Back to School #39: The Breakfast Club (dir by John Hughes)


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Dear Mr Vernon,

We accept the fact that we had to sacrifice a whole saturday in detention for whatever it was we did wrong. But we think you’re crazy to make us write an essay telling you who we think we are. You see us as you want to see us – in the simplest terms, in the most convenient definitions. But what we found out is that each one of us is a brain, and an athlete and a basket case, a princess and a criminal.

Does that answer your question?

Sincerely yours,

The Breakfast Club.

— Brian’s essay from The Breakfast Club (1985)

 That’s one thing that has always bothered me about The Breakfast Club.  The film, of course, is famous for being about five different high school students who are forced to spend a Saturday in detention with each other.  Over the course of the day, they start off as antagonists, separated by their own preconceived notions of who they are.  But, as the day progresses, they talk and they bond and they discover that they all have more in common than they might think.  And, at the end of the film, “basket case” Allison (Ally Sheedy) pairs off with “athlete” Andy (Emilio Estevez) and “criminal” Bender (Judd Nelson) pairs off with “princess” Claire (Molly Ringwald).  And while Claire is busy giving Allison a makeover and Bender is thinking about how iconic he’ll look when he raises his fist while leaving the school, “brain” Brian gets to write everyone’s essay.

Originally, all five of them were supposed to spend their time in detention writing individual essays about how they’re going to be better students and citizens.  But, in the end, only one essay is turned in and Brian is the one who writes it.  It’s always seemed a bit unfair to me that, while everyone else was getting to reveal a new side of his or herself, Brian was basically doing everyone’s schoolwork.  I know it can be argued that this shows that the other students finally appreciate Brian’s intelligence but everyone already knew he was smart.  In the end, Brian is the one who articulated what they all discovered during that Saturday detention but he also seems to be the one who gained the least from the experience.

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But, at heart, The Breakfast Club is a deeply ambiguous movie.  That’s one reason why, despite the fact that it was initially released the same year that I was born, the film still feels relevant today and why it remains one of the most popular high school films ever made.  Everyone can relate to at least one of the five students and I imagine that when most people watch it, they wonder how they would react to an aggressive character like John Bender or how they would handle the horrific story that Andy tells when asked what he did to get sentenced to detention.  And, at the end of the film, everyone wonders if any of the new friendships and relationships would actually last longer than a weekend.  When Bender asks Claire how she’s going to act if Brian approaches her on Monday, we all know what will probably actually happen if he does.  At the end of the film, you’re happy that they got that Saturday together because you know that, once Monday comes, it’s going to be like it never happened.

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I’ve watched The Breakfast Club a handful of times.  Whether I relate the most to Claire or to Allison usually depends on my mood. I think that a lot of people want to relate to Allison because, for much of the movie, Claire is unapologetically selfish and spoiled.  But, if we’re honest with ourselves, we have to admit that we’re all a lot more like Claire than any of us want to admit.

It’s also easy to relate to Allison because she’s not really a very well-drawn character.  While the other characters all come from an easily identifiable group, Allison is just there.  She’s a collection of strange quirks that don’t always have a clear motivation and, in the end, the only reason Allison works as a character is because Sheedy does such a good job playing her.  At the end of the film, Claire gives Allison a makeover and I have to admit that it always kind of breaks my heart to see how Allison goes from being strange to being very conventional.

Makeover

(In Susannah Gora’s excellent book You Couldn’t Ignore Me If You Tried, Sheedy is quoted as saying that she didn’t feel very happy about it either.  According to her — and she’s correct — the only thing that really redeems this scene is the fact that Allison doesn’t quite pull off her new look.  She’s still a little awkward and you realize that she may have just been humoring Claire.)

As for the males, Anthony Michael Hall gets a lot of the laughs and Judd Nelson gets the best lines but Emilio Estevez gives the best performance.  We already know that Brian is insecure despite being intelligent and we expect that Bender is angry because he’s got an abusive father.  But when Andy explains why he, an otherwise nice and likable guy, committed a horrific act of bullying, it’s an amazing scene and Estevez plays it perfectly.

