This ghostly cover is from 1931.
Tag Archives: Edward Dalton Stevens
The Shocking Covers of Crime Detective
Crime Detective was a true crime pulp magazine that was published from 1938 to 1953. Today, it is best remembered for its covers, all of which featured women who were either in trouble or about to create some trouble of their own. Here is just a small sampling of the covers of Crime Detective!
Spirits of the Pulp Age
Hearing bumps in the night? Halloween is the favorite holiday of ghosts the world over. That was as true in the pulp era as today. Here’s just a few example of the spirits of the pulp age!
The Covers of Master Detective
Master Detective was one of the many true crime magazines that was published during the pulp era. What sets Master Detective apart is that it continued to be published long after the pulp era ended. The first issue came out in September of 1929 and Master Detective continued to be published all the way through September of 1995! That’s nearly 70 years of sex and murder!
That’s also nearly 70 years of memorable and sordid covers. Below are just a few examples. When known, the artist has been credited.
Artist Profile: Edward Dalton Stevens (1878 — 1939)
This is a sad story.
Edward Dalton Stevens was born in 1878 in Virginia, the son of a technician at an oil company. He was the younger brother of the illustrator, William Dodge Stevens. Like his brother, Edward was eager to pursue a career as an artist and, just as William had done, Dalton left home at the age of 20 and enrolled at the Chicago Art Institute.
After Edward graduated in 1902, both he and William moved to New York City, where they worked together and eventually set up an art studio in Greenwich Village. Both William and Edward found success working as commercial illustrators and they were responsible for some of the most memorable covers of the pulp era. Edward and William both continued to live and work together through the Great Depression and both were highly respected and acclaimed for their work.
Tragically, at the start of the 1930s, Edward Dalton Stevens started to lose both his eyesight and his hearing. Eventually, he became totally blind. Unable to work and feeling that he had become burden to his brother, Edward Dalton Stevens committed suicide on August 14th, 1939. The following obit appeared in the New York Times:
As can be seen from the sampling of his work below, the artistic legacy of Edward Dalton Stevens continues to live on:
Art Profile: The Covers of Ghost Stories
Ghost Stories was a U.S. pulp magazine that published 64 issues between 1926 and 1932. It was one of the earliest competitors to Weird Tales, the first magazine to specialize in the fantasy and occult fiction genre. It was a companion magazine to True Story and True Detective Stories, and focused almost entirely on stories about ghosts, many of which were written by staff writers but presented under pseudonyms as true confessions. These were often accompanied by faked photographs to make the stories appear more believable. Ghost Stories also ran original and reprinted contributions, including works by Robert E. Howard, Carl Jacobi, and Frank Belknap Long. Among the reprints were Agatha Christie’s “The Last Seance” (under the title “The Woman Who Stole a Ghost”), several stories by H.G. Wells, and Charles Dickens’ “The Signal-Man”. The magazine was initially successful, but began to lose readers, and in 1930 was sold to Harold Hersey. Hersey was unable to reverse the magazine’s decline, and Ghost Stories ceased publication at the start of 1932.
The covers below are all from Ghost Stories. Where possible, the artist has been credited:





























































