Lisa Reviews An Oscar Nominee: 7th Heaven (dir by Frank Borzage)


The 1927 melodrama 7th Heaven tells the story of two people in Paris.

Chico (Charles Farrell) works in the sewers but lives by the stairs.  Though he spends all of his days under the street and dealing with literally the worst that the world has to offer, Chico remains an optimist.  After all, he has his small apartment, which sits atop seven flights of stairs.  He has his dreams, which involve eventually getting promoted to being a street cleaner.  He doesn’t have much religious faith, which concerns Father Chevillon (Emile Chautard) but who knows?  Maybe something can happen to change that….

Diane (Janet Gaynor) is a desperately sad young woman who lives in squalor with her older sister, the cruel Nana (Gladys Brockwell).  When we first see Diane, she’s lying on the floor while being whipped by Nana and that’s pretty much the way her life goes for the first fourth of the movie.  Nana treats Diane less like a sister and more like a slave, sending her out to steal food and buy absinthe.  Diane and Nana’s father has made a good deal of money overseas but when he sees how they’re living in Paris, he rejects both of them.

How bad of a sister is Nana?  She’s so bad that, when she’s eventually arrested by the Paris police, she points out her sister on the street and demands that they arrest her as well.  Fortunately, Chico just happens to present at the scene.  Having already protected Diane from Nana’s abuse once before, Chico steps forward and announces that Diane is his wife!  The police ask Chico if he’s sure and then remind him that, if it’s found that he’s lying, both he and Diane could go to prison.  Chico, however, insists that it is true.

To keep the deception going, Chico allows Diane to move in with him.  When Father Chevillon arranges for Chico to get promoted to street cleaner, he also requests that Chico keep an eye on Diane.  Chico agrees and slowly but surely, the two of them fall in love.  Chico’s apartment, sitting atop 7 flights of stairs, becomes their 7th heaven.

However, World War I looms in the distance.  With all of Chico’s friends and coworkers receiving their draft notices and being sent to fight, Chico and Diane knew that it’s only a matter of time before the same thing happens to Chico….

As in so many other silent films, the shadow of World War I looms over every minute of 7th Heaven.  In the 20s, the Great War was still the main trauma that has shaped most viewer’s lives and one can imagine those viewers watching 7th Heaven and falling in love with the characters of Chico and Diane, all the while knowing that their happiness is only temporary.  If the 1st hour of 7th Heaven is a romantic mix of melodrama and comedy, the 2nd hour becomes a rather grim war film.  Even separated by war, Chico and Diane remain soulmates.  When Diane is told that Chico has been listed as having been killed in action, she knows that it’s not true because she can still feel their connection.  And yet, the final fourth of the film is so stylized and the final shot is both so beautiful and yet so artificial that the audience is left to wonder whether Diane is correct or if she’s simply dreaming what she (and, undoubtedly, the many other members of the audience who had also lost loved ones in the war) wishes to be true.

7th Heaven is a deliriously romantic film and watching it actually requires a bit less of an adjustment on the part of modern audiences than other silent films.  Director Frank Borzage keeps the action moving quickly and, even more importantly, Janet Gaynor and Charles Farrell both give sincere and naturalistic performances.  Never do they resort to the type of theatrical overacting that was featured in so many other silent films.  Instead, you watch the film and you truly believe that you are watching two people fall in love.  You’re happy when they’re happy and when tragedy strikes, you cry for them.  Their love is your love and their sadness is your sadness.

7th Heaven was one of the first films to even be nominated for Best Picture.  While Gaynor won Best Actress and Frank Borzage won Best Director, the award for Best Picture went to another World War I romance, Wings.

Lisa Reviews An Oscar Nominee: Shanghai Express (dir by Josef von Sternberg)


(With the Oscars scheduled to be awarded on March 4th, I have decided to review at least one Oscar-nominated film a day.  These films could be nominees or they could be winners.  They could be from this year’s Oscars or they could be a previous year’s nominee!  We’ll see how things play out.  Today, I take a look at the 1932 best picture nominee, Shanghai Express!)

Welcome to China, circa 1931.  The country is beautiful, mysterious, and dangerous.  Civil War has broken out and living in China means being caught between two equally brutal forces, the government and the Communists.  Captain Doc Harvey (Clive Brook) is scheduled to ride the so-called Shangai Express, the train that will take him from Beiping to Shanghai.  The Governor-General is ill and Doc Harvey is the only man in China who operate on him.

For Doc, it’s a matter of duty.  However, soon after boarding, he discovers that he is traveling with the infamous Shanghai Lily (Marlene Dietrich).  Though Doc has never heard of her, everyone assures him that Shanghai Lily is one of the greatest courtesans in China.   When Doc does finally meet her, he’s shocked to discover that Shanghai Lily is his former lover, Magdalen.  Did his decision to break up with her lead to Magdalen becoming a courtesan?

“It took more than one man to change my name to Shanghai Lily,” she replies.

However, Doc and Lily aren’t the only two people with their own personal drama taking place on the train.  The train is full of passengers, all of whom have their secrets.  Some of the secrets are minor.  One woman spends most of the trip trying to keep anyone from discovering that she’s smuggled her dog onto the train.  Other secrets are major.  It is suspected that one of the passengers might be working for the rebels.  And then there’s people like Sam Salt (Eugene Pallette), who is addicted to gambling and Eric (Gustav von Syffertitz), the opium dealer.  Looking over it all is a Christian missionary (Lawrence Grant) who considers both Lily and her companion, Hui Fey (Anna May Wong), to be fallen women.

It’s not an easy journey, no matter how nice and romantic the train may be.  If the express isn’t being stopped by government soldiers, it’s being hijacked by a warlord who not only wants to stop Doc from performing the operation but who also wants to take Lily back to his palace…

Shanghai Express is pre-code drama at its best.  Director Josef von Sternberg delivers an ornate mix of opulence and melodrama, never shying away from the story’s more flamboyant possibilities.  Marlene Dietrich, appearing in her fourth film for von Sternberg, gives a strong and unapologetic performance as Shanghai Lily.  Just as Lily never apologizes for who she is, the film both refuses to judge her and condemns anyone who would try.  The film’s sympathy is purely with Dietrich and Wong as they do what they must to survive in a world dominated by men who are either judgmental, brutish, or weak.  (Within just a few years, the Hays Code would make it impossible for a film like Shanghai Express to be made by an American studio.)  With one very important exception, the entire cast is strong, with Warner Oland and Eugene Pallette especially turning in strong support.  The only exception is Clive Brook, who comes across as being a bit too dull to have ever won the the heart of Shanghai Lily.

Shanghai Express is not the best von Sternberg/Dietrich collaboration.  That would be the brilliantly insane Scarlet Empress.  However, it’s still a wonderfully entertaining melodrama.  It was nominated for best picture but lost to another entertaining melodrama, Grand Hotel.

http://www.youtube.com/watch?v=F3Qljls-FkI