A Movie A Day #314: Body and Soul (1981, directed by George Bowers)


When his little sister falls ill with sickle-cell anemia, Leon Johnson (Leon Isaac Kennedy) has to make a decision.  He can either finish his education, graduate from medical school, and treat her as a doctor or he can drop out of school, reinvent himself as “Leon the Lover,” and make a fortune as a professional boxer!  At first, Leon’s career goes perfectly.  He is winning fights.  He is making money.  He has a foxy new girlfriend (played Leon Isaac Kennedy’s then-wife, Jayne Kennedy.)  But then the fame starts to go to Leon’s head.  He forgets where he came from.  He’s no longer fighting just to help his sister.  Now, he’s fighting for his own personal glory.  When Leon finally gets a title shot, a crooked boxing promoter known as Big Man (former JFK in-law Peter Lawford, looking coked up) orders Leon to take a dive.  Will Leon intentionally lose the biggest fight of his life or will he stay in the ring and battle Ricardo (Al Denava), a boxer so evil that he literally throws children to the ground?  More importantly, will he make his trainer (Muhammad Ali, playing himself!) proud?

Leon Isaac Kennedy, Muhammad Ali, and Peter Lawford all in the same movie!?  No surprise here, it’s a Cannon film.  Leon Isaac Kennedy was best known for playing a jailhouse boxer in the Penitentiary films and he was a good actor with charisma to burn so it probably made perfect sense to not only cast him in a remake of John Garfield’s Body and Soul but to let him write the script too.  The end result is a film that is too heavy-handed to be taken seriously but it is still an entertaining movie.  Body and Soul leaves not a single sports cliché unused but Kennedy was a convincing fighter and the boxing scenes are well-directed.  Muhammad Ali did a better job playing himself here then he did in The Greatest.  All in all, Body and Soul is a good movie for fight fans.

Body and Soul was not a box office success and Kennedy ended his film career a few years after it was released.  He is now the head of Leon Kennedy Ministries, Inc of Burbank, California.

 

Horror on the Lens: The Hearse (dir by George Bowers)


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Today’s horror on the Lens in 1980’s The Hearse!

You can read my review here and you can watch it below!

Enjoy!

 

The Daily Grindhouse: The Hearse (directed by George Bowers)


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I feel no shame in admitting that I love horror movies. I don’t think that’s any secret to anyone who has ever read my reviews on this site. When I’m feeling so restless that I can’t sit still or focus, all you have to do is give me a horror film (especially if it’s one that I’ve never never seen before) and I’ll be quiet for at least 90 minutes.

That’s why I’m always on the look out for horror movies that I haven’t seen before. If it’s a horror movie, I’ll watch it regardless of obscurity, age, or critical disdain. At its best, this habit has led to me discovering neglected cinematic gems like Sole Survivor.

And it’s worst, it’s led me to me sitting through films like 1980′s The Hearse.

The Hearse is one of those public domain film that turns up in every other Mill Creek Box Set and it tells a very familiar story. A recently divorced woman named Jane (played by Tish Van Devere, who was married to George C. Scott at the time) leaves the big city to seek peace and solace in a creepy small town that’s full of rednecks who stare at her with a combination of lust and total disdain. Jane moves into a house that once belonged to her aunt and, pretty soon, she’s hearing strange sounds and having nightmares. On some nights, she sees a hearse (which, earlier, had attempted to run her off of the road) pull up in front of her house.

Jane attempts to tell the local sheirff about the strange happenings at her house but he responds by suggesting that maybe she should move. The local townspeople respond to her concerns by telling her that her aunt made a pact with Satan. The local priest comes by and tells Jane that the necklace her aunt gave her is a symbol of Satan.

None of this really makes much of an impression on Jane, mostly because she’s busy dating this creepy guy named Tom. Tom rarely ever shows any emotion and, on those rare occasions that he does smile, his face looks like a leering skull.

Again, Jane doesn’t seem to notice any of this…

Obviously, horror requires a certain suspension of disbelief but, seriously, it’s hard not to watch The Hearse and feel as if the scariest thing about the movie is the idea that anyone could be as stupid as Jane.

