Living History: Peter Jackson’s THEY SHALL NOT GROW OLD (Warner Brothers 2018)


gary loggins's avatarcracked rear viewer

If you like history as much as old movies, Oscar-winning New Zealander Peter Jackson has a treat for you – THEY SHALL NOT GROW OLD, a World War I documentary utilizing 100+ year old footage from the Imperial War Museum (most of it never viewed outside there) to tell the story of the British Empire’s infantry during The Great War. Jackson was given access to hundreds of hours of actual film and audio and commissioned to create something “unique and original”, and with the aid of modern technology he certainly succeeded in his mission.

Jackson’s narrative is told through the eyes of the young men and boys (some as young as 15) as they go through enlistment and boot camp, training to kill the enemy, then follows them to the Western Front, where they encountered not only battles in the trenches, but dysentery, rats gnawing at their fallen comrades, lice…

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Important Film News From January 18th, 1929


Let us begin the rest of 2018 with this article that I found while looking through the January 18th, 1929 edition of the Deseret News (which was published out of Salt Lake City):

The lesson?

(Other than the fact that I’m an unapologetic history nerd, of course.  Seriously, I love this stuff.)

History is unpredictable but movies are forever.

#LateNightMovie review: The Alien Factor


Being that this is my first #LateNightMovie review on TSL, just want to let you all know how this mess got started. Several years ago I was tweeting bad sci-fi movies late at night. Somehow Holly (@hwilson2009) and Janeen (@Janeen_FluffyJ ) found out that I was doing that. Holly was the first one to ask what I was doing, soon after Jinni joined in shortly after Tammy (@TRDowden) joined in. We quickly learned that twitter wouldn’t be able to keep up with us. Holly had this great chat room (@syfydesigns) for us all to talk in and #LateNightMovie was born. Thru there we have found a great group of friends to hang out with every Friday and Saturday nights!

This past week we watched “The Alien Factor” I found this movie while perusing the depths of Hulu during one of my movie watches a few months ago. Kinda tossed it in the back of my mind and then stumbled across it again.

affiche-the-alien-factor-1978-1

Director and writer: Don Dohler

Stars:

Don Leifert as Ben Zachary

Tom Griffith as Sheriff Cinder

Plot:
A spaceship with an extraterritorial zoo crashes on Earth near a redneck town, how could this go wrong!

Review:

This was Don Dohlers first credited movie. He did revise it later in the 1982 movie “NightBeast” and later in 1982’s “Aliens Factor 2” Both of which failed horribly. The thing is, Don Dohlers is not credited enough. As a low-budget film maker, Dohler did some really great work. His work has that capture you anyway feeling about them. Infectious and raw at the same time. So I am going to take this time, as a horror and sci-fi junkie, just to appreciate this movie for what it is; A great, low-budget film, that we all can have fun with!

And speaking of fun, The #LateNightMovie gang had a great amount of fun! The quips were awesome!

Quips:

garnerhaines:
This was before they invented tailgate parties.

WarrenPeas64:
Three Dog Night lost their Mystery Machine van

Janeen_FluffyJ:
aaaaahhh, poking with secreations… she was attacked by a turkey baster?

Philo1000:
Alien or jerk boyfriend? choose

Phil had a choice to make! lol

Philo1000:
#BEER RUN BRB

Janeen_FluffyJ:
That was the last dance for Mary Jane folks.

garnerhaines:
So, are there two alien factions trying to annihilate the town? One glowy and the other with slimy armor?

WarrenPeas64:
The bears injected the guy with poison to frame the chipmunks. It’s SO obvious

ElwayC:
atari rules

kurtzellner:
i want the partridge family to sing again they rocked

LeMyrn:
married sex is alien sex

Philo1000:
seriously?

Yeah, Phil, seriously I made that joke!

Thank you Garner, Kurt, Phil, Ambie, Becs, Jes, Cindy, Jinni, Myrna, Warren, Holly for watching #LateNightMovie with me this week!

Scenes I Love: Ken Burns’ The Civil War


SullivanBallou

I think Lisa Marie and I could spend hundreds of hours just talking about history. While I love history in general, I do admit that military history has been a particular fascination of mine. Some would say that I’m just being bloodthirsty. That I’m reveling in the worst aspects of humanity. I would strongly disagree with that opinion.

Military history is not just about rehashing the cold facts and figures of battles, wars and conflict. It’s a type of history that gives people a window to the past. A past we could learn from so as not to repeat the same mistakes in the future. It’s not even the death and destruction shown through historical writing by aficionados and academia.

