Horror On The Lens: Mazes and Monsters (dir by Steven Hilliard Stern)


Hi there and welcome to October!  This is our favorite time of the year here at the Shattered Lens because October is our annual horrorthon!  For the past several years (seriously, we’ve been doing this for a while), we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music.  That’s a tradition that I’m looking forward to helping to continue this year!

Let’s get things started with 1982’s Mazes and Monsters!

Based on a best-seller by Rona Jaffe, Mazes and Monsters tell the story of some college students who enjoy playing a game called Mazes and Monsters.  Now, I realize that Mazes and Monsters may sound a lot like Dungeons and Dragons but they are actually two separate games.  One game takes place in a dungeon.  The other takes place in maze, got it?

When the players decide to play the game in some nearby caves, it causes the newest member of the group (Tom Hanks — yes, Tom Hanks) to snap and become his character.  Convinced that he’s living in a world full of monsters and wizard, Hanks runs away to New York.  How does that go?  During a moment of clarity, Hanks calls his friends and wails, “There’s blood on my knife!”

It’s all fairly silly.  There was a moral panic going on about role playing games when this film was made and this film definitely leans into the panic.  But, in its own over-the-top way, it works.  If you’ve ever wanted to see Tom Hanks battle a big green lizard, this is the film for you.  And I defy anyone not to tear up a little during the final scene!

From 1982, here is Mazes and Monsters!  Happy Horrorthon!

Late Night Retro Television Review: Friday the 13th: The Series 3.10 “Mightier Than The Sword”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

Another Friday, another cursed antique….

Episode 3.10 “Mightier Than The Sword”

(Dir by Armand Mastroianni, originally aired on January 8th, 1990)

Micki’s been possessed again!

This time, it’s the result of a writer named Alex Dent (Colm Feore, who appeared in quite a few episodes of this show, always as a different villain) using his cursed pen to write about Micki becoming a serial killer.  That’s how Alex makes his money.  He writes about people becoming serial killers and then, when they do exactly what he has written, Alex publishes a true crime book about them.

Johnny is a huge fan of Alex’s books.  Micki says that she’s seen enough death in real life without having to read about it.  Johnny doesn’t seem to take her seriously, which is odd.  Sometimes, Johnny seems to forget that he and Micki spend all of their time dealing with cursed antiques and battling the Devil.  I mean, has Johnny forgotten about the time that he spent in prison after he was wrongly convicted of murdering his father?  Johnny seems to go from being streetwise to naive rather abruptly, all depending on what the episode’s story requires of him.  It’s also a bit of an odd coincidence that Johnny would just happen to be a fan of someone who has one of the cursed antiques but, then again, this wasn’t the first time this happened on Friday the 13th and I imagine it will happen a few more times as well.

This episode had an interesting premise, though I do have to wonder how Alex found out about the curse in the first place.  It doesn’t seem like the most practical of curses.  Alex must write, sell, and publish his books in record time.  Micki always seems to be getting possessed, which usually leads to her posing in a doorway and delivering her lines like a 40s noir heroine.  (In this episode, she also takes up smoking.)  Fortunately, Robey always did a good job pulling off the whole suddenly possessed thing.  I imagine it must have been pretty traumatic for Micki but at least Johnny learned a lesson about reading trashy true crime paperbacks.

As for this episode, Colm Feore was a good villain, there was plenty of noirish atmosphere, and the episode didn’t take itself particularly seriously.  It kept me entertained!  Really, what more can you ask from a show?

Late Night Retro Television Review: Friday the 13th: The Series 2.15 “Better Off Dead”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Micki’s in even more danger than usual as a desperate doctor uses a magic syringe to try to find a cure for his daughter.  This is also our final episode of Friday the 13th for October.  Can you believe Halloween is right around the corner?

Episode 2.15 “Better Off Dead”

(Dir by Armand Mastroianni, originally aired on February 13th, 1989)

John Cusack plays Lane Meyer, an artistic high school student who is stunned with he is dumped by….

Oh wait, sorry.  Wrong Better Off Dead.

This Better Off Dead tells the story of Dr. Warren Voss (Neil Munro), who lives in an isolated mansion with his pre-adolescent daughter, Amanda (Tara Meyer).  Amanda has a disease that makes her violent and dangerous.  She attacks almost anyone who comes near her, including her own father.  Dr. Voss believes that he has finally found a cure for her condition and, if he’s right, he’s convinced that he can cure all violent behavior.

