Dead Or Alive (1944, directed by Elmer Cifton)


In this Poverty Row western, the Texas Rangers, a trio of western do-gooders who appeared in a handful of films, are sent to a small town to stop the Yackey Gang, led by the town’s saloon keeper (Ray Bennett).

The Texas Rangers are led by Tex Haines (Tex Ritter), who is known as the Idaho Kid despite apparently being from Texas.  Tex goes undercover as a lawyer and tries to rally the community to stand up the Yackey Gang.  Tex also sings some songs because he’s a singing cowboy along with being a cowboy who can hold his own in bar brawl.  Maybe if he didn’t sing so much, there wouldn’t be as many brawls.  Dave Wyatt (Dave O’Brien) is the younger Ranger who goes undercover and joins that Yackey Gang.  Panhandle Perkins (Guy Wilkinson) is the comic relief, who loses a lot of money at Yackey’s casino but only to help Dave maintain his cover.  The film was an obvious rush job and the plot is far more difficult to follow than any 54-minute film should be.  The kids at the matinee probably enjoyed it, though.  It delivers exactly what fans of the old B-westerns expect, including Charles King as yet another villain.

Tex Ritter, who appeared in a lot of these films, was also the father of actor John Ritter.  In 1970, long after the days of the poverty row westerns, Tex Ritter ran for the Senate in Tennessee but he lost the primary.  If he had won, he would have been the Republican candidate against Al Gore’s father.  That would have been a battle for the ages.

Embracing the Melodrama Part II #8: Gambling With Souls (dir by Elmer Clifton)


Gambling_with_Souls_FilmPosterThere’s been a murder!

During a raid on a club that doubles as both a brothel and gambling hall, the police discover the dead body of gambler Lucky Wilder.  Standing over him with a gun is Mae Miller (Martha Chapin), the wife of respected Dr. John Miller (Robert Frazer).  Dragged in front of the District Attorney (Edward Keane, sporting a mustache that was probably meant to make him look like real-life New York D.A. Thomas Dewey), Mae is given a chance to explain herself.

And that’s what Mae does, revealing how she was just an innocent housewife who was dragged into a life of gambling and sin by Wilder (Wheeler Oakman) and Molly (Vera Steadman).  After being fooled into thinking that she’s a good gambler, Mae finds herself in debt to Wilder and is blackmailed into working in Wilder’s brothel.  However, when Mae realizes that Wilder and Molly are trying the same con on a new girl, she’s left with little choice but to take the law into her own hands…

Released in 1936, Gambling With Souls is — much like Damaged Lives — an exploitation film disguised as an educational film.  That’s why the district attorney is there to let us know that Mae’s story is not an unusual one and that all decisions have consequences.  “Don’t gamble and resent your husband for not making enough money!” the film shouts at us, “BECAUSE THIS IS WHAT WILL HAPPEN!”

And really, that’s the fun of Gambling With Souls.  It’s just so histrionic and over-the-top and, ultimately, it’s so shameless that you can’t help but enjoy it.  If they ever remake Gambling With Souls, I want to play Mae because not only does she get to shoot the bad guy but she also gets to wear a lot of pretty clothes and look good while doing it.  Other than being a prostitute and a gambling addict, Mae could be a role model for us all.

Plus, this is one of those old films that’s full of stock footage!  That means that whenever we watch one of the shows at Lucky’s club, we’re actually watching footage that was shot for several other movies.  These scenes are so haphazardly and awkwardly inserted into the main film that I actually made a game out of trying to predict when the next one would suddenly pop up.  On the one hand, all of that stock footage means that the look of both the club’s stage and the club’s performers change from scene to scene.  However, on the other (and far more positive) hand, it also means that there’s a lot of dancing!

Gambling With Souls is a lot of fun and guess what?  It’s in the public domain!  Watch it below!