Music Video of the Day: Doctorin’ The Tardis by The Timelords (1988, directed by ????)


http://www.youtube.com/watch?v=Adk1ujjmguo

Today’s music video is for the song that Melody Maker called “”pure, unadulterated agony!”

Recorded in 1988, Doctorin’ The Tardis was produced by Bill Drummond and Jimmy Cauty, who would later be better known as The KLF.  The song is a mash-up of the Doctor Who theme music, Gary Glitter’s Rock and Roll (Part Two), Sweet’s Blockbuster, Steve Walsh’s Let Get Together, and the famous Dalek war cry.  The song was Drummond and Cauty’s attempt to write a number one hit single, as opposed to the more esoteric and socially conscious work for which they were better known.

As Drummond explained it,  “We went into the studio on a Monday, thinking we were going to make a house track, a regular underground dance house track using the Doctor Who theme tune… [but] we [then] realised it was in triplet time and you can’t have house tracks in triplet time. The only beat that would work with it was the Glitter beat. By Tuesday evening we realised we had a number one and we just went totally for the lowest common denominator.”  Drummond also later said that Doctorin’ The Tardis was, “the most nauseating record of all time.”

While the critics may have agreed with Drummond, the music-buying public loved the song and Doctorin’ The Tardis spent a week as number one on the UK pop charts.  Drummond and Cauty responded by writing a book called The Manual (How To Have A Number One The Easy Way), which was advertised as being a guide to how to have a number one hit record without having any musical talent whatsoever.  Among The Manual‘s advise: Be on the dole and, if you’re already a musician, stop playing your instrument and sell it.  The Manual also warned that all of its advice will be obsolete within twelve months.

The video, which cost £8,000 to make, was filmed in Wiltshire and features Cauty’s 1968 Ford Galaxie police car being pursued by some poorly constructed Daleks.

Exterminate!

This is what a real Dalek looks like, son.

 

A Movie A Day #54: Daleks — Invasion Earth: 2150 (1966, directed by Gordon Flemyng)


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When London Special Constable Tom Campbell (Bernard Cribbins) spots a robbery at a jewelry store, he runs into a police box to call for backup.  But this is no ordinary blue police call box.  Not only is there no phone but it’s bigger on the outside than on the inside and it’s inhabited by Dr. Who (Peter Cushing), an eccentric inventor, and his niece, Louise (Jill Curzon) and his granddaughter, Susan (Roberta Tovey).  The call box is a time machine that’s known as a TARDIS and Tom just happens to stumble in at the exact moment that the Doctor and his family are heading into the future.  When they arrive in London in 2150, they discover that Earth has been conquered by the Daleks.

Daleks — Invasion Earth: 2150 was the second and last Doctor Who film to be produced by Amicus Pictures.  As both a sequel to Dr. Who and the Dalekand an adaptation of the televisions serial The Daleks Invasion of Earth, Daleks — Invasion Earth: 2150 shares many of the same flaws as the first movie.  Of course, the main one is that, as any true Whovian can tell you, the Doctor was not named Dr. Who, he was not human, and he did not invent the TARDIS.  He also never had a niece, at least not one named Louise.  Hearing the Doctor introduce himself as “Dr. Who” just sounds wrong.  The comedic relief also feels as out of place here as it did in Dr. Who and the Daleks but at least Bernard Cribbins’s Tom isn’t as annoying as Roy Castle’s Ian.

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Even taking all of that into consideration, Daleks — Invasion Earth: 2150 is still a clear improvement over the first film.  The futuristic location, with a London made up of the ruins of recognizable landmarks, is well-realized and far superior to the cardboard sets of the Dr. Who and the Daleks.  The moment when the Daleks first appear, rising out of the Thames, is a great Dr. Who moment and, for once, the Daleks comes across like a real threat instead of just oversized salt and pepper shakers with attitude.  Unlike the first film, the Daleks use their “EXTERMINATE” war cry and they exterminate almost everyone that the Doctor and his companions meet.  Since the Daleks are killing Brits instead of Thals, the stakes are higher in Daleks — Invasion Earth: 2150.

Even though he was playing a human version of the character and therefore, cannot be considered canonical, I have always liked Peter Cushing’s interpretation of the character.  Cushing’s firm but grandfatherly Doctor was quite a contrast to William Hartnell’s strict and abrupt version.  (Cushing’s Doctor has always reminded me more of a combination of Patrick Troughton and Jon Pertwee than William Hartnell.)

Daleks — Invasion Earth: 2150 may have been far better than the first film but it was also a flop at the box office, ending plans for any further Dr. Who movies.

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The Husbands of River Song: Christmas Jolly Fun! Spoiler free Doctor Who Preview!


I got a screener of this years Doctor Who Christmas special, all I am going to say is, “Spoilers Sweetie” And Whovians will know what I mean!

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And as much as ‘Melody Pond‘ says that…. I won’t spoil the episode for anybody with my preview!