Unfortunately, the cure is a bit extreme.  Dr. Voss starts out by bringing prostitutes to his mansion and then using a silver syringe to extract their brain fluid, which he then injects into his daughter.  This temporarily calms down his daughter but it turns Voss’s unwilling donors into violent maniacs.  Voss claims that he’s doing all of this for the greater good and he’s only using donors who would be better off dead.  But, as the episode unfolds, it becomes clear that Voss’s good intentions can’t hide his own sadistic streak.

The syringe once belonged to Jack the Ripper and, as you definitely already guessed, it’s a cursed object.  After a friend of Micki’s becomes one of Voss’s victims, Micki is herself kidnapped and becomes Voss’s latest donor.  When Jack and Ryan show up to save the day, they not only have to battle Voss.  They also find themselves attacked by Micki.  And Micki, due to the experiments and perhaps also due to the resentment that anyone would feel over having to put their lives on hold to search for cursed antiques, proves to be a fierce opponent.

Fear not, of course.  Things are resolved.  Micki is saved and, at the end of the episode, she is slowly recovering from her trauma.  Voss is attacked and killed by his own daughter.  Ryan wonders about whether or not Voss could have eliminated violent behavior if he had been allowed to continue his experiments.  Jack says that it’s not worth wondering about.  I agree.  Leave Micki alone!  Better the whole world suffer than one redhead be inconvenienced, say this proud redhead.

Director by Armand Mastroianni, this was a really good episode.  Both Neil Munro and Tara Meyer gave good performances as the doctor and his daughter and Robey, who has often felt underused on this show so far, got a chance to show off her own dramatic abilities.  As for the question at the heart of the episode, I agree with Jack.  The cost outweighs the benefits.  Friday the 13th deserves a lot credit, though, for seriously considering the issue.  This was an episode that was both creepy and intelligent.

Retro Television Reviews: T and T 2.14 “The Contender”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S Turner returns to the ring!

Episode 2.14 “The Contender”

(Dir by Alan Simmonds, originally aired on February 13th, 1989)

T.S. Turner meets Kevin Hart!

No, not that Kevin Hart.

Instead, the Kevin Hart in this show is a boxer and he’s played by an actor named Phillip Jarrett.  (Kevin Hart, I immediately, noticed was very handsome for someone who made his living getting punched in the face by professionals.  I checked with the imdb and I was not surprised to learn that Phillip Jarrett was a model before he went into acting.)  Kevin Hart is a contender for the championship but his trainer has vanished.  With the big fight coming up, Hart’s manager asks T.S. Turner to train him for the fight.

Kevin Hart turns out to be a boxer with an attitude.  He shows up at Decker’s Gym with his entourage and is miffed to discover that Turner is running late.  “What does T.S. stand for?” Hart demands to know, “Too Stupid?”

“Temporarily Sorry,” Turner says as he steps into the gym.

“Temporarily?”

“Yeah,” Turner growls, “I was sorry but now I’m not.”

Turner works hard to train Hart.  Or, at least, it appears that he works hard.  For the most part, we just see a montage of Hart doing physical stuff while Turner yells at him.  Despite Turner’s efforts, Hart doesn’t even seem to care about the fight.  He does care when someone takes a shot at him in the gym.  Pressured by Turner, Hart finally confesses that he agreed to take a dive.  He also says that all of his other fights were fixed as well.  That’s why his former trainer ran away.  He didn’t want to be involved with a boxer who was owned by the Canadian Mafia.

Turner doesn’t have any time for that attitude.  He tells Hart that he has the talent to win the fight on his own.  He also tells Hart that it’s time to fight like a man and win.  Inspired by Turner’s words, Hart does just that.  By the end of the show, Hart is the champ.  I imagine he’s got the mob after him now but oh well.  I mean, Sonny Liston reportedly upset the mob and he still managed to live a full and exciting life until his mysterious death at the age of 40.  So, I’m sure boxing’s Kevin Hart will be fine and maybe, some day, he’ll change his mind about hosting the Oscars.

The way to make watching this episode entertaining is to pretend that Mr. T was playing Clubber Lang and not T.S Turner.  Apparently, in an early draft of his script for Rocky Balboa, Sylvester Stallone wrote a scene in which it would be revealed the Lang changed his ways and became a preacher after losing his rematch with Rocky.  So, this episode of T and T — and really, the entire series — works best as Clubber Lang fan fiction.  As Rocky said at the end of Rocky IV, “Everybody can change!”