take out as they are to put in!  I speak from personal experience.

But then, of course, Amber hit Marvin and I lost sympathy for her.  Leave Marvin alone!

Lessons Learned

Marvin is indestructible and evil twin movies are always fun!

Lifetime Film Review: The Lost Wife of Robert Durst (dir by Yves Simoneau)


Tonight’s Lifetime premiere was The Lost Wife of Robert Durst, the latest of many films to deal with the 1982 disappearance of Kathie Durst and the subsequent activities of her husband, millionaire weirdo Robert Durst.

The disappearance of Kathie Durst is an intriguing cold case.  Robert Durst was a member of one of the wealthiest and most powerful families in New York.  Many have speculated that may be why Durst was never charged with anything, despite the fact that everyone was convinced that he was responsible for her disappearance.  (Others have pointed out that most of the evidence against Durst was circumstantial and that Kathie’s body has never been found.)  Durst, himself, appears to have spent the last few decades as something of a millionaire hobo.  His best friend, Susan Berman, was murdered in 2000.  (Berman provided Durst with an alibi for the night of Kathie’s disappearance.)  Durst himself eventually turned up in Galveston, where he attempted to disguise himself as a woman and was eventually arrested for murdering his neighbor, Morris Black.  Durst was acquitted in that case.  All Good Things, a feature film starring Ryan Gosling and Kirsten Dunst, led to resurgence of interest in the case of Kathie’s disappearance.  It also led to a HBO documentary series, called The Jinx.  In an act that was either extremely cocky or extremely self-destructive, Durst agreed to be interviewed for the documentary, implicated himself in all three of the murders that he was suspected of committing, and was subsequently charged with murdering Susan Berman.

It’s one of those stories that, when you hear the details, you can hardly believe is true.  It has everything: love, greed, sex, jealousy, politics, the mafia, and several unsolved murders.  It’s not surprising that there’s been several movies and TV shows based on the Durst case.  The problem that every new film faces is what can it add to the story that we haven’t already seen.  The Lost Wife of Robert Durst is relatively well-made but there’s really nothing here that you couldn’t find in All Good Things or The Jinx.  This is like the Wikipedia version of Durst case.  It gives you all the details without going into too much depth about any of it.

Of course, one of the main questions about this case is whether Robert Durst is mentally ill or if he’s just extremely clever.  Those that claim that Durst is crazy tend to point out that he saw his mother commit suicide when he was a young boy, that he has a habit of muttering to himself, and that he lives like a hermit despite all of his money.  Those who claim that Durst is actually very clever and in total control of all of his actions point out that all of Durst’s alleged crimes required extensive planning and that, in The Jinx, he was caught saying, “What the Hell did I do?  Killed them all, of course.”  That would seem to indicate that Durst is fully aware of whatever he may have done.  The question of Durst’s sanity is not a minor one.  In some states, it would be the difference between life in prison and execution.

The Lost Wife of Robert Durst attempts to have it both ways.  As played by Daniel Gillies, Durst is obviously unstable yet clearly calculating at the same time.  In fact, I would argue that, from a purely dramatic point of view, Gillies plays Durst as being a little too obviously unstable.  You find yourself wondering why Kathie (played by Katharine McPhee) would have ever agreed to go out with him in the first place, much less marry him.  As played by McPhee, Kathie is almost as hard to read as Durst.  Even in the scenes depicting the early days of Durst marriage, the lack of chemistry between Gillies and McPhee is a problem.  I spent most of the film wishing that it would dig a little bit deeper into the case.  Then again, considering that Durst has yet to be convicted on any charges, I suppose there’s only so much that the movie could suggest.  (All Good Things changed everyone’s names, which gave it at least a little bit of freedom to speculate.)

That said, the Robert Durst story is such a strange one that, flaws and all, The Lost Wife of Robert Durst is watchable.  It’s a good enough introduction to the case, if you’re looking for one.  Ultimately, though, All Good Things remains the Durst film to watch.