The Guns of Fort Petticoat (1957, directed by George Marshall)


During the waning days of the Civil War, Lt. Frank Hewitt (Audie Murphy) is a man without a country.  A Texan, he joined the Union Army even as his home state was voting to secede from the United States.  In the Army, Hewitt is viewed with distrust by his autocratic superior, Col. John Chivington (Ainslie Pryor).  When Hewitt learns that Chivington has ordered a surprise attack on an unarmed local Indian tribe in order to drive them into Texas where they will attack the nearest settlement for revenge, Hewitt deserts the Army to warn the people left in his hometown.

When Hewitt arrives, he discovers that all of the men in town have left to join the Confederate Army.  Only their wives, mothers, and sisters remain.  Though Hewitt is, at first, accused of being a traitor, he sticks around and trains the women on how to fight not only the incoming Comanches but also any outlaws who ride into town looking to take advantage of the situation.

The Guns of Fort Petticoat is an interesting B-western that holds up well today.  Even though the film ends with a Comanche attack, it’s made clear that the attack would not have happened if not for the actions Col. Chivington.  Chivington, who doesn’t care that the victims of his actions would not be Confederate soldiers but instead just helpless woman and children, is the film’s true villain, even if he only appears in the first and final scenes.  Audie Murphy, who was America’s most decorated World War II veteran, not only starred in but produced the movie.  Murphy was a stiff actor but he looked believable in uniform and obviously knew how to convincingly shoot a rifle and that’s all this role really demands of him.  Kathryn Grant plays the woman who goes from distrusting Hewitt to falling in love with him and she and Murphy work well together.  The final battle between the women and the Comanches is exciting and well-shot by veteran western director George Marshall.  The movie’s final scene may not be totally believable but it’s still very satisfying.

Fans of the western genre and Audie Murphy will find much to enjoy about The Guns of Fort Petticoat.

Rage in the Cage: CAGED (Warner Brothers 1950)


gary loggins's avatarcracked rear viewer

“In this cage, you get tough or you get killed” – Kitty Stark (played by Betty Garde) in CAGED

 

The Grandmother of all “Women in Prison” films, CAGED still packs a wallop, nearly seventy years after it’s release. This stark, brutal look at life inside a women’s penitentiary was pretty bold for its time, with its savage sadism and heavy lesbian overtones, and matches up well with BRUTE FORCE as an example of film noir prison flicks. Everything about this film clicks, from its taut direction by John Cromwell to the use of sound to create mood by Stanley Jones, plus a powerhouse mostly female cast led by Eleanor Parker .

The 28-year-old Parker convincingly plays 19-year-old Marie Allen, given a one-to-fifteen year sentence for accessory to an armed robbery during which her husband was killed. The mousey Marie is indoctrinated, given a number (Prisoner #93850), and poked and…

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