I review TIGHTROPE (1984) – starring Clint Eastwood! 


In TIGHTROPE, a psychiatrist makes the following comment to New Orleans police detective Wes Block (Clint Eastwood) while he’s trying to catch a serial killer who’s targeting sex workers:

“There’s a darkness inside all of us, Wes; you, me, and the man down the street. Some have it under control. Others act it out. The rest of us try to walk a tightrope between the two.”

This statement definitely hits home to Wes, whose personal life has gotten rather dark. His wife has recently left him and their two daughters (Alison Eastwood and Jenny Beck), and the detective seems to be drowning himself in his work, at times in a bottle, and at other times in the arms of some of the local ladies of the night. Whenever he does try to plan something with his girls, his job always seems to get in his way. As he investigates the murders in a variety of the seediest locations in New Orleans, we learn that Wes is very much into the kinds of women who inhabit these places, and he gives into his secret desires on multiple occasions. This becomes personal when the killer, who knows that Wes is the detective in charge of the case, begins targeting and killing some of the very same women who helped ease Wes’ emotional pain, and then taunts him about it. It becomes even more personal when the killer goes after his daughters and his new “legitimate” lady friend Beryl Thibodeaux (Geneviève Bujold), a rape counselor Block has gotten to know as part of the broader investigation. As the bodies continue to pile up, will Wes be able to stop the killer in time to save the most precious people in his life?!!

TIGHTROPE is a special movie to me. I’ve mentioned this before in other reviews, but FOX-16 out of Little Rock played a lot of good movies in the mid to late 80’s when I was a teenager. Some of those movies hold a strong nostalgic value in my life because I first discovered them and my true love of movies during those years. The channel advertised and showed TIGHTROPE, and many other Eastwood films, quite often. Of course, the movie broadcast on FOX-16 was heavily edited, and I didn’t realize the true sexual complexity of detective Wes Block until I was quite a bit older. In the original DIRTY HARRY, there’s a running gag where different people ask Eastwood’s iconic character, “Why do they call you Dirty Harry?” From what we see in TIGHTROPE, if someone asked, “Why do they call you Dirty Wes,” the answer would be more than obvious as he engages in various kinky forms of sexual relations with at least three of the sex workers he hits up for information. The killer knows of his sexual activities with these women, even watching on occasion. The movie leans hard into this connection between Wes’ kinky sex that often involves handcuffs, and the kinship that the killer feels with Wes when he’s perpetrating violence on these same women. It adds an uneasy and unsettling quality to the proceedings when the killer publicly taunts his rival, who understandably doesn’t want his peers to know of his more private nocturnal activities. He can’t fool his new lady friend, the tough as nails Beryl Thibodeaux, who senses his hidden desires and accepts him for who he is, especially after spending some quality time with him and his daughters. I like Genevieve Bujold in the role and the French-Canadian actress is able to even nail the local accent on a couple of occasions. I also wanted to mention the excellent chemistry between Clint Eastwood and his real-life daughter Alison, who play father and daughter in the movie as well. Alison was only 12 years old when TIGHTROPE was released, but she gives a strong performance as the older daughter who’s still trying to come to terms with her parents’ divorce. The killer really messes up when he targets her. 

I’ll tell anyone who’s willing to listen that I love the city of New Orleans as a movie location. I personally love to visit the city and partake in its fun atmosphere and wide variety of excellent cuisine. TIGHTROPE hits many of the highlights of New Orleans in 1984… Bourbon Street, Jackson Square, the Super Dome, the Creole Queen, a warehouse full of Mardi Gras floats, the famous cemeteries, Randi Brooks in a hot tub, etc. etc. One thing about New Orleans is that its famous streets like Bourbon Street have not been cleaned up or become “family friendly” in the same way as a place like Times Square in New York City. To this day, it retains that same feeling of sexual decadence that is portrayed here in 1984. 

I personally consider TIGHTROPE to be a must-see film for fans of Clint Eastwood, as Wes Block is a wholly unique addition to his cavalcade of tough cop characters, and he makes us justifiably uncomfortable at times. Eastwood’s conflicted performance, the serial killer storyline and the fun New Orleans locations add up to a very good movie that’s aimed squarely at adults. 

Horror Film Review: Troll (dir by John Carl Buechler)


The 1986 film, Troll, opens with Harry Potter moving into a San Francisco townhouse.

Okay, it’s not that Harry Potter.  Troll was produced long before the first Harry Potter book was even published so it’s fair to assume that it’s just a coincidence that this film — about trolls, magic, and faeries — just happens to feature not just one but two characters named Harry Potter.  Harry Potter, Sr. (Michael Moriarty) is a typical, dorky father figure.  Indeed, he’s such a conventional figure that it’s a bit hard to understand why the always neurotic Michael Moriarty was cast in the role.  Harry’s son is named Harry Potter, Jr. (Noah Hathaway).  Harry, Jr. is a teenager who is shocked by how bratty his little sister, Wendy (Jenny Beck), becomes after the family moves into their new apartment.

Why is Wendy acting like such a brat?  It’s because Wendy has been kidnapped by Torok the Troll (Phil Fondacaro), a grotesque creature who not only abducts Wendy but also steals her appearance so that he can safely move around the world of the humans.  Torok, himself, was once a powerful wizard but, centuries ago, he and an army of faeries tried to destroy all the humans in the world.  Their plan didn’t work and, as punishment, Torok was turned into a troll.

But now, somehow, Torok is free and he’s taking over the apartment building.  One by one, he tracks down each tenant and casts a spell which turns them into a mythological creature, like a gnome or a wood nymph.  All of the apartments turns into lushly overgrown forests.  Among those tenants that get transformed are Sonny Bono and a young Julia Louis-Dreyfus.  I have a feeling that, when Sonny later ran for Congress, he did not include his appearance in Troll in any of his campaign literature.  As for Louis-Dreyfus, she was reportedly angered once when a talk show host (I think it was Jay Leno) showed footage from this film while interviewing her.  It’s not so much that Julia Louis-Dreyfus isn’t a convincing wood nymph as much as it’s the fact that she’s Julie Louis-Dreyfus and it’s just difficult to imagine her appearing in such a stupid role.  This, of course, was her first film and everyone has to start somewhere.

Anyway, realizing that he has to rescue his little sister, Harry Potter, Jr. gets some help from the local witch, Eunice St. Clair (Joan Lockhart).  Eunice gives Harry a magic spear to take with him in his quest.  It’s not really that much of quest, however.  Troll is a low-budget film that was produced by Albert Band so this is not the film to watch if you’re expecting some sort of elaborate fantasy epic.

One positive thing that I will say for Troll is that some of the troll makeup is effective.  The plot maks absolutely zero sense but Director John Carl Buechler specialized in creating memorable monsters on a budget and he manages to do that with Troll.  And, despite all of the people getting turned into monsters, Troll is a largely good-natured film.  It’s not a deliberately cruel or even gory film.  It’s a dumb little horror/fantasy film that features Sonny Bono turning into a plant and Julie Louis-Dreyfus turning into a wood nymph.  It’s dumb but it’s mild and generally inoffensive.

Finally, I should also note that it is in no way connected to Troll 2.  Troll 2, after all, is about goblins.