Estevez

In fact,  both Estevez and Sheedy are so good that I’ve decided that Andy and Allison did stay together after detention.  Eventually they got married and, right now, they’re living in a pretty house in the suburbs of Chicago.  Bender and Claire, however — there’s no way that lasted!

But, regardless of what happened on Monday, there’s no way your heart can’t soar a little when Bender lifts that fist above his head.

Bender and his fist

Tell Me That You Love My 6 Trailers, Wanda June


Okay, so after months and months of it being strangely cold and pleasant down here in Texas, this week the temperature suddenly shot up to 100 degrees and everyone’s going outside and mowing their freaking lawns.  Which means that it smells like freshly cut grass outside (BLEH!) and every time I step through the front door, my allergies go insane and I end up getting sick!  Seriously, I was so sick last night that I ended up staying in for the night and resting, which for some reason my evil sister took as an invitation to attempt to “braid” my hair.  Anyway, as I sit here trying to get the tangles out of my hair (ouch!), why not check out the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers?

The title of this weekend’s edition, by the way, is a really obvious homage to a  film directed by Otto Preminger.  And no, it’s not Skidoo.

1) Nightmares (1983)

For some reason, this anthology seems to pop up on TBS, TNT, USA,, and WGN a lot.  Actually, is WGN actually a cable station?  It sounds made up.  Anyway, I hate anthology films.  Seriously, they always suck so bad and the people who make them are always so freaking proud of themselves.  I mean, seriously — what’s going on with that?  Anyway, it seems like every time I come across it, I end up seeing the part where Emilio Estevez gets attacked by the Bishop of Battle.

2) The Wild Beasts (1984)

Yes, I’ve done some research and guess what?  This film is Italian!  Yay!  Anyway, this trailer informs us that somebody has given all the animals at the zoo a “deadly” dose of PCP.  Okay, so if it’s a deadly dose, then why do they apparently end up going crazy and attacking humans?  I mean, seriously, shouldn’t they be dead?

3) The Principal (1987)

Okay, I first came across the trailer on YouTube many months ago while I was searching for film clips for an abandoned post about teaching-centric grindhouse films.  This trailer has, for some reason, become something of an obsession of mine and it’s because I still have some doubts as to whether or not this film actually exists.  Because, seriously, the trailer is just like a check list of every cliché that we associate with an out-of-control school thriller.  And then it stars Jim Belushi?  Seriously, this can’t be a real movie.  Except I did some research and apparently, there’s a lot of people who think it is real.  And you can order it off of Amazon.  Not that I’m planning on doing so because Jim Belushi is just like bleh to me.

4) The Giant Spider Invasion (1975)

Judging from this trailer, an equally appropriate title for this film would have been The Countryass Girls Who Run Around In Their Underwear Invasion.  While that may sound like stereotyping, it’s okay because I actually am a countryass girl who runs around in her underwear.  Seeing as how we’re always getting victimized in movies like this, I’ve started a support group for us, called Hicks In Panties or HIP for short.

Anyway, I actually have some trouble watching this trailer because — Oh.  My. God. — I hate spiders!  Like I was talking to a friend of mine once and she told me about this time she was on a horse and she ended up riding right through a spider’s web and I was just like, “Girl, how are you still alive?  I’d have to kill myself I’d be so worried about having little spider eggs hatching in my nasal cavities after something like that.”  Anyway, she said that didn’t make any sense at all so I think she’s kinda fooling herself. 

5) Disco Godfather (1979)

Disco Godfather!  This was Rudy Ray Moore’s follow-up to Dolemite.  I haven’t seen either one of them but this trailer features two of my favorite things: poetry and dancing!

6) Police Women (1974)

Okay, let’s end this edition with a little bit of redhead empowerment with the trailer for Lee Frost’s Police Women.

On a final note, stop mowing your freaking lawn, people!  Lisa needs to go out for the weekend!