Late Night Retro Television Review: Highway to Heaven 4.5 “I Was A Middle-Aged Werewolf”

Posted on July 17, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, it’s Halloween!

Episode 4.5 “I Was A Middle-Aged Werewolf”

(Dir by Michael Landon, originally aired on October 28th, 1987)

This was a cute episode and one that I had actually seen before. My friend Mark recommended it to me three years ago, during an October in which I was looking for a little something to add to Horrorthon.

The Devil (Michael Berryman) makes his second appearance on the show, this time selling Mark a submarine sandwich on Halloween night. Mark eats the sandwich while watching I Was A Teenage Werewolf on television. (“Hey, this guy kind of looks like you!” he tells Jonathan. Michael Landon, of course, starred in I Was A Teenage Werewolf.) Mark is then haunted by nightmares in which Jonathan turns into a werewolf. (And yes, Landon is made up to look like he did in the film.)

Meanwhile, in the waking world, Jonathan helps a lost trick-or-treater go home and he briefly turns into a werewolf so that he can scare the kid’s mean older sister. I’m not really sure what the rules were about angels pulling Halloween pranks but it should be noted that Jonathan is actually a fairly nice werewolf and he allows the kid to be a hero by pretending to be scared of him.

The episode ends with Mark once again yelling in fear as Jonathan turns into a werewolf, just for Michael Landon to look straight at the camera, break character, and say, “Happy Halloween.”

Awwww, what a sweet episode!

After a few weak and heavy-handed episodes, it was nice to see Highway to Heaven return to its earnest roots. This was a likable episode, one that showed that Landon was willing to laugh at himself and one that, to me, seemed to indicate a genuine love for the Halloween holidau. This was a fun 60 minutes and watching it has left me even more eager about the approaching horrorthon season.

Retro Television Review: Highway to Heaven 3.3 “For The Love Of Larry”

Posted on November 21, 2024 by Lisa Marie Bowman

This episode features a very good boy.

Episode 3.3 “For the Love of Larry”

(Dir by Michael Landon, originally aired on October 8th, 1986)

At the start of this episode, we find Jonathan and Mark on a dangerous assignment. They’re in the city and apparently, they’re working as undercover cops and trying to catch a local drug dealer. At least, I assume that the people working with Jonathan and Mark were supposed to be cops. None of them were in uniform so I guess they have just as easily been a neighborhood vigilante group. As Jonathan and Mark prepare to confront the dealer, Jonathan says that the scourge of drugs is the greatest threat that American will ever face.

It’s a heavy assignment but it doesn’t really seem like a Highway to Heaven sort of assignment. Usually, Mark and Jonathan are specifically assigned to help someone. This time, though, it appears that they’ve just been assigned to help the cops do their job. Jonathan and Mark don’t really do anything that any other cop couldn’t have done. Mark gets excited when the dealer tries to shoot him because he’s convinced that God is causing the bullets to miss him. Only after the dealer is captured does Jonathan reveal that God didn’t do Mark any favors. Mark just got lucky.

Mark’s earned a break! He and Jonathan drive off to another one of those small towns that always seem to show up on this show. They rent a cabin for a few days. However, Mark’s attempts at relaxation are continually interrupted by a dog. First, the dog runs in front of the car. Then, the dog somehow shows up at the cabin. Even though Mark took the dog to a shelter, the dog somehow managed to get out and track Mark down.

Eventually, Mark and Jonathan figure out that they need to follow the dog. The dog leads off the main road, to an overturned car that is hidden away in the woods. A father and a son, both badly injured but still alive, are in the car. Jonathan and Mark are able to rescue them but then they notice that the dog is in the back seat and was apparently killed in the crash.

The camera pans up to the sky and gets lost in the clouds. Suddenly, the dog’s ghostly form appears and seems to actually wink at the audience, letting us know that the dog may have died but his spirit stayed on Earth long enough to rescue his owners. (The Larry of the title is the son of the dog’s owner.)

Did this episode make me cry? You better believe this episode made me cry! I’m not even a dog person and I was still sobbing at the end of this episode. As I’ve mentioned before, there’s an earnest sincerity at the heart of this show that makes it effective even when it should be silly. Having the dog appear in the clouds is the type of thing that a lot of shows probably would have screwed up. In lesser hands, it would have been too heavy-handed and overly sentimental to work. But, on this show, it does work. It helps that the dog was cute.

This was a simple episode but sometimes, it’s the simple episodes that work the best.

Late Night Retro Television Review: Highway to Heaven 2.17 “The Last Assignment”

Posted on September 19, 2024 by Lisa Marie Bowman

This week, it’s time for a theological debate!

Episode 2.17 “The Last Assignment”

(Dir by Michael Landon, originally aired on February 12th, 1986)

While he and Mark drive through another run-down American city, a radio news report of a man dressed as Santa Claus giving people exactly what they ask for even though it’s not even Christmas leads Jonathan to suspect that Harold might be in the area. As Jonathan explains to Mark, Harold is an angel who has been on probation for hundreds of years because he can’t obey the rules. Instead of encouraging people to find it in themselves to do the right thing and to create their own opportunities, Harold just gives people exactly what they want. If Jonathan is all about teaching people to have faith no matter what, Harold is about creating sudden miracles.

It’s actually an interesting plot, in that it really does capture one of the central debates at the heart of any religion. Should God just give people what they want or should people’s faith in God give them the strength to understand and pursue what they truly need? It’s the battle between those who take a vow of poverty and show their devotion through sacrifice and suffering and those who preach the so-called prosperity gospel, insisting that God is some sort of celestial regulatory agency.

(It’s also a reflection of the ongoing debate as to how involved the government should get in other people’s lives. Jonathan argues for a hands-off approach that respects and promotes the idea of individual freedom. Harold, for his part, seems to be a big government guy. Jonathan supports encouraging people to pull themselves up. Harold supports hand-outs. Jonathan is a Republican. Harold probably wants to be Bernie Sanders’s guardian angel.)

Jonathan tracks down Harold (Ed Asner). Harold has opened a fire hydrant and turned water into wine, making all of the neighborhood alcoholics vey happy. Harold says that he performed a miracle and gave the people what they wanted. Jonathan argues that the people needed to learn that they had the power within themselves to find their own happiness. Taking it upon himself to keep an eye on Harold, Jonathan can only watch as Harold bends the rules to help a woman sell her stamp collection for $500 and also reunites an older woman with her lost dog. Jonathan says that Harold isn’t teaching anyone anything or helping anyone to discover their inner strength. Harold argues that he’s helping out the faithful. But when Jonathan and Harold meet a priest who has lost his faith, both of their approaches are put to the test.

Theological debates aside, it’s obvious that the main point of this episode was to give Ed Asner a showy role. Asner makes the most of Harold, playing him as someone who may pretend to be a buffoon but who actually truly cares about people and who is truly angered by what he views as being cosmic injustice and holy indifference. Asner and Landon both give good performances here and, as a result, the rather episodic story is always watchable. The show may ultimately come down on Jonathan’s side but you’re still happy when it becomes clear that Harold isn’t going to change his ways for a second.