Lisa Marie Review An Oscar Nominee: The Bishop’s Wife (dir by Henry Koster)


In 1947’s The Bishop’s Wife, Cary Grant stars as Dudley.

We first see Dudley walking down the snow-covered streets of a city that is preparing for Christmas.  He watches Julia Broughman (Loretta Young), the wife of the local Anglican bishop.  He stops to talk to Prof. Wutheridge (Monty Woolly), a secular humanist who is close to Julia and her husband, despite being irreligious himself.  Dudley seems to know all about the professor, even though the professor is not sure who he is.  The professor mentions that he was fired from a university because he was considered to be a “radical,” even though he has no interest in politics.  The professor says that the town’s church has seen better days, especially since the Bishop is more interested in raising money from the rich to build a grand new cathedral than actually meeting with the poor who need help.

The last person that Dudley visits is Bishop Henry Broughman (David Niven).  Dudley reveals to Henry that he’s angel and that he’s come in response to Henry’s prayers.  Henry has been frustrated in his attempts to raise money for a new cathedral.  Dudley has come to provide guidance.

With only the Bishop knowing the truth about Dudley, Dudley becomes a houseguest of the Broughmans.  The Bishop has become so obsessed with his new cathedral that he’s not only been neglecting his diocese but also his family.  While Dudley tries to show Henry what’s really important, he also helps Julia and her daughter Debby (Karolyn Grimes) to fit in with the neighborhood.  (Bobby Anderson, who played the young George Bailey in It’s A Wonderful Life, makes an appearance as a boy having a snowball fight who says that Debby can’t play because no one wants to risk hitting a bishop’s daughter with a snowball.)  The Bishop becomes jealous of Dudley and perhaps he should be as Dudley finds himself falling in love with Julia and considering not moving on to his next assignment.

(And now we know where Highway to Heaven got the inspiration for 75% of its episodes….)

The Bishop’s Wife is an enjoyable film, one that is full of not just Christmas imagery but also the Christmas spirit as well.  The Bishop finally realizes that his planned cathedral is more of a gift to his ego than to the men and women who look to him for guidance and comfort in difficult times.  David Niven is, as always, likable even when his character is acting like a jerk.  That said, this is pretty much Cary Grant’s show from the start.  Suave, charming, and gently humorous, Grant joins Claude Rains and Henry Travers in the ranks of great cinematic angels.  Never mind that Grant’s character is a bit pushy and has his own crisis of faith.  From the minute that Grant appears, we know that he’ll know exactly the right way to answer Henry’s prayers.

Cary Grant was not nominated for Best Actor for his performance here.  Undoubtedly, this was another case of Grant making it all look so easy that the Academy failed to realize just how good of a performance he gave.  Interestingly enough, The Bishop’s Wife was one of two Christmas films nominated for Best Picture that year, along with Miracle on 34th Street.  Both films lost to Gentleman’s Agreement.

Shattered Politics #9: State of the Union (dir by Frank Capra)


Sotu1948

“Politicians have remained professionals only because the voters have remained amateurs!” — State of the Union (1948)

Does anyone remember the Americans Elect fiasco of 2012?

Americans Elect was an organization set up by a bunch of businesspeople, attorneys, and out-of-office politicians.  Their stated goal was to challenge the political establishment, shake up the two-party system, and elect a president.  The idea was that the party would hold a nationwide primary.  Any registered U.S. voter could go online and cast their vote on what they thought should be in the party’s platform and who they thought should be the Americans Elect presidential candidate.  Whoever won this nationwide primary would be required to 1) run on the platform and 2) pick a vice presidential candidate from the opposite party.

And all would be right with the world, right?

Right.

Anyway, I did register as an American Elect delegate, just because I was curious to see who was getting votes in the nationwide primary and who wasn’t.  (And yes, I did cast a vote.  I voted for Dallas County Commissioner Elba Garcia.)  Looking over the site, I saw that all of the usual suspects were getting votes — Ron Paul, Hillary Clinton, Michael Bloomberg, Donald Trump, and even Barack Obama.  None of the big vote getters were exactly nonpartisan or independent figures.  With the possible exception of Ron Paul, all of them were members of the very establishment that Americans Elect was claiming to challenge.

Anyway, Americans Elect ended up nominating no one for President and, as we all know, the 2012 election came down to choosing between two candidates who both received money from the same millionaires and, in the end, the status quo was upheld.

To be honest, everyone should have realized that Americans Elect was a sham as soon as the New York Times printed a column praising the effort.  Any truly independent political organization would never be praised by the New York Times.  Instead, like most so-called independent political organizations, Americans Elect was just a case of certain members of the establishment slumming.

So, the lesson of American Elect would seem to be that any attempt to run outside of the mainstream will, in the end, simply lead you back to the mainstream.  That was an expensive lesson for all of the volunteers who devoted their time to getting Americans Elect on the ballot in 28 states.  It was a lesson that they could have learned much more easily by watching the 1948 film, State of the Union.

In State of the Union, newspaper publisher Kay Thorndyke (Angela Lansbury) wants to make her lover, Grant Matthews (Spencer Tracy), President of the United States.  Grant is a no-nonsense, plain-spoken businessman who is quick to explain that he loves and cares about his country but that he hates partisan politics.  (In many ways, it’s impossible not to compare Grant to … well, to just about every single wealthy businessman who has ever run for public office while claiming to essentially be nonpolitical.  The big difference is that Grant actually means it.)  However, by subtly appealing to both his ego and his patriotism, Kay convinces Grant to run.  With the help of sleazy Jim Conover (Adolphe Menjou) and the sardonic Spike McManus (Van Johnson), Kay uses her money and her newspapers to turn Grant into a viable candidate.

The only problem is that Grant is separated from his wife Mary (Katharine Hepburn) and, since this movie was made in the 1940s, everyone knows that Grant has to be seen as being a family man if he’s going to be elected.  For the election, Mary and Grant pretend to be happily married.

As the primary season continues, Grant finds himself being more and more manipulated by Kay and Jim.  Eventually, Grant is forced to make a decision between his campaign and his integrity…

Following Mr. Smith Goes To Washington and Meet John Doe, State of the Union was the third part of director Frank Capra’s political trilogy.  Based on a play (which, itself, was supposedly inspired by the 1940 Republican presidential candidate, Wendell Willkie), State of the Union never quite escapes its stage-bound origins.  Add to that, the film was probably a bit more shocking when it was first released in 1948.  In 2015, we’re used to idea of politicians being controlled by money.  But, in 1948, audiences were perhaps a little bit more innocent.

But, that said, State of the Union is still an entertaining film.  Needless to say, Spencer Tracy and Katharine Hepburn have a wonderful chemistry together and Hepburn gets a great drunk scene.  (Hepburn had such an aristocratic presence that it’s always fun to watch her do comedy.)  Angela Lansbury also does well, playing a character who could very well grow up to be the role she played in The Manchurian Candidate.

67 years after it was first released, State of the Union remains an entertaining film that makes some good and still relevant points.  In 2016, when you’re tempted to get involved with the latest version of Americans Elect, watch State of the Union instead.