Lisa Reviews An Oscar Nominee: Sergeant York (dir by Howard Hawks)


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The 1941 film Sergeant York was the American Sniper of its day.  A biopic of Alvin York, one of the most decorated American soldiers of World War I, Sergeant York was not only a huge box office hit but it was a film that celebrated American patriotism in the type of unabashed fashion that you would never see in a film made today.  Though Sergeant York went into production at a time when the United States was officially pursuing a policy of international neutrality, it was released shortly before the Japanese attacked Pearl Harbor and, whether intentionally or not, Sergeant York served as a strong recruiting tool.  According to Wikipedia (and we all know that Wikipedia is never wrong), there were reports of young men going straight from the movie to the nearest military recruitment office.

Clocking in at nearly two and a half hours (and running at least 40 minutes too long), Sergeant York is two films in one.  The second half of the film deals with the military career of Alvin York (Gary Cooper), a plain-spoken and honest Tennessee farmer who, because of his strong religious beliefs, unsuccessfully attempts to register as a conscientious objector.  Forced into the Army, York is, at first, dismissed as a simple-minded hillbilly.  (His fellow soldiers are amused to discover that York doesn’t know what a subway is.)  However, to the shock of his commanding officers, he proves himself to be an expert marksman.  As he explains it, being from the country means that he’s been shooting a rifle his entire life.

On the basis of his skills as a marksman, York is given a promotion but he still says that he refuses to kill.  It’s not until his superior officer reminds him of the sacrifices that past Americans have made that York starts to reconsider his position.  Then, a gust of wind opens York’s bible to a verse about giving unto Caesar what is Caesar’s and York realizes that he can go to war and, if need be, he can kill.

And it’s a good thing that he can!  Because World War I is heating up and York may be the only guy around with the strength and confidence to single-handedly defeat and capture over 170 German soldiers.

The army section of Sergeant York is predictable but well-done.  As you’d expect from a film directed by Howard Hawks, a lot of emphasis is put on how the soldiers work together.  York is portrayed not as being super human but instead as just an honest man who is exceptionally good at his job.  There’s nothing surprising about the second half of Sergeant York but Hawks keeps the action moving and Cooper gives a good performance.

To be honest, I preferred the first half of the film, which examined York’s life before he joined the Army.  When we first meet Alvin York, he drinks too much, he fights too much, and he’s totally irresponsible.  It’s not until he falls in love with Gracie Williams (Joan Leslie) that York starts to change his ways.  The scenes of York in the backwoods of Tennessee had a lively feel to them and it was enjoyable to see Cooper play a somewhat disreputable character.  Cooper seemed to be having fun playing a ne’er-do-well and, in the scenes before York finds God, his bad behavior was a lot of fun to watch.

Considering its success at the box office, it’s not surprising that Sergeant York was nominated for best picture of the year.  While Gary Cooper won the Oscar for best actor, the award for Best Picture went to How Green Was My Valley.

Shattered Politics #2: They Won’t Forget (dir by Mervyn LeRoy)


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The title of the 1937 film They Won’t Forget works on many levels.

It describes the reaction of a small Southern town, following the brutal murder of teenager Mary Clay (played, in her film debut, by Lana Turner).  The town won’t forget Mary and they won’t forget the terror caused by her murder.  They also won’t forget that local teacher Robert Hale (Edward Norris) was accused of the crime.

The district attorney, Andrew Griffin (Claude Rains), hopes that the people of his state won’t forget his efforts to see Griffin convicted of that crime.  Griffin wants to be elected to the U.S. Senate and he knows that the high profile case could be just what his career needs.

The Governor (Paul Everton) knows that, if he steps into the case and acts on his suspicion that Hale is innocent, the voters of his state will never forget.  And they certainly won’t be willing to forgive.

And, on a larger level, the title lets us know that the South and the North will never forget the Civil War and the conflict between the two regions.  The film opens with three elderly veterans of the Confederate Army, preparing to march in the town’s annual Confederate Memorial Day parade and admitting to each other that, after all these years, it’s difficult to remember much about the war other than the fact that they’re proud that they fought in it.

It’s while the rest of the town is busy watching Griffin and the governor ride in the parade that Mary Clay is murdered.  It’s easy to assume that Hale was the murderer because Hale was one of the few townspeople not to go to the parade.  You see, Hale is originally from New York City.  When he’s accused of murder, it’s equally easy for Griffin and tabloid reporter William A. Brock (Allyn Joslyn) to convince the town people to blame this Northern intruder for both the murder of Mary Clay and, symbolically, for all of the post-Civil War struggles of the South itself.

Meanwhile, up North, Hale is seen as a victim of the South’s intolerance.  A high-profile lawyer (Otto Kruger) is sent down to defend Hale but, as quickly becomes clear, everyone involved in the case is more interested in refighting the Civil War than determining the guilt or innocence of Andrew Hale.

They Won’t Forget is a hard-hitting and fascinating look at politics, justice, and paranoia.  It’s all the more interesting because it’s based on a true story.  In 1913, a 13 year-old girl named Mary Phagan was murdered in Atlanta.  Leo Frank was accused and convicted of the murder.  (In Frank’s case, he was born in Texas but was also Jewish and had previously lived in New York before moving to Atlanta, all of which made him suspicious in the eyes of many.)  On the word of a night watchmen, who many believe was the actual murderer of Mary Phagan, Leo Frank was convicted and sentence to death.  After spending days reviewing all of the evidence and growing convinced that Frank had been wrongly convicted, Georgia’s governor committed an act of political suicide by commuting Frank’s sentence to life imprisonment.  Leo Frank was subsequently lynched and the man who had prosecuted the case against him was subsequently elected governor.

Well-acted and intelligently directed, They Won’t Forget is probably one of the best films of which few people have heard.  Fortunately, it shows up fairly regularly on TCM and, the next time that it does, be sure to watch.  It’s a great film that you won’t easily forget.

 

 

Ghosts of Christmas Past #24: It’s a Wonderful Life


Just in case you somehow missed your chance to see one of the greatest films ever made, here’s Frank Capra’s classic It’s A Wonderful Life.  I’ve seen this movie a countless number of times.  I can recite every line by memory.  And yet, every time I watch it, I still get tears in my eyes.  If you missed it on TV this year, please feel free to watch it below.

Incidentally, I always related to Violet.