Doctor Who — The Leisure Hive, Meglos, Full Circle, State of Decay, Warrior’s Gate, The Keeper of Traken, Logopolis


The 18th season of Doctor Who started with the show getting a new producer, John Nathan-Turner.  Depending on who you ask, Nathan-Turner was either the best or the worst thing that ever happened to Doctor Who.  He pushed the series away from what he felt was the “silliness” of the previous season and, in doing so, he alienated both Tom Baker and Lalla Ward.  (Ward was close friends with Douglas Adams, whom Nathan-Turner blamed for turning the show silly.)  Nathan-Turner pushed for more serious stories and for better production values.  He also hated K-9, which upset a lot of younger viewers.  My personal feeling is that Nathan-Turner was not a good producer for Tom Baker’s Doctor but he was a great producer for Peter Davison’s interpretation of the character.  As for the Colin Baker and Sylvester McCoy years, let’s keep things cheery and not go there.

By the end of the 18th season, Tom Baker, Lalla Ward, and John Leeson (the voice of K-9) had left the show.  Completing my look back at Doctor Who, here are Tom Baker’s final serials.

The Leisure Hive (1980, directed by Lovett Bickford)

John Nathan-Turner hated K-9.  If there was any doubt about that, consider that his first serial as the show’s producer opens with the Doctor and Romana on holiday Brighton.  K-9, for some reason, rolls out to the ocean and explodes, taking him out of commission until the Doctor can rebuild him.

Personally, I would have been happy if this entire serial had just been Tom Baker and Lalla Ward on that beach in Brighton.  Nathan-Turner may not have been a fan of the Doctor and Romana working together by Baker and Ward but viewers like me definitely disagreed.  Alas, it is not to be.  Romana wants a real holiday (Brighton, in a reminder of just how British Doctor Who really was, doesn’t count) so she and the Doctor and the remains of K-9 go to the leisure planet of Argolis.  Unfortunately, Argolis is having financial problems and is at risk of being taken over by the Foamai.  When the Doctor is framed for a strangulation murder that was committed with a scarf, he is forced to stand trial and become an experimental test subject.

It’s an okay start for Season 18, though Tom Baker, for the first time since taking over the role of the Doctor, was starting to look disinterested.  John Nathan-Turner was eager to get away from the “silliness” of the previous season but, ironically, a story set on a leisure planet and featuring an intergalactic crime syndicate would have very much benefitted by Douglas Adams’s sense of humor.

Meglos (1980, directed by Terence Dudley)

The Doctor is asked to help broker a peace between two warring planets.  Unfortunately, Meglos — a sentient cactus — traps the TARDIS in a time loop and then plots to thwart the peace.

When viewers think of this serial, they usually remember Meglos taking on the form of the Doctor and Tom Baker wearing makeup that made him look like a humanoid cactus.  That’s because the plot is nothing special, though I do appreciate that we finally got to see what it’s like to be stuck in a time loop.  Jacqueline Hill, who played Barbara when the serial first began, appears as Lexa, a high priestess of the planet Tigella.

Full Circle (1980, directed by Peter Grimwade)

Having been ordered to return Romana to Gallifrey, the Doctor instead materializes on a swampy plant that is located where Gallifrey should be.  The TARDIS has slipped into E-Space, a small pocket universe.  As for the planet that they’ve landed on, it’s inhabited by swamp monsters, a group a humans who live around a crashed starliner, and a mad scientist.

The idea of E-Space was an interesting one and Lalla Ward gives one of her strongest performances of the series, as Romana is briefly possessed in this episode.  Unfortunately, this episode also introduced Adric (Matthew Waterhouse), an annoying child genius who became the Doctor’s newest companion.  Adric was one of the least popular of John Nathan-Turner’s additions to Doctor Who.  A few seasons later, Adric would be blown up while fighting the Cybermen and there would not be a dry eye in the house.

Tom Baker, unhappy with Nathan-Turner’s ideas and annoyed with Waterhouse decided to leave the role while filming this serial.  Waterhouse reportedly cursed at Baker while filming one scene.  They should have left the little punk behind just for doing that.

