Late Night Retro Television Reviews: Check It Out 1.7 “A Rosenbloom By Any Other Name”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

Advance warning: This episode is pretty dumb.

Episode 1.7 “A Rosenbloom By Any Other Name”

(Dir by Ari Dikijian, originally aired on November 13th, 1985)

Oh God, this episode.

Seriously, I’m just going to start things out by admitting upfront that this episode was a bit too frantic for me.  Obviously, a lot of great comedy has come out of misunderstandings but in the case of this episode, most of the misunderstandings were just too stupid to be amusing.

So, basically, cashier Jennifer Woods (Tonya Williams) has been promised a raise by Howard and she is really looking forward to using that money to pay off her new car.  But, when she receives her paycheck, she discovers that the raise did not go through.  Marlene, ever the trouble maker, tells her that Howard must have lied about trying to get her the raise.

But Howard didn’t lie!  He submitted the paperwork to a Mr. Federson at the corporate headqyarters and Federson has yet to approve it.  Howard marches into his office and discovers Edna on the phone.  Howard tells Edna to hang up and call Federson.  Edna says that (for some reason) she’s already on the phone with Federson.

“Ask him where the Hell Jennifer’s raise is!” Howard says.

“Where the Hell is Jennifer’s raise?” Edna repeats.

Federson takes offense to the way the question was asked and hangs up.  Howard tells Edna that it’s her fault for using that tone with Federson but Edna replies that she was using Howard’s tone and, for what seems like an hour or two, they debate who is responsible for which tone.  Howard tells Edna to call up Federson and apologize for her tone.  Edna calls Federson and apologizes for Howard’s tone and Federson tells her to tell Howard to man up and apologize himself.  Oh, and Jennifer’s raise is now cancelled because Canada apparently has very lax labor laws.

While this is going on, Howard is also having to deal with an old woman named Mrs. Rosenbloom (Helen Hughes), who is standing outside the store in the Toronto cold.  Howard brings Mrs. Rosenbloom inside.  Mrs. Rosenbloom says that she’s waiting for her son, Sheldon but she’s not sure where he is or what his phone number is.  “I don’t want to be a bother,” Mrs. Rosenbloom continually says as she bothers Howard for everything from a chair to a cup of soup.

Meanwhile, Jack Christian and Murray build a gigantic display of taco chips.  Unfortunately, the display gets to be too high and it falls over on top of Mrs. Rosenbloom.  Luckily, she appears to be okay.  “Those chips have sharp edges!” Howard exclaims.

Marlene encourages Jennifer to sue the company for discrimination, as Jennifer is the only black person working at the store and also the only one to not get a raise.  Howard panics when he learns that Jennifer has hired Marlene’s boyfriend, lawyer Cy Richards, to sue the store for 10 million dollars.  When Cy (Ted Simonett) does eventually show up at the store to meet with Jennifer, it turns out that he’s actually Mrs. Rosenbloom’s son, Sheldon.  He changed his name when he opened his law office.  Cy is happy to have found his mother but he’s even happier to sue the store.

But then, largely because there’s only two minutes left in the show’s running time, Jennifer decides not to sue the store because Federson comes by the store to meet with her and he decides to give her the raise.  Federson is played by Clark Johnson, who would go on to appear on shows like Homicide and The Wire.  Howard takes one look at Federson and exclaims, “You’re black!”

“It runs in the family,” Federson replies.

(Yes, it’s just as cringey as it sounds.)

Jennifer may have dropped the lawsuit but Howard is still going to court because now Mrs. Rosenbloom is suing because of the chip display that fell on her.

There was a bit too much going on in this episode and so much of it could have been avoided by Howard and Edna not being idiots.  I mean, how does a secretary keep her job if she doesn’t know enough to clean up her boss’s language before quoting it back to someone at the corporate office?  How does Howard not know better than to have someone else apologize for him?  How can he promise someone a raise that he apparently doesn’t have the power to deliver?  In short, how does Howard still have a job?  On The Office, they went to pains to establish that Michael was good at selling things as a way to explain why he was still in charge of the branch.  On Check It Out, Howard is so thoroughly incompetent that it’s difficult to believe that the store hasn’t burned down yet.  And, of course, there’s the fact that Howard, having worked for the company for 20 years, is stunned to discover that a black man has a position of corporate authority.  I mean, that really doesn’t say anything good about Howard or the company.

