Doug Llewellyn | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost the entire show is currently streaming is on Youtube, Daily Motion, and a few other sites.

This week’s journey to Fantasy Island is oddly unpleasant.

Episode 4.4 “Don Quixote/The Sex Goddess”

(Dir by Michael Vejar, originally aired on November 15th, 1980)

As always, this episode opens with “the plane, the plane” landing at Fantasy Island and Mr. Roarke and Tattoo heading out to meet their guests. Unfortunately, as has been the case since the since the third season, Mr. Roarke and Tattoo no longer share any sort of playful banter before meeting the guests. In fact, Roarke often seems to refuse to even look at Tattoo while speaking to him. It’s awkward to watch because the dislike between Ricardo Montalban and Heve Villechaize is obvious whenever they share a scene. It’s something that is easy to joke about while talking about the show but it’s far more unpleasant to actually witness.

Of course, this entire episode is rather unpleasant, which is a shame because Fantasy Island‘s greatest strength as a show was that watching it was usually a pleasant and undemanding way to spend an hour.

Take, for instance, the fantasy of Helen Hendrix (Phyllis Davis). Helen’s fantasy is to become a “sex goddess.” Tattoo expresses disbelief that the pretty but far from glamorous Helen could ever be a sex goddess but Roarke reminds Tattoo that, on Fantasy Island, all things are possible. Roarke then says that Helen doesn’t realize that her fantasy could be a “a very dangerous fantasy.”

Well, Mr. Roarke, if it’s so dangerous, why did you agree to allow her to come to the Island? In the past, Mr. Roarke has mentioned turning down many requests for fantasies. He is apparently the final judge on whether or not someone will get their fantasy. (Even when Tattoo granted a fantasy to someone who Roarke previously turned down, it was suggested that it was all a part of Roarke’s master plan.) If the fantasy is so dangerous, why give it to Helen? What is Mr. Roarke’s legal liability if someone gets killed while experiencing their fantasy?

Anyway, Mr. Roarke gives Helen a blue potion and when she drinks it, she becomes a blonde, starts wearing makeup, and gets a dress that’s far more flattering and low-cut than the borderline Amish outfit she was wearing when she first arrived at the Island. She is now an internationally famous sex goddess, which unfortunately leads to her being kidnapped by three men (Michael Callan, Edd Byrnes, and Don Stroud) and held hostage on a neighboring island. Eventually, Helen realizes that she’s going to have flirt her way out of captivity, which leads to a smitten Don Stroud helping her to escape. Or, at least, he does until the potion wears off and Helen goes back being a brunette. Stroud is shocked but, before he can strangle her, Roarke shows up and whisks Helen back to the Island.

Seriously, what a thoroughly unpleasant fantasy. Helen comes to the island because she wants to know what it’s like to be famous and sexy and Roarke essentially allows her to be kidnapped by three men who apparently are planning on trafficking her. Indeed, Roarke seems to suggest that this is Helen’s fault for wanting to be attractive in the first place. Personally, I think Helen should sue Fantasy Island for all its worth.

As for the other fantasy, Paul Williams plays an eccentric Texas banker named Donald Quick. His fantasy is to be Don Quixote. (That’s a weird fantasy but whatever.) Soon, Donald and his lawyer (David Doyle) are riding their donkeys across Fantasy Island while dressed up like conquistadors. Donald saves a woman from a motorcycle gang and you have to wonder just what exactly a motorcycle gang is doing on Fantasy Island. He saves another woman (Mary Louis Weller) from her louse of a boyfriend (Robert F. Lyons) and then he jousts with a Cadillac. It’s silly but at least Donald finds love and David Doyle gets a few funny lines over how much he wants to sue Fantasy Island.

Honestly, this episode could have been saved if the two fantasies had intersected. If Donald and his lawyer had turned up to battle the kidnappers and save Helen, this actually would have been an okay episode and the lawyer could have helped Helen file a lawsuit against Roarke. But instead, the fantasies stay separate and the whole thing just feels icky. Seriously, Mr. Roarke was not on top of his game of this week. It might be time to give Tattoo more responsibility.

A group of old friend who call themselves the Uptowners’ Club (yes, really) want to go on a picnic on top of a remote mountain. The only problem is that they have to ride a cable car up to the mountain and there are reports of potentially bad weather. It’s not safe to ride in a cable car during a thunderstorm. Drunken ne’er-do-well Alan (Bert Convy) doesn’t care and, since his family owns both the mountain and the tramway, his demands that he and his friends be allowed to ride the cable car are met. One lightning strike later and the members of the Uptowners’ Club are stranded in a cable car that is perilously suspended, by only a frayed wire, over treacherous mountain valley.

With no place to go, there’s not much left for the members of the Uptowners’ Club to do but bicker amongst themselves and have lengthy flashbacks that reveal every detail of their own sordid history. Paul (Sam Groom) is angry with Alan because Alan is now engaged to his ex-wife (Donna Mills). Sue Grainger (Patty Duke) is angry with everyone else because they don’t want to admit how their old friend Bobby Graham (Doug Llewellyn) actually died. The other members of the Uptowners’ Club are angry because there’s not much for them to do other than watch Duke and Convy chew on the scenery. Because of the supposedly fierce winds, someone is going to have to climb out on top of the cable car and repair it themselves. Will it be Paul or will it be cowardly drunk Alan? On top of everything else, Paul is set to enter the witness protection program and has got hitmen who want to kill him.

This made-for-TV disaster movie was produced by Irwin Allen. Are you surprised? It’s also three hours long and amazingly, Leslie Nielsen is not in it. It’s hard to understand how anyone could have produced a cable car disaster film and not given a role to Leslie Nielsen. Cameron Mitchell’s in the film but he’s not actually in the cable car so it’s a missed opportunity. Any film that features Patty Duke detailing how her friends got so drunk that they ended up killing the future host of The People’s Court is going to at least have some curiosity value but, for the most part, Hanging By A Thread gets bogged down by its own excessive runtime and lack of convincing effects. Hanging By A Thread came out at the tail end of the 70s disaster boom and it shows why the boom didn’t continue into the 80s.