Paper Lion (1968, directed by Alex March)


Writer George Plimpton (Alan Alda) is a Park Avenue sophisticate who practices “participatory” journalism.  He has already written about pitching in an exhibition all-star game and getting knocked out by Sugar Ray Robinson.  He is having trouble coming up with his next stunt until he goes to Central Park and plays a touch football game with his girlfriend Kate (Lauren Hutton) and his editor, Oscar (David Doyle).  Oscar sees George throwing the ball and decides that George should write about going to a professional football team’s training camp as a player.

George, who fantasizes about throwing the game-winning touchdown, is enthusiastic.  Most of the teams that George approaches are less enthusiastic but finally, the Detroit Lions agree to sign him as a quarterback.  Once the other players realize that George is a writer and not a professional athlete, there’s a lot of resentment.  As Guard John Gordy (playing himself) puts it, he could easily get injured while protecting an inexperienced quarterback like George.  George can always go back to Park Avenue but, for the rest of the players, the game is their life and they don’t like the idea of some outsider coming in and treating it all like a joke.  At first, only the fearsome defender Alex Karras (also playing himself) is willing to support George but eventually, George’s refusal to give up wins over the rest of the team.  They even let him score a touchdown during practice.

When the preseason begins, George waits for his opportunity to take the field.  How many yards can he lose in three plays?

Paper Lion is based on a true story.  In 1963, George Plimpton did attending training camp and play a scrimmage for the Lions and he later wrote a book about the experience.  The movie changes the time period from ’63 to ’67 so that all of the then-members of the Lions could play themselves.  (Though Karras was a friend of Plimpton’s, he was actually suspended during the 1963 season and, unlike in the movie, never joined Plimpton on the practice field.)  The film plays Plimpton’s football career largely for laughs, celebrating every guy’s fantasy of being a sports star while also showing why it’s probably best to leave the actual game to the professionals.  Alan Alda doesn’t imitate Plimpton’s famous Mid-Atlantic accent but he does capture the excitement of a man getting to live out his fantasy.

Paper Lion was made with the full cooperation of the NFL and a good deal of the film’s final third is made up footage that was shot for an actual game.  Seen today, it’s interesting to see how positively Paper Lion portrays both the game and its players and to contrast it with how the game is usually portrayed today.  There’s no talk of steroids or fears of multiple concussions.  All of the players are clean-cut, friendly, witty, and helpful.  Even the training camp hazing is all done is good fun.  Paper Lion introduces us to the nicest people in the world and they’re all football players!

Viva Knievel (1977, directed by Gordon Douglas)


Last night, I watched one of the greatest movies of all time, Viva Knievel!

Viva Knievel! starts with the real-life, motorcycle-riding daredevil Evel Knievel breaking into an orphanage in the middle of the night, waking up all the children, and giving each of them their own Evel Knievel action figure.  When one of the kids says, “You actually came!,” Evel replies that he always keeps his word.  Another one of the orphans then throws away his crutches as he announced that he can walk again!

From there, Viva Knievel! only gets better as Evel preaches against drug use, helps his alcoholic mechanic (Gene Kelly) bond with his son, and flirts with a glamorous photojournalist (Lauren Hutton).  Evel was married at the time that Viva Knievel! was produced but his wife and family go unmentioned as Evel, Kelly, and Hutton travel through Mexico, jumping over fire pits, and battling drug dealers.

Evel’s former protegee, Jessie (former child evangelist Marjoe Gortner), has fallen in with a bad crowd and gotten messed up on the same drugs that Evel spends the entire movie preaching against.  An evil drug trafficker (Leslie Nielsen, a few years before Airplane! and The Naked Gun) pressures Jessie to convince Evel to do a dangerous stunt.  The plot is to replace Evel’s trusted mechanic with a crooked mechanic (Cameron Mitchell) who will sabotage the jump.  When Evel dies, he will be shipped back to the U.S. in a coffin and, hidden within the walls of the coffin, will be several kilos of cocaine.  Oh, the irony!  Evel Knievel, America’s number one spokesman against drugs, will be responsible for bringing them into the United States!  Can Evel thwart the nefarious plans of Leslie Nielsen while still finding time to fall in love with Lauren Hutton and break Gene Kelly out of a psychiatric ward?  If anyone can do it, Evel can.

Even Dabney Coleman’s in this movie!

From the start, Viva Knievel! is a vanity project but in the best, most loony and entertaining way possible.  There are many well-known actors in this film and all of them take a backseat to Evel Knievel, whom they all speak of as if he’s a cross between Gary Cooper and Jesus Christ.  Watching this movie, you learn three things: 1) Evel Knievel was high on life but not dope, 2) Evel Knievel always kept his word, and 3) Evel Knievel always wore his helmet.  He even makes sure that Lauren Hutton is wearing one before he takes her for a spin on his motorcycle.  You also learn that Evel Knievel liked to get paid.  He nearly beats up his manager (Red Buttons) when he thinks that he’s been cheated but they’re still friends afterwards because how could anyone turn down a chance to be in Evel’s presence?

There are plenty of stunts and jumps to be seen in Viva Knievel!, though watching Leslie Nielsen play a villain is almost as fun as watching Evel jump over a fire pit.  Judging from his performance here, Evel Knievel probably could have had a film career.  He had a natural screen presence and delivered even the worst dialogue with sincerity.   Unfortunately, three months after Viva Knievel! opened in the United States, Evel attacked a promoter with an aluminum baseball bat and ended up doing 6 months in jail.  Evel said it was because the promoter was spreading lies about him but, regardless, Evel lost most of his sponsorships and his toyline was discontinued.  Viva Knievel! sunk into an obscurity from which it has only recently reemerged.  Viva Knievel! is cheesy fun, a relic of a bygone era.  Watch it, think about whatever problems you may be dealing with in your own life, and then ask yourself, “What would Evel do?”