January True Crime: The Versace Murder (dir by Menahem Golan)


In 1997, a 27 year-old man named Andrew Cunanan went on a killing spree, one that took him from San Diego to Miami Beach.  Though the FBI were already looking for him, Cunanan did not receive national attention until July 15th, 1997.  That was the day that Cunanan shot and killed fashion designer Gianni Versace in front of Versace’s mansion.  By that time, Cunanan had already killed at least four other people.  A week after killing Versace, Cunanan would take his own life, shooting himself on a houseboat that he had broken into.

Andrew Cunanan’s motives have remained a mystery.  It is known that at least two of the victims, Jeff Trail and David Madson, was acquainted with Cunanan.  Madson had a long-distance relationship with Cunanan that he ended a year before he was murdered.  Cunanan reportedly described Madson as being “the love of his life,” though Cunanan also apparently had a history of lying.  Whether Cunanan knew Chicago businessman Lee Miglin before killing him is a matter of some controversy.  It’s agreed that cemetery caretaker William Reese was only killed because he came across Cunanan stealing his truck.  Whether or not Cunanan had ever met Versace before in not known.  Cunanan claimed he had but, again, Cunanan had a history of lying.

In 2018, Cunanan and his crimes were the focus of the second season of Ryan Murphy’s American Crime Story.  Darren Criss won an Emmy for playing Cunanan and the series itself was critically acclaimed.  Personally, I thought the series started out strong but ran out of gas about halfway through as it became clear that Andrew Cunanan, much like the Menendez brothers, wasn’t really that interesting of a character.  Indeed, watching the show, I got the feeling that Cunanan’s main motivation was bitterness over the fact that he was essentially a fairly boring and uninteresting person.  He didn’t have much of a personality so he tried to fill that void by going after people who did.

American Crime Story may be the best-known dramatization of Cunanan’s crimes but it was hardly the first.  In 1998, less-than-a-year after Cunanan’s suicide, Menahem Golan’s The Versace Murder was released on video.  Shane Perdue played Andrew Cunanan.  A sad-eyed Franco Nero played Gianni Versace.  Steven Bauer and Renny Roker played the two FBI agents who pursued Cunanan across the country.  The film was shot in 20 days and watching it, it’s easy to see that it was a rush job.  Some scenes run too long, some scenes run too short.  Occasionally, the background music is so overwhelming that it’s a struggle to hear what anyone’s saying.  It’s definitely an exploitation film, made quickly as to capitalize on the interest in the case before everyone moved on.

And yet, it’s a strangely effective film.  A lot of that is due to the performance of Franco Nero, who doesn’t get a lot of screen time but who still makes a definite and even poignant impression as Versace.  The film’s strongest moments come towards the end, when the two FBI agents come across as a vigil being held in front of Versace’s mansion and they realize just how much Versace meant to the people of Miami Beach.  Matt Servitto and David Wolfson are also sympathetic as David Madson and Jeff Trail.  These three performances capture the tragedy of Cunanan’s crimes.  In the end, the fact that Shane Perdue is a bit bland in the role of Andrew Cunanan feels almost appropriate.  Whether it was intentional or not, Menahem Golan’s The Versace Murder reminds us that Andrew Cunanan’s victims deserve to be remembered far more than the man who killed them.

Counterpunch (2013, directed by Kenneth Castillo)


Emilio Manrique (Alvaro Orlando) was born in the part of Miami that is never featured in any tourism commercials.  With an absentee father (Steven Bauer) and an addict mother (Yennifer Behrens), Emilio struggled while growing up, getting in trouble and spending time in a mental hospital before he was given a good home by his uncle (Oscar Torre) and grandmother (Ivonne Coll).  Boxing provides an escape for Enrique, a chance to make something out of himself.  But few promoters are willing to take a chance on him, not with his criminal background and rumored mental health woes.  Only Talia Portillo (Camila Banus), who is eager to prove herself as Miami’s first female boxing promoter, is willing to support Emilio but can even she get him a fight against the champion (Jilon VanOver).

From what I understand, Counterpunch was inspired by Alvaro Orlando’s actual life story.  (Along with director Kenneth Castillo, he’s credited with writing the film’s screenplay.)  Almost every boxing cliche is present in Counterpunch but I appreciated that the film took a look at not just how Emilio’s childhood set him on the path to becoming a boxer but also at what it did to him mentally.  As fearsome as Emilio’s opponents are in the ring, the greatest threat to his success of a boxer comes from his own inner demons.  Alvaro Orlando is believable as Emilio, which makes sense since it’s his story!  Danny Trejo and Steven Bauer both show up in small roles.  Trejo plays Emilio’s counselor and he gives a heartfelt performance, playing a character who doesn’t seem like he’s too far off from who Trejo actually is.

Counterpunch is a good boxing movie, even if it doesn’t exactly rewrite the rules of the genre.