Gay Thomas Wilson | Through the Shattered Lens

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, it’s Halloween in Springwood!

Episode 2.4 “Photo Finish”

(Dir by Tom DeSimone, originally aired on October 29th, 1989)

This episode starts with Freddy welcoming us to a special Halloween episode of Freddy’s Nightmares. Because it is the season, Freddy actually plays a role in both of this week’s stories and it must be said that they are both rather gruesome, even by the standards of this show.

In the first story, photographer Stoney Adler (Patty McCormack) is commissioned to take some photos for a Halloween spread that will appear in Kink Magazine. Stoney is amazed at how good her models are at pretending to be scared. That’s because they’re all actually terrified because they keep seeing Freddy. Stoney isn’t aware of Freddy’s presence, at least not until Freddy drives a stake through the heart of one of her models. Stoney tries to avoid doing any more horror shoots but she takes on one final assignment. Freddy appears and asks Stoney, “Do you want me to make (the model) scream?” Stoney says yes. Freddy plucks out Stoney’s eyes. That certainly does lead to some screaming.

The second story feature three FBI men trying to figure out why a suburban father shot his wife and daughter the night before Halloween and then apparently slit his own throat. One of the agents — a profiler who owes more than a little to William Petersen’s performance in Manhunter — figures out that Freddy possessed the father. Freddy, however, then possesses another one of the FBI agents and the tragedy plays out a second time. The profiler ends up with his throat slashed, slowly dying while the camera lingers on him. There’s no way this episode didn’t inspire a few nightmares.

This was a good episode. It was scary, it was gory, and it was definitely designed to offend people who weren’t into horror. This episode was exactly what you would want Halloween with Freddy Krueger to be. The second season continues to be a hundred times better than the first.

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

This week, life and death both continue in Baltimore.

Episode 3.10 “Every Mother’s Son”

(Dir by Kenneth Fink, originally aired on January 6th, 1995)

Let’s get the least important part of this week’s episode out of the way first. Felton is still looking for his wife and kids. He abandons Kay while she’s in the middle of a homicide investigation. When Kay calls him out on it, Felton brings up the fact that she went on vacation for a weekend. The difference is that Felton isn’t taking vacation days. Instead, he’s just leaving in the middle of work and expecting Kay to handle all of his cases.

BEAU FELTON — WORST HOMICIDE DETECTIVE EVER!

Meanwhile, Lewis and Munch discover that their bar is a historical landmark because George Washington once stopped there to use the restroom. The bar stuff, while not really related to the episode’s main drama, didn’t feel as unnecessary as the stuff with Felton’s family. A lot of that is because Lewis, Munch, and Bayliss are a lot more sympathetic than Felton. This week’s scenes with Howie Mandel as an interior decorator felt a bit off for an episode of Homicide but they still amused me. That said, at some point, these three really are going to have to get it together and open the place.

As for the main storyline, it featured Pembleton and Bayliss investigating the shooting of a 13 year-old in a bowling alley. It’s a familiar story, one that this show has used before. The fact that we’ve seen it before is not a reflection on the show. It’s reflection of the reality of life on the streets. The murderer was another kid, one who was now facing life in prison if he ended up getting charged as an adult. The murderer showed little remorse, telling Pembleton that he would rather be in jail than the on the streets. What made this episode stand out was a scene between two mothers — one the mother of the victim and the other the mother of the shooter — meeting by chance in a police station and striking up a conversation despite not knowing who the other was. Gay Thomas Wilson and Rhonda Stubbins White both gave excellent and poignant performances of two women who, by the end of the show, would have both ended up losing their oldest son.

This was a simple but effective episode, a moody look at the ironies of death and violence in Baltimore. George Washington once stopped by the Waterfront Bar but that doesn’t mean anything to the people who are dying and suffering in the city. In the end, Pembleton could only look on in silene as the shooter announced that he was happy to be in jail. “You’re probably going to die in a cell just like this,” Pembleton says.

“Better here than on the streets,” is the reply.

And nothing more is left to be said.