That said, The Hearse isn’t a total waste of time. The nightmare sequence is genuinely effective and the film itself features a few creepy visuals but, then again, there’s no way the sight of a hearse pulling up in front of a house in the middle of the night couldn’t be creepy. Trish Van Devere does okay as Jane, though she was far better in both The Changeling and One Is A Lonely Number.   (The film also features a few too many less-than-credible scenes where the town’s teenage boys talk about how “hot and sexy” they find the aristocratic and rather uptight Jane to be.)  If, like me, you’re into film history, you’ll enjoy this film as a relic of the past, an example of what horror movies were like in a less ironic age.

Back to School #30: My Tutor (dir by George Bowers)


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It’s the house.

I was recently trying to figure out what it was exactly that I enjoyed about the 1983 teen comedy My Tutor and I finally realized that it all came down to the house.  Like almost every other teen film released in the 1980s, My Tutor is about rich people.  The main character, recent high school graduate and frustrated virgin Bobby Chrystal (Matt Lattanzi), lives in an absolutely gorgeous house.  There’s a huge pool in back and even the guest house appears to be bigger than any place that I’ve ever lived.  Bobby lives in the type of mansion that I’ve always wanted to live in.  For me, the best parts of My Tutor are the scenes that simply follow Bobby as he walks around the grounds of his home.

I just like seeing where people live.

I first came across My Tutor about two years ago when I got the Too Cool For School DVD box set from Mill Creek Entertainment.  My Tutor was one of the 12 movies included in the box set and it was one of the first that I watched, just because the title seemed to promise all sorts of sordid fun.  Looking back on the first time that I ever watched the film, my main impressions were that the film’s central plot — the affair between Bobby and his French tutor, Terry (Caren Kaye) — was actually handled with a surprising amount of sensitivity, that the great Kevin McCarthy was ideally cast as Bobby’s wealthy but sleazy father, and that the house was really nice.

Is that really proper teacher attire?

Is that really proper teacher attire?

When I rewatched the film for this review, I quickly discovered that I had either forgotten or managed to block from my mind about 5o% of the movie.  Because, before Bobby and Terry take the fateful midnight swim that leads to their affair, the movie largely focuses on the efforts of Bobby and his friend Jack (the reliably weird and nerdy Crispin Glover) to each lose his virginity.  The first half of the film is pretty much dominated by cartoonish scenes of Bobby passing out drunk at a brothel and Jack and his brother Billy (Clark Brandon) trying to pick up two female mud wrestlers.  (If you have bondage fantasies about Crispin Glover, I guess this is the film to see.)  At one point, all of the film’s action stops so that Bobby can have an elaborate fantasy about having sex with a girl that we’ve barely seen before and will never see again.

Bobby has problems beyond just his virginity.  A recent high school graduate, he still has to retake and pass a French exam if he’s going to have any hope of getting into Yale.  (Yale was where his father went to college.  Bobby says he wants to go to UCLA and study the skies, even though he doesn’t ever say anything about astronomy beyond that he wants to major in it.)  Bobby’s father hires him a tutor.  Terry is only ten years older than Bobby and has just recently broken up with her boyfriend.  She enjoys nude midnight swims, riding on motor scooters, and aerobic exercise.  Before you know it, Terry and Bobby are having an affair, Bobby’s father is hitting on Terry, and Terry’s ex-boyfriend keeps coming up to the house searching for her.

The perfect couple

The perfect couple

And what’s surprising is that, once Bobby and Terry become lovers, the film changes.  Well, it changes a little.  Don’t get me wrong — it doesn’t suddenly turn into a great (or even a good) movie or anything like that.  But the film really does make an attempt to realistically deal with the relationship between Bobby and Terry.  Terry doesn’t suddenly abandon her dreams or her plans just because she’s now secretly sleeping with Bobby.  Instead, Terry remains just as independent as before and, unlike a lot of films of the period, the film doesn’t condemn her for wanting a life of her own.  If anything, the film chastises Bobby whenever he gets overly possessive of her.  In the end, the movie suggests that the most important lessons Bobby learned weren’t about sex but instead, were about Terry’s right to live her own life.

Oddly enough, hiding within this typical teen comedy, there’s a surprisingly bittersweet film.  Perhaps less surprisingly, this film — like The Young Graduates, The Teacher, Trip With The Teacher, Coach, and Malibu High — was yet another teacher-student-sex film produced by Crown International Pictures.  Nobody handled potentially icky exploitation with quite the wit and grace of  Crown International.

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