The Films of 2020: Standing Up, Falling Down (dir by Matt Ratner)


Having failed to achieve his dream of becoming a comedy superstar in Los Angeles, 34 year-old Scott (Ben Schwartz) returns home to Long Island.  How bad are things for Scott?  Consider this:

When he left for Los Angeles, he left behind Becky (Eloise Mumford), despite thinking that he was in love with her and despite her asking him to stay.  While he was in L.A., he purposefully chose to not respond to her attempts to get in contact with him because he was determined to move on with his life.  Now, he’s back and he’s wondering what could have been.  As for Becky, she’s now an acclaimed photographer and she’s married to a surfer named Owen (John Behlman).

All of his old friends are now married and have families and don’t really have time to hang out with a 34 year-old who is still struggling with adulthood.

When Scott returns home, he moves back in with his parents.  His mother (Debra Monk) spoils him while his father (Kevin Dunn) barely says a word to him.  Scott announces that, even though he knows he needs a job, there’s no way that he’s going to go to work at his father’s lumberyard.  His father says that’s not a problem because he wasn’t planning on offering Scott a job in the first place.

Scott’s sister (Grace Gummer) is also living at home and is stuck in a less than glamorous job but she’s dating Ruis (David Castaneda), an extremely charming security guard who is loved by everyone who meets him.

And, to top it all off, Scott has developed a rash of some sort in his arm!

In fact, the only positive development in Scott’s life is that he’s made a new friend.  Marty (Billy Cyrstal) is a bit older and he’s an alcoholic but he also has the best weed and he’s full of good advice.  On top of that, Marty’s also a dermatologist and is willing to just give Scott the medicine for his arm free of charge.  Marty becomes a bit of a mentor to Scott.  Of course, Marty has demons of his own.  His first wife committed suicide and his second wife died of stomach cancer.  His own son refuses to speak to him and won’t allow him to see his grandson.  Marty’s drinking isn’t the quirky character trait that it first appears to be.  Instead, it’s what he does to deal with the pain and the guilt that he carries around with him every day.

Standing Up, Falling Down is an occasionally effective and occasionally awkward mix of comedy and drama.  As a character, Scott can occasionally be a bit hard too take.  It’s one thing to have trouble accepting the fact that you’re getting older while it’s another thing to be in your mid-thirties with the maturity level of a 13 year-old.  At times, Scott seems to be so helpless that you find yourself wondering how he survived in Los Angeles for as long as he did.  Fortunately, Ben Schwartz is an appealing actor and the film doesn’t make the mistake of trying to idealize Scott’s lack of direction.  You find yourself sincerely hoping that Scott will finally manage to get his life together, even though you know he probably won’t.

The big surprise of the film is Billy Crystal, who gives a genuinely good and complex performance as Marty.  Like Crystal, Marty is a bit of an attention hog and occasionally seems a bit too satisfied with his jokes.  However, the film also explores why someone like Marty always feels the need to be “on.”  The best moments in the film are the ones where Marty quietly considers why his life has reached the point that it has.  In the film’s quieter moments, there’s a lot of sadness in Crystal’s performance.  The scene where he unsuccessfully tries to get his son to talk to him is absolutely heart-breaking, all the more so because Cyrstal downplays the scene’s potential for sentimentality.  Right when you’re expecting schmaltz, Crystal instead holds back.  With just the slightest change in his facial expression, Crystal immediately tells us everything that’s going on inside of Marty’s head.  It’s a truly good performance.

Standing Up, Falling Down is a low-key, occasionally effective dramedy.  Not all of it works (I could have done without Scott harassing his sister’s co-worker at the pretzel place) but it has a good heart and an unexpectedly great performance from Billy Crystal.

Playing Catch-Up: Jenny’s Wedding (dir by Mary Agnes Donoghue)


There’s an early scene in Jenny’s Wedding in which Jenny (Katherine Heigl) is talking to her roommate, Kitty (Alexis Biedel) about how difficult it is to spend time with her family.  They all want to know when Jenny is going to get married.  After all, her younger sister, Anne (Grace Gummer), is married.  Jenny tells Kitty that she does want to get married and start a family and she wants to do it soon.

Kitty replies with something like: “I guess you’re going to have to tell them about us.”

And WOW!  THAT WOULD BE SUCH A MIND-BLOWING MOMENT … if not for the fact that it’s 2015.  Jenny’s Wedding seems to take place in an alternative universe where Glee was never a hit TV show,  thousands of people never changed their Facebook avatar to a rainbow flag, Milk was never a box office hit, nobody’s ever watched a program on Bravo or seen that Ikea commercial, and the majority of Americans continue to believe that gays are some exotic group of people who exclusively live in New York, San Francisco, and Oak Lawn.  Maybe in 2002, Jenny’s Wedding‘s approach to LGBT issues would have felt brave and groundbreaking but in 2015, it just feels heavy-handed and trite.

“Nothing will ever be the same again!”  Jenny’s mom (Linda Emond) wails when Jenny comes out of the closet.

“I mean, we’re ordinary people…” Jenny’s dad (Tom Wilkinson) laments when Jenny tells him that she’s a lesbian and she’s going to marry Kitty.

“They must’ve done something wrong,” one of the neighbors is overhead gossiping after it becomes common knowledge that Jenny is getting married to a *GASP* woman.

Especially when compared to the many truly groundbreaking, touching, and thought-provoking LGBT-films that have been released over the past few years, Jenny’s Wedding is heavy-handed and utterly lacking in either nuance or insight.  Watching it, I wondered who could be responsible for making such an old-fashioned film that seemed to be so totally out-of-touch with the modern world.  Then I checked with Wikipedia and discovered that the film’s director is 72 years old and straight and that explained a lot.

I think the idea was for the viewers to be stunned that Katherine Heigl was playing a lesbian and I guess the viewers are all supposed to think, “If Katherine Heigl can be a lesbian, then anyone can be a lesbian!”  And I guess that could have happened in 2002, though it still seems to be based on a massive misreading of the popularity of a performer who has, several times, literally been described as being “box office poison.”  But this is 2015 and anyone who still believes that a character played by Katherine Heigl could never be a lesbian probably is not going to be watching a movie about a lesbian wedding.

As well, it doesn’t help that Katherine Heigl gives a performance that is brittle even by the standards of Katherine Heigl.  Watching Jenny’s Wedding, I couldn’t help but feel that Kitty could do so much better.