Crash Landing (1958, directed by Fred F. Sears)


Flying from Lisbon to New York City, a commercial airline is flying over the ocean when two of its engines fail.  When the propellers fail to restart, Captain Steve Williams (Gary Merrill) realizes that he will have to land the plane in the ocean.  The Navy is standing by to rescue the passengers.  It’s just a question of whether or not Steve and his crew can land the plane without injuring the passengers or causing the plan to break in half.

This is a disaster film that doesn’t really have a disaster.  The members of the crew all work professionally and efficiently to make sure that the landing is a success, even though none of them have ever had to ditch a plane before.  The Navy shows up on time and ready to help.  With one exception, the passengers react calmly and do what they’re told.  An Orthodox priest prays for the plane.  The flight attendants neatly pack all of the kitchen utensils.  The only drama comes from a boy who is traveling with his dog Wilbur and is upset to hear that Wilbur will have to stay in the back of the plane, where he will probably drown.  The boy’s father says, “I’ll buy you a new dog,” and the boy asks that his baseball cap be placed by Wilbur’s cage so that Wilbur knows his owner was thinking of him.  Don’t worry kid!  Steve Williams isn’t going to let your dog die.

It’s strange to see a disaster film without any real drama.  The crew thinks that Williams can be overbearing but it turns out he knows what he’s doing.  At home, his wife (Nancy Davis, in her final film role) thinks that Steve is too hard on their son.  Their son is going to grow up knowing how to land airplanes in water.  This is almost the Sully origin story.  Otherwise, the film emphasizes the way that everyone works together and doesn’t panic.  The scene where the plane lands in the water features some good special effects but otherwise, the movie is pretty dull.  It could have used Leslie Nielsen and Peter Graves.

Actress Nancy Davis retired from movies after this one but she remained in the public eye as the wife of future President Ronald Reagan.

The Unnominated: Play Misty For Me (dir by Clint Eastwood)


Though the Academy of Motion Picture Arts and Sciences claim that the Oscars honor the best of the year, we all know that there are always worthy films and performances that end up getting overlooked.  Sometimes, it’s because the competition too fierce.  Sometimes, it’s because the film itself was too controversial.  Often, it’s just a case of a film’s quality not being fully recognized until years after its initial released.  This series of reviews takes a look at the films and performances that should have been nominated but were, for whatever reason, overlooked.  These are the Unnominated.

In 1971, Clint Eastwood made his directorial debut with Play Misty For Me.

Eastwood plays Dave Garver, a DJ at a Carmel-By-The-Sea jazz station who has ambitions to some day go national.  Every night, a woman named Evelyn (Jessica Walter) calls Dave and asks him to “Play Misty for me.”  Eventually, Dave meets Evelyn in a bar and he takes her home with him.  After sleeping with her, Dave tells Evelyn that he’s only interested in having a casual relationship.  Evelyn, however, reveals that she has a far different interpretation of casual.  Soon, Evelyn is dropping by Dave’s house unannounced and acting rather clingy, even appearing to attempt suicide when Dave tries to tell her that he’s not interested in having a serious relationship with her.

At first, it’s hard not to feel bad for Evelyn.  Yes, she’s obviously unstable.  Yes, she’s clingy.  Yes, the scene in which she intentionally ruins Dave’s interview for a national job is difficult to watch.  But there’s something so sincere and desperate about her need to have someone in her life that, again, it’s hard not to have sympathy for her.  When she claims that Dave took advantage of her when they first met, she’s got a point.  Dave obviously felt that Evelyn was a one-night stand that he would never have to see again.  Evelyn feels differently.

Things chance when Dave eventually runs into his former girlfriend, Tobie Williams (Donna Mills).  Dave and Tobie tentatively restart their relationship.  When Evelyn finds out, she goes from being clingy to be homicidal.  She goes from trashing Dave’s place to attacking Dave’s housekeeper to attacking Dave and Tobie themselves.

An assured directorial debut, Play Misty For Me shows that Eastwood had a strong directorial sensibility from the start.  (It also shows, during an extended sequence in which Dave and Tobie attend a jazz festival, that Eastwood was always capable of being rather self-indulgent.)  Eastwood uses the film to deconstruct his own confident persona, with Dave going from being a somewhat callous womanizer to ultimately being terrified for his life.  The film is dominated by Jessica Walter’s performance as Evelyn.  Walter is sad and terrifying, often in the same scene.  Though the film doesn’t dig into what happened in Evelyn’s past to drive her to such extremes, Jessica Walter’s performance leaves no doubt that she’s someone who has been hurt by the world and is now so desperate for love and protection that she’ll strike out at anyone who she feels is denying it to her.

As a horror movie that was directed by an actor who, at the time, was still not a favorite of the critics, it’s perhaps not surprising that the Academy ignored Play Misty For Me.  Still, it’s a shame.  If nothing else, Jessica Walter’s performance was far more memorable that Janet Suzman’s nominated turn in the painfully dull Nicholas and Alexandra.  It’s a brave performance and one that more than deserved to be honored.

Previous entries in The Unnominated:

  1. Auto Focus 
  2. Star 80
  3. Monty Python and The Holy Grail
  4. Johnny Got His Gun
  5. Saint Jack
  6. Office Space

Horror on TV: Thriller 1.8 “The Watcher” (dir by John Brahm)


For tonight’s televised horror, we have another episode of the Boris Karloff-hosted anthology series, Thriller!

In this episode, a religious fanatic in a named Freitag (Martin Gabel) lives in a resort community and targets young people who he believes have failed to live up to his standards.  His latest targets are played by Olive Sturgess and Richard Chamberlain.  This is actually a rather grisly little episode.  With its theme of religious hypocrisy, I can only imagine how people reacted when it was first aired on November 1st, 1960.

Enjoy!