With PBS re-airing Ken Burns’ The Civil War this week we get to witness one of the great triumphs in filmmaking 25 years after it first aired in 1990. It’s a documentary that gives us an everyman’s look at the cause, effect and consequence of the bloodiest war in American history. A war that would shape the American consciousness for generations to come. It was also a war that pit brother against brother, fathers against sons and lifelong friends against each other as battlefields across the states and territories of the United States flowed with the blood of Americans.

One of the great things about this documentary series is how it doesn’t just rely on the facts and figures of this historical event in American history, but the personal voices of individuals who participated in the war and it’s periphery. These voices (as narrated by stars such as Morgan Freeman, Sam Waterston, Jason Robards, Julie Harris, Arthur Miller and George Plimpton to name a few) adds an poignant and personal touch to what could’ve been a very dry and academic exercise.

One of the best scenes in the series arrives at the end of the first day of five for the series. It’s a letter from one Union officer Sullivan Ballou to his wife a week before he participates in the war’s first major engagement, the First Battle of Bull Run.

Sullivan Ballou’s Letter

July the 14th, 1861

Washington D.C.

My very dear Sarah:

The indications are very strong that we shall move in a few days—perhaps tomorrow. Lest I should not be able to write you again, I feel impelled to write lines that may fall under your eye when I shall be no more.

Our movement may be one of a few days duration and full of pleasure—and it may be one of severe conflict and death to me. Not my will, but thine O God, be done. If it is necessary that I should fall on the battlefield for my country, I am ready. I have no misgivings about, or lack of confidence in, the cause in which I am engaged, and my courage does not halt or falter. I know how strongly American Civilization now leans upon the triumph of the Government, and how great a debt we owe to those who went before us through the blood and suffering of the Revolution. And I am willing—perfectly willing—to lay down all my joys in this life, to help maintain this Government, and to pay that debt.

But, my dear wife, when I know that with my own joys I lay down nearly all of yours, and replace them in this life with cares and sorrows—when, after having eaten for long years the bitter fruit of orphanage myself, I must offer it as their only sustenance to my dear little children—is it weak or dishonorable, while the banner of my purpose floats calmly and proudly in the breeze, that my unbounded love for you, my darling wife and children, should struggle in fierce, though useless, contest with my love of country?

I cannot describe to you my feelings on this calm summer night, when two thousand men are sleeping around me, many of them enjoying the last, perhaps, before that of death—and I, suspicious that Death is creeping behind me with his fatal dart, am communing with God, my country, and thee.

I have sought most closely and diligently, and often in my breast, for a wrong motive in thus hazarding the happiness of those I loved and I could not find one. A pure love of my country and of the principles have often advocated before the people and “the name of honor that I love more than I fear death” have called upon me, and I have obeyed.

Sarah, my love for you is deathless, it seems to bind me to you with mighty cables that nothing but Omnipotence could break; and yet my love of Country comes over me like a strong wind and bears me irresistibly on with all these chains to the battlefield.

The memories of the blissful moments I have spent with you come creeping over me, and I feel most gratified to God and to you that I have enjoyed them so long. And hard it is for me to give them up and burn to ashes the hopes of future years, when God willing, we might still have lived and loved together and seen our sons grow up to honorable manhood around us. I have, I know, but few and small claims upon Divine Providence, but something whispers to me—perhaps it is the wafted prayer of my little Edgar—that I shall return to my loved ones unharmed. If I do not, my dear Sarah, never forget how much I love you, and when my last breath escapes me on the battlefield, it will whisper your name.

Forgive my many faults, and the many pains I have caused you. How thoughtless and foolish I have often been! How gladly would I wash out with my tears every little spot upon your happiness, and struggle with all the misfortune of this world, to shield you and my children from harm. But I cannot. I must watch you from the spirit land and hover near you, while you buffet the storms with your precious little freight, and wait with sad patience till we meet to part no more.

But, O Sarah! If the dead can come back to this earth and flit unseen around those they loved, I shall always be near you; in the garish day and in the darkest night—amidst your happiest scenes and gloomiest hours—always, always; and if there be a soft breeze upon your cheek, it shall be my breath; or the cool air fans your throbbing temple, it shall be my spirit passing by.

Sarah, do not mourn me dead; think I am gone and wait for thee, for we shall meet again.

As for my little boys, they will grow as I have done, and never know a father’s love and care. Little Willie is too young to remember me long, and my blue-eyed Edgar will keep my frolics with him among the dimmest memories of his childhood. Sarah, I have unlimited confidence in your maternal care and your development of their characters. Tell my two mothers his and hers I call God’s blessing upon them. O Sarah, I wait for you there! Come to me, and lead thither my children.