State of Decay (1980, directed by Peter Moffatt)

Still trapped in E-Space, The TARDIS materializes on a planet where the villagers live under the shadow of a dark tower. Ruled over by three cruel lords, Zargo, Camilla, and Aukon, the villagers are forced to regularly sacrifice their young to appease their rulers. The Doctor, Romana, K-9, and Adric investigate and discover that Zargo, Camilla, and Aukon are vampires! After being defeated by the Time Lords, the vampires retreated into E-Space, where they found a new planet to rule. Of course, that little tosser Adric wants to become a vampire. Why Romana and the Doctor didn’t leave Adric behind on the vampire planet, I’ll never understand.

Even the weaker seasons of Doctor Who usually featured at least one classic serial and, in the case of Season 18, it was State of Decay.  For all of the justified criticisms of John Nathan-Turner time as producer, he did make an attempt to improve the show’s production design and it paid off with this atmospheric serial that paid homage to the great vampire films while also retaining its Doctor Who identity.  Tom Baker seems to be rejuvenated by the clever script and he and Lalla Ward’s chemistry is allowed to shine.  K-9 even gets to do something other than getting kicked around.  State of Decay is a Doctor Who classic.

Warrior’s Gate (1981, directed by Paul Joyce and Graeme Haper)

Still trying to escape E-space, the TARDIS materializes on a similarly trapped spaceship that is run by Captain Rorvik (Clifford Rose).  Learning that the ship is carrying an enslaved race known as the Tharils, the Doctor set them free.  The Tharils help the Doctor reenter N-Space.  However, Romana decides to stay behind to help the Tharils.  The Doctor gives her K-9 and then leaves with Adric.  The Doctor should have left Adric behind too.

This was Lalla Ward’s final episode and both she and Romana deserved a better send-off.  Romana deciding to disobey the Time Lords, I can understand.  Leaving the Doctor, even to help the Tharils, doesn’t seem like something Romana would have done.  John Nathan-Turner finally got his wish, though.  K-9 stayed with Romana.  What are Romana and K-9 going to do in an alternative universe?  They don’t even have a TARDIS.

The only highlight of this episode was Clifford Rose’s manic performance as Captain Rorvik.  Otherwise, it was a forgettable send-off for two great companions.

The Keeper of Traken (1981, directed by John Black)

The Doctor and annoying Adric are summoned to the planet Traken, where the Master (Geoffrey Beevers) is attempting to capture a power source that will give him a new set of regenerations.  (The Master doesn’t look as badly decayed here as he did during The Deadly Assassin.)  With the help of the Keeper of Traken, Tremas (Anthony Ainley), and Tremas’s lovely daughter Nyssa (Sarah Sutton), the Doctor is able to stop the Master.  However, as soon as the Doctor leaves, the Master emerges from a long clock and somehow merges with Tremas’s body, giving him a new set of regenerations.

Despite the presence of Adric, this is not a bad story.  The Master makes his return and, in the final minutes of the serial, Anthony Ainley takes over the role.  Ainley would play The Master for the rest of the original show’s run.  While Ainley’s Master was always more cartoonishly evil than Roger Delgado’s, he still proved to be a worthy adversary for the Fourth, Fifth, Sixth, and Seventh Doctors.

Logopolis (1981, directed by Peter Grimwade)

This is it.  This is final serial to feature Tom Baker as the Doctor.  Things start with the Doctor materializing the Tardis around an actual police box in an effort to fix his chameleon circuit.  The Master then materializes his TARDIS around the Doctor’s.  It all fun and games until the universe starts to unravel and the Doctor sacrifices his life while literally holding space and time together.  Along the way, the Doctor gets two new companions, Nyssa (who has been traveling with the Master under the impression that he’s her father) and Teagan (Janet Fielding), an outspoken Australian flight attendant who entered the TARDIS thinking that it was a police call box.

Whatever else you might want to say about season 18, it gave Tom Baker a fitting send-off.  After seven years of saving civilizations and planets, the Fourth Doctor finally saved the entire universe.  Perhaps knowing how traumatized viewers would be to see the Fourth Doctor die, this episode featured Peter Davison (familiar to viewers as Tristan Sebring from All Creatures Great And Small) as the Watcher, a mysterious figure who merged with the Doctor at the end of the serial and turned out to be his Fifth Incarnation.

I had hoped to discuss some of the Fifth Doctor’s adventures this October but time has caught up with me.  (It’s a pity because Peter Davison more than made the role of the Doctor his own and several of his serials — Kinda, Snakedance, and Enlightenment to name just three — are worthy of being considered classics.)  For me, as someone who to watch Tom Baker’s Doctor on PBS while growing up, this does seem like the right place to stop.