Shows like Check It Out make me happy that I’ve never had a real job.

Retro Television Reviews: T and T 2.1 through 2.4 “Straight Line”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, season 2 begins with a supesized episode.

Episodes 2.1 through 2.4 “Straight Line”

(Dir by George Mihalka, originally aired on October 24, 1988)

Straight Line, the second season premiere of T & T, is one story that is told over the course of four, 30-minute episodes.  According to both Wikipedia and the IMDb, all four of those episodes aired on October 24th, 1988.  To me, that would seem to suggest that Straight Line originally aired as a made-for-TV movie and that it was later split up into four episodes for syndication.  It’s something that happens with a lot of shows, especially when it comes to season premieres.  Straight Line was also apparently released, direct to video, as a stand-alone film in 1990 and you have to wonder how many people ended up renting it without realizing that they were spending their money on a super-sized episode of T & T.

The second season begins with some changes to the opening credits.  Most of the supporting cast — including Decker, Aunt Martha, Sophie, and Detective Jones — no longer appear in the opening credits.  (Decker and Aunt Martha do appear in the episodes but both David Nerman and Jackie Richardson are credited as being “guest stars.”)  Instead, it appears that there are now only three regular members of the cast — Mr. T, Alex Amini, and Sean Roberge as a new character named Joe Casper.  (Roberge previously appeared during the first season, playing a character named Fabian.)

Joe Casper is a teenager who is in a bit of trouble.  He’s gotten involved with a neighborhood gang known as The Future and when the Future disrupts a campaign event for a reverend who is seeking to become Toronto’s first black mayor, it leads to a bomb going off and killing Joe’s mother.  Distraught by what’s happened, Joe attempts to jump off a bridge but T.S. Turner (who was at the rally) approaches Joe and says, “Take it easy, little brother,” and that’s all Joe needs to hear to turn himself into the police.  Joe is going to need a good lawyer so T.S. calls Amy, who rushes over the police station and….

OH MY GOD, WHAT IS AMY WEARING!?

Amy explains that she was at a banquet when T.S. called but still, I would probably put on a coat or something before heading over to Toronto’s dirtiest police station.

Anyway, Amy is able to keep Joe out of jail.  Joe is sent to a juvenile rehabilitation center that is run by Dr. Hammel (Kenneth Welsh).  Dr. Hammel is an ally of the preacher who is running for mayor and everyone thinks that Dr. Hammel is a good and devoted social activist.  Of course, the audience automatically knows that Dr. Hammel is the bad guy because he’s played by Kenneth Welsh, who I imagine is best-known in America for playing the totally evil Windom Earle in Twin Peaks.

T.S. investigates The Future and discovers that there started out as a neighborhood watch before being transformed into a bunch of Neo-Nazis.  He also discovers that Dr. Hammel is the one who is behind the organization.  T.S. and Amy have to expose Hammel and they better hurry because the preacher running for mayor has been assassinated and Hammel has just announced that he’s running for mayor of Toronto!

This all may sound pretty exciting but the second season premiere is actually a bit dull.  The main problem is that, as opposed to the first season, T.S. doesn’t get to do much in the episode.  He’s rather subdued and there’s none of the quirkiness that made the character so memorable during the first season.  He doesn’t talk about his love for cookies.  He hardly calls anyone, other than Joe, “brother.”  There’s not even a scene of him hitting a punching bag.  It’s disappointing!  As well, he and Amy were separated for the majority of the show, which kind of goes against the whole idea of them being T and T.  Instead, the majority of the episode was devoted to introducing Joe.  The episode ended with Joe, tears streaming down his face, walking away with T.S. and apparently renouncing his former affiliation with The Future.  Since Joe is in the opening credits now, I assume he’s going to become T.S.’s ward for at least the next few episodes.

Hopefully, the next episode will features T.S. acting more like T.S.  Otherwise, this is going to be a long season.

Horror on TV: The Hitchhiker 6.1 “Fading Away” (dir by Jerry Ciccoritti)


On tonight episode of The Hitchhiker, Nick Mancusco gives a strong performance as an ex-Marine who struggles to distinguish reality from his paranoid fantasy.  The Hitchhiker himself has a little bit more sympathy for the main character in this episode than he’s had for characters in previous episodes.

This episode originally aired on September 21st, 1990 and was the first episode of the show’s sixth season.