Ok, let me first get this out of the way: watching, writing and reviewing at the same time….

I despise Steven Moffats’ writing of Doctor Who, and I am not the only one, but his Christmas episodes do bring something to the table.

Alex Kingston is back as ‘River Song‘; complete with ‘sonic trowel‘ and all! But, there is a catch, She is now married to the HUGE cyborg King Hydroflax.

River, trying to pull off another hoax, gets caught by The Doctor. She doesn’t recognize him and he gets to play around with that, reversing their roles before.

 

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The Doctor going back into the TARDIS was a beautiful scene! Alex and Peter manage to pull off a heart felt and kindred feeling. Literally, this was the best scene between The Doctor and a “companion” since Rory and Amy.

Got to give props to Greg Davies and Matt Lucas, their performance was enthralling as well.

I have never warmed up to Peter Capaldi as “The Doctor“, just do not like the way he portrays him. But I will admit, this is one of the best Doctor Who Christmas specials ever! Give me a season with Peter Capaldi and Alex Kingston and I will take it forever!

I felt this season of Doctor Who was one of the worst of the modern version; but this Christmas episode might be one of the best episodes ever! Heart-warming, laughable and engaging. I actually loved it!

Definitely Christmas night viewing with the family worthy. I laughed and got teary-eyed all at the same time!

Here is the trailer and you can watch the Doctor Who Christmas Special, The Husbands of River Song, Christmas night on BBC America at 9pm.

 

What Lisa Marie Watched Last Night: South Park Episode 15.02 FunnyBot


Last night, I watched the latest episode of South Park, Funnybot.

Why Was I Watching It?

Because it’s South Park, of course!

What Was It About?

Aspiring stand-up comedian Jimmy Vulmer puts together the first annual Comedy Awards show at South Park Elementary.  Only Tyler Perry shows up to accept his award and only Token Black seems to be happy to see him.  Once he’s arrived, Perry refuses to leave and instead spends his time wandering around the school, dressed up like Madea and saying, “Oh Lord!”  Soon, every student except for Token is sick of him and demanding that Perry go away.  However, Token — who has apparently been hypnotized by Perry — finds himself incapable of not giving Perry money to stick around.

However, there’s an even bigger problem than Tyler Perry.  During the Comedy Awards Ceremony, the Germans are named the least funny people on the planet.  The Germans react by creating Funnybot, a robot with a very methodical, rather German approach to humor.  Soon Funnybot is the biggest, most popular stand-up comedian on the planet even though his jokes are simply a mad lib-style of random pop cultural references mixed in with a few standard situations.  However, the world loves Funnybot and they continue to love him even after he starts to violently murder everyone who comes to see his shows.

After all of South Park Elementary is taken hostage by the comedians that have been put out of work by Funnybot.  Kyle, Cartman, and Stan try to talk some sense into Funnybot.  Funnybot responds by explaining that he’s going to destroy the world. 

And, as the world awaits destruction, Barack Obama watches a Tyler Perry movie…

What Worked?

I’ll be honest.  I love South Park so, as far as I was concerned, the whole show worked.  Funnybot was a great creation and, according to my friend Jeff, Funnybot was a reference to Dr. Who and that made Jeff happy which was pretty cool.  I’ve seen a few people online who are complaining that it wouldn’t make any sense for Funnybot to remain a popular comedian even after he starts killing people but those people are obviously not true fans of South Park.  A true fan of South Park would know that South Park always presents the entire population of the world as a bunch of sheep who are incapable of thinking for themselves.

Plus, this show did what South Park does best in that it bluntly acknowledged an inconvenient truth — i.e., that white people just do not get Tyler Perry and that many of us find watching his “style” of comedy can be a very awkward experience.  As well — and this is something that seems to have gone over the heads of a lot of people who watched this show — South Park’s Tyler Perry is essentially portrayed as being the human equivalent of the Funnybot.  Just as Token is shown to be incapable of resisting Perry, all the other (white) characters are incapable of resisting Funnybot.

(I am going to say one thing in his defence: the year that Precious was nominated for best picture, Perry was one of the presenters at the Academy Awards and he actually came across as endearingly nervous and almost likable.  Or, at least, he did to me.)

Finally, on a purely silly level, I loved the way that Jimmy responded to every problem by saying, “But I think we can all agree that the 1st Annual Comedy Awards was a great success.”  It just made me laugh.

What Didn’t Work?

Hmmm…well, as funny as the idea of a bunch of stand-up comedians taking an elementary school hostage is, I kinda wish that Trey Parker and Matt Stone had done more with it.  That said, I love Matt and Trey and I hope they win all sorts of Tony Awards for The Book of Mormon.

“Oh my God!  Just like me!” Moment

Much like Funnybot, I find that going “Awkward!” in a cute little voice is the perfect way to make an unfunny joke funny.

Lessons Learned:

Logic is a hideous bitch goddess.