For now.

Doctor Who — The War Games (1969, directed by David Maloney)


The War Games is an episode of firsts and lasts.

It featured the last regular appearance by Patrick Troughton as the Second Doctor.  (Troughton would return for three guest appearances.)  Having played the role for three years, Troughton feared getting typecast and felt it was time to leave.  It was also the last episode to feature Frazer Hines (as Jamie) and Wendy Padbury (as Zoe) as companions.  (Hines holds the record for appearing in the most episodes as a companion.)  Finally, this episode was the last to be broadcast in black-and-white.

The War Games also featured a very important first.  This episode featured the first appearance of the Time Lords and the first trip to their home planet.  This was the first episode that showed the society that the Doctor fled when he stole his TARDIS and went to Earth.

At ten episodes, The War Games was either the second or third-longest serial in Doctor Who history, depending on whether or not you count The Trial of the Time Lord as just one long (and regrettable) serial.  The serial opens with the Doctor and his companions apparently landing in No Man’s Land during World War I.  As things progress, the Doctor notices anachronistic technology and Jamie is shocked when a redcoat shows up in a World War I prison.  The Doctor discovers that an alien known as The War Lord (Philip Madoc) has determined that humanity is the most bloodthirsty race in the universe and that he has abducted soldiers from Earth’s bloodiest wars.  They are fighting war games on The War Lord’s planet and the survivors will become the members of the War Lord’s army.  Helping the War Lord is the War Chief (Edward Brayshaw), a renegade Time Lord.

(Just as with The Time Meddler‘s Monk, there’s a fan theory that the War Chief was an early incarnation of The Master.  I don’t believe it, myself.  The Master was far more cunning than The War Chief.)

Despite running for four hours, The War Games is a rare Doctor Who serial that doesn’t have any slow spots and the scenes where the characters cross from war zone to war zone are creatively realized.  The serial starts out as if it’s going to be yet another dry historical episode and then it gradually reveals that all is not as it seems.  I especially liked the performance as Jane Sherwin as Lady Julia, an ambulance driver in the World War I zone.  (Jane Sherwin was also the wife of Doctor Who’s then-produccer Derek Sherwin.)

What really makes The War Games stand out is the final episode.

Having brought an end to the War Games, the Doctor is faced with the impossible prospect of returning the soldiers to their proper times.  He is forced to call upon The Time Lords for help.  Bernard Horsfall, Trevor Martin, and Clyde Pollitt appear as the Time Lords, who dematerialize the War Lord and send the soldiers back home with no memory of what happened.  Unfortunately, The Time Lords are not just going to let the Doctor off the hook for violating their police of non-interference.

First, Jamie and Zoe are sent back to their original times, both with no memory of their life on board the TARDIS.  The Doctor is then put on trial for having stolen his TARDIS and interfering in time and space.  The Doctor argues that he has been fighting evil.  The Time Lords accept his argument and then say that his punishment is to be sent to 20th Century Earth.  He’ll keep his TARDIS but he won’t be able to use it.  And, because the Doctor is well-known on Earth, he’ll have to regenerate.  He’s given five faces and told to pick one.  The Doctor refuses them all.  The Time Lords pick one.  “That’s the worst one!” the Doctor says before he finds himself spinning through space and time.

It’s a poignant ending to the Second Doctor’s adventures.  The Time Lords do not come across as being as bad as the Doctor often made them out to be but it is easy to see why an adventurer like the Doctor would feel constrained by their society.  That the Second Doctor called them for help despite knowing what the consequences would be not only shows how dangerous The War Lord’s plan was but also how the Doctor would always do the right thing even when it was dangerous for him to do so.  The Time Lords could have just as easily dematerialized The Doctor as punishment for stealing his TARDIS.  Jamie and Zoe are spared punishment but they lose their memories of the amazing adventures they shared.  And the Doctor changes once again.

For viewers like me, who got to know Doctor Who from the episodes that were broadcast late at night on PBS, The War Games is a bridge between “old” Doctor Who and the classic era of Jon Pertwee and Tom Baker.  In America, we didn’t get to see much of Patrick Troughton’s Doctor but what we got established him as one of the best to ever play the role.