Texas Panhandle (1945, directed by Ray Nazarro)


Secret Service agent Steve Buckner (Charles Starrett) is told by his boss that his activities as the Durango Kid have led some in the Agency to suspect that Steve is himself an outlaw.  Even after Steve explains that he only takes on the Durango Kid identity when he needs to step outside of the law to protect innocent people, Steve is still suspended pending an investigation.

With nothing better to do, Steve rides off to the Texas panhandle, where he learns that outlaws have been robbing settlers and stealing government gold.  Working as the Durango Kid, Steve discovers that it’s not just outlaws that are targeting the new arrivals but it’s also the corrupt head of the local land office, Ace Gatlin (Forest Taylor).  Helping out Steve are settler Tex Harding and Cannonball (Dub Taylor), who works at the saloon and sings a few songs.

This is a standard Durango Kid film.  It has all the usual gunfights and horse chases but it doesn’t have Smiley Burnette.  Dub Taylor takes Smiley’s place as the comedic sidekick and, while Taylor isn’t bad, he’s still no Smiley Burnette.  Dub Taylor’s characters were usually more buffoonish than the clever helpers played by Smiley Burnette and, as a result, the Durango Kid movies with Taylor feel more juvenile than the ones with Smiley.  That’s the case here.

This installment is interesting because it reveals that Steve’s superiors knew about his Durango Kid side hustle and were as a confused about why he needed it as everyone else was.  Steve reveals he would rather lose his job than give up being Durango.  Luckily, at the end of the movie, he gets a telegram telling him that the investigation is over and he’s been reinstated with the Secret Service.  All’s well that ends well.

Lawless Empire (1945, directed by Vernon Keays)


For years, outlaws have controlled the frontier town of Dusty Gulch but now their power is threatened by the homesteaders who are moving into the area.  Led by the crusading Rev. Tex Harding, the homesteaders are being progress and reform to the frontier.

Duke (Ethan Laidlaw) and his gang have launched a campaign of intimidation against the new arrivals.  Luckily, the Durango Kid (Charles Starrett) rides into town to protect the homesteaders.  Duke’s boss, businessman Blaze Howard (John Calvert), decides that the town needs a sheriff to go after the Kid.  Blaze offers the job to newcomer Steve Ranson, not realizing that Steve is not only the Durango Kid but also the brother of the former sheriff, who was murdered by Blaze’s men.

Lawless Empire is one of the few Durango Kid films not to feature Smiley Burnette as Durango’s sidekick.  Instead, Durango rides into town with Bob Wills and his Texas Playboys and, while Willis does perform a song or two, there’s still considerable less singing than in the films that featured Burnette.  The role of comic relief is provided by Dub Taylor in the role of Cannonball.  Cannonball gets a job sweeping up Blaze’s saloon and he feeds whatever information he learns back to Durango.  When Blaze figures out what’s going on, he deliberately supplies Cannonball with bad information but it doesn’t make any difference.  The Durango Kid is always one step ahead of the bad guys.

Lawless Empire is a little more serious than the other Durango Kid films.  Steve is not only trying to clean up the town but he’s also seeking to avenge his brother so there’s not as much room for as much comedy as usual.  Lawless Empire does have all of the usual gunfights and horse chases and the film gets off to an exciting start with Durango making his first appearance with his gun already drawn so that he can disarm Duke and his men.  Even without Smiley around to help him out, Durango brings law to a lawless empire.

 

 

The Fabulous Forties #8: The Lady Confesses (dir by Sam Newfield)


Poster_of_the_movie_The_Lady_Confesses

After I watched The Red House, I watched the 8th film in Mill Creek’s Fabulous Forties box set, a 1945 film noir called The Lady Confesses.

Mary Beth Hughes plays Vicki McGuire, who is engaged to marry Larry Craig (Hugh Beaumont).  When we first meet Larry, he seems like a fairly normal guy.  He drinks too much but then again, this film was made in 1945 and it’s totally possible that Larry had yet to see The Lost Weekend.  Before getting engaged to Vicki, he was married to Norma Craig (Barbara Slater).  Norma disappeared seven years ago and has since been declared legally dead.  So, imagine everyone’s surprise when Norma suddenly turns up alive and knocking on Vicki’s front door!  Norma announces that there’s no way that she’s going to give up Larry.

Larry reacts to all this by going out and getting drunk.  He spends a while literally passed out at the bar and then, once he’s sobered up, he and Vicki go to visit Norma and try to talk some sense into her.  However, upon arriving at her apartment, they discover that Norma has been strangled!

The police automatically suspect Larry of being the murderer but he has an alibi.  He was drunk.  He was passed out at the bar.  And the only time he wasn’t at the bar, he was sleeping on a couch in the dressing room of singer Lucille Compton (Claudia Drake)…

Wait!  Larry was sleeping on another woman’s couch?  Well, Vicki isn’t necessarily happy to hear that but she still believes that her fiancée is innocent and she’s willing to do whatever it takes to clear his name, even if it means going undercover and working at a nightclub.  Vicki and Larry suspect that nightclub owner Lucky Brandon (Edmund MacDonald) is the murderer.  Can they prove it or, waiting around the next shadowy corner, is there another twist to the plot?

It’s not a spoiler to tell you that there’s another twist.  In fact, for a film that only runs for 64 minutes, there’s a lot of twists in The Lady Confesses.  The Lady Confesses is an entertaining film noir, one that gives B-movie mainstay Mary Beth Hughes a rare lead role.  As well, if you’ve ever seen an old episode of Leave It To Beaver, it’s quite interesting to see Hugh Beaumont playing a somewhat less than wholesome character.  Director Sam Newfield, who directed over 254 films during the course of his prolific career, keeps the action moving and provides a lot of menacing and shadowy images.

Though it may not be perfect (for one thing, we never learn why Norma disappeared in the first place), The Lady Confesses is a watchable and atmospheric film noir.  And you watch it below!