Marshal of Heldorado (1950, directed by Thomas Carr)


Heldorado, Arizona is a frontier town with a problem.  The Tullivers, led by Mike (Tom Tyler), keep robbing the bank and running off anyone who agrees to be the town’s marshal.

The Colonel (Raymond Hatton) and the Mayor (Fuzzy Knight) are at their wits end until a bison hunter named Lucky (Russell Hayden) comes riding into town in search of work.  They hire Lucky to be their new marshal, paying him $200 a week and allowing him three free drinks a day.

They also give Lucky a cabin to stay in but when Shamrock Ellison (James Ellison), a dandy from up north, rides into town on a donkey, Lucky decides to rent him the cabin.  When Ellison arrives at the cabin, he finds two Tulliver brothers looking for the stolen money that they hid in the fireplace.  The brothers try to shoot Ellison but accidentally end up shooting themselves instead.

When Ellison says that he wants to keep a low profile, Lucky takes credit for killing the two Tullivers.  When Mike shows up looking for revenge, Lucky has a change of heart and gives all the credit for Ellison.  Lucky makes Ellison his deputy but what he doesn’t know is that Ellison is actually a government agent who has been sent to Heldorado to clean the town up.

This B-western does a good job of mixing comedy with action.  It was one of many films that Ellison and Hayden made together and Hayden’s bluster plays off well against Ellison’s more serious performance.  Much of the humor comes from Ellison having to keep the other townspeople from realizing that he’s a crack shot who knows how ride a horse as well as anyone in town.  As well, Fuzzy Knight has his moments as the always drinking mayor.  The action scenes are well-choreographed and there’s even a suspenseful scene where Ellison gets a shave from a barber who is actually a relative of the Tullivers.  As always, the beautiful Julia Adams is a welcome addition to the cast as the Colonel’s daughter, who falls for Ellison.  For fans of the genre, there’s plenty of entertainment to be found in this brisk, 50-minute western.

Horror Film Review: I Walked With A Zombie (dir by Jacques Tourneur)


The 1943 horror film I Walked With A Zombie tells a zombie story that would probably seem strange to modern zombie fans. There’s no cannibalism. There’s no feasting on brains. There’s no talk about how the only way to stop a zombie is to shoot them in the head. In fact, the zombies in I Walked With A Zombie may be referred to as being the “living dead” but they’re not actually dead. Instead, if anything, they’ve been cursed. Maybe they’re possessed. Maybe they’ve been brainwashed. Maybe they’re lobotomized. Who can say for sure?

Instead of being the type of zombies that were made famous by George Romero’s Night of the Living Dead, the zombies in I Walked With A Zombie hew closer to the zombies of Haitian legend. These zombies suffer from a sort of mental paralysis. Unable to think for themselves, they wander about in a sort of permanent limbo, trapped between life and death and under control of the voodoo priests who transformed them.

This moody and, at time, rather dream-like film deals with Besty Connell (Frances Dee), a Canadian nurse who has been hired by Paul Holland (Tom Conway), who owns a sugar plantation on a Caribbean island. Paul’s wife, Jessica (Christine Gordon) has apparently been taken ill and, as a result, is behaving strangely. Often, she wanders about with a glazed look in her eyes, almost as if she’s trapped in a sort of dream-state. Paul believes that it’s the result of the severe fever that Jessica previously suffered with. The locals, meanwhile, gossip that, right before Jessica was taken ill, she was having an affair with Paul’s alcoholic half-brother, Wesley (James Ellison). Betsy’s attempts to care for Jessica and understand her condition will lead to Betsy exploring not only the island’s voodoo culture but also …. walking with a zombie!

I Walked With A Zombie is a deliberately paced film, one that focuses more on creating and maintaining an ominous mood than on going for the type of jump scares that we’ve come to expect from most horror movies. I Walked With A Zombie is all about atmosphere and ambiguity. Indeed, it’s never determined for certain whether or not Jessica’s condition is due to a voodoo curse or if perhaps it really is just due to her earlier fever. It’s left to the audience to decide.

Directed by Jacques Tourneur and produced by Val Lewton (the same time team behind the original Cat People), I Walked With A Zombie is an effective and well-acted film, one that also features some gorgeous black-and-white cinematography and an interesting subtext about colonialism. (Upon arriving on the island, Betsy discovers that the Holland family made their fortune through the slave trade and that they still have the figurehead of an old slave ship displayed in their courtyard.) It may not be frightening by today’s standards but it is still a thought-provoking film and one that should be seen by anyone who is a serious zombie fan.

Halloween Havoc!: I WALKED WITH A ZOMBIE (RKO 1943)


gary loggins's avatarcracked rear viewer

Val Lewton’s  I WALKED WITH A ZOMBIE is, despite the exploitative title, one of the most moody and atmospheric horror films of the 40’s. This was Lewton’s follow up to the highly successful CAT PEOPLE (1942), with Jacques Tourneur again in the director’s chair. Though screenwriters Curt Siodmak and Ardel Wray based their script on a story by Inez Wallace, producer Lewton had them add elements of Charlotte Bronte’s JANE EYRE, making this a  Gothic zombie movie!

Nurse Betsy Connell (Frances Dee) is summoned to the West Indies isle of St. Sebastian to look after Paul Holland’s (Tom Conway ) catatonic wife Jessica. The cynical Holland has an air of melancholy about him (“There’s no beauty here”, he states on the sea trip to the island, “only decay and death”). Upon arrival, Betsy meets Holland’s stepbrother Wesley Reed (James Ellison), a jovial sort until he gets in the presence of…

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Horror on the Lens: The Undying Monster (dir by John Brahm)


For today’s horror on the lens, we have 1942’s The Undying Monster!

It tells the story of the Hammonds, a noble British family who, for centuries, have been haunted by suicide, murder, and rumors of a curse.  When a mysterious creature attack Oliver Hammond, Scotland Yard dispatches a scientist to figure out what’s going on.  Perhaps not surprisingly, the local villagers insist that it’s the curse.  The scientist, however, is convinced that it has to be something else…

Clocking in at 63 minutes and made on an obviously low budget, The Undying Monster is actually pretty good.  Director John Brahm emphasizes shadows and darkness, taking an almost film noir approach to this tale of gothic horror.  The Undying Monster is a hidden gem of 40s horror and here it is!

Enjoy!