directors | Through the Shattered Lens

It’s a sad fact of life that not everyone who deserves an Oscar gets one. For instance, Alfred Hitchcock received five nominations for best director but never won once.

That said, at least Hitchcock was nominated! Some of our greatest directors have never even been nominated! This list below is hardly exclusive but still, these 16 directors have somehow never been nominated. Ten of them could still be nominated in the future. Sadly, for six, the opportunity has forever passed.

Dario Argento

Sadly, Dario Argento will probably never be nominated for best director. None of his films — even the early, acclaimed work — were typical Oscar films. But, consider this: Argento is one of the most influential directors of all time. Regardless of what might be said about some of Argento’s more recent films, his earlier films are classics of their genre. Deep Red, Suspiria, Inferno, Tenebrae — his work on any of these films would have been worthy of a nomination.

2. Andrea Arnold

This British director is responsible for two of the best films of the past ten years — Fish Tank and American Honey. She deserved a nomination for both of them (and a win for American Honey). Hopefully, she will be recognized in the future.

3. Tim Burton

I’m not the world’s biggest Tim Burton fan but he has a fan base that will follow him almost anywhere. It seems like every year, we hear that Burton has finally made the film that will win him some Oscar recognition. Remember Big Eyes? As I said, I’m not a huge Burton fan but, if I was to nominate him, it would probably be for his work on Sweeney Todd.

4. John Carpenter

Carpenter deserved all sorts of nominations for his work in the 70s and the 80s. Being the rebel that he is, Carpenter will probably never get the Oscar recognition that he deserves. (He did win an Academy Award for Best Live Action Short.)

5. David Cronenberg

It’s hard to believe that this Canadian director has never been nominated. While it’s obvious that the Academy would never recognize Cronenberg’s earlier work (even if he did deserve some recognition for that exploding head in Scanners), it still seems like he’s destined to be nominated eventually.

6. Terry Gilliam

Much like Tim Burton, Gilliam sadly seems to be destined to be one of those directors who will have to be content with a devoted fan base. Sadly, as of late, Gilliam’s become better known for the film projects that were canceled than the ones that were actually produced. I would have nominated him for Brazil.

7. Werner Herzog

How has Werner Herzog gone his entire career without receiving at least one nomination for Best Director!? I would nominate him for the chance to hear the acceptance speech alone.

8. Christopher Nolan

Christopher Nolan is another director who I’m shocked to realize has never been nominated. He certainly deserved a nomination for Inception. Maybe, just maybe, he’ll finally get some recognition for Dunkirk.

9. Lars Von Trier

With his controversial aesthetic and his talent for offending the masses, Lars Von Trier will never be nominated, no matter how much he might deserve it.

10. Joe Wright

Personally, I think that Joe Wright is responsible for two of the best films of the past ten years, Hanna and Anna Karenina. Unfortunately, both were left out of their respective best picture races. Even when Atonement was nominated for best picture, Wright did not receive a corresponding nomination. Fortunately, with Darkest Hour, Wright will have another chance this year.

And here are six directors who are no longer with us. Sadly, these six will never have a chance to receive their first Oscar nomination:

Mario Bava

Much like Dario Argento, there was never really any chance that the Academy would actually honor Mario Bava. That’s a shame because Bava truly was one of the greatest directors of all time. Check out Black Sabbath and Shock for proof.

2. Stanley Donen

It’s hard to believe that Donen wasn’t even nominated for Singin’ In The Rain.

3. John Frankenheimer

It’s also hard to believe that Frankenheimer never received a nomination. While he directed his share of bad films, he also directed Seven Days in May, The Manchurian Candidate, Seconds, and Ronin.

4. John Hughes

Not even for The Breakfast Club or Ferris Bueller’s Day Off! Hughes may have been snubbed by the Academy but his films practically invented an entire genre.

5. Michael Powell and Emeric Pressburger

This directing team was a major influence on Martin Scorsese. Black Narcissus remains one of the most visually stunning films of all time. The Red Shoes was nominated for best picture but Powell/Pressburger were snubbed.

6. Nicholas Ray

Everyone knows that Ray directed Rebel Without a Cause. Personally, I think his work on Bigger than Life was even more worthy of a nomination.

guy_bee

What allows for some artists to succeed?

I have known many artists and being able to support oneself with one’s art is a rare thing, demanding respect and investigation. A friend told me that even the piano singer at a hotel singing “Summer Winds”, if he is supporting himself solely with his art, he is a rare success in the echelon of the .0001% of artists. It is with that understanding and respect that I bring you Gentle Reader to my discussion with Director – Guy Bee.

Guy Bee’s IMDB page reads like a TV Fan’s dream resume. http://www.imdb.com/name/nm0066218/

Guy came to Hollywood via Florida to California in 1987; he obtained a job working for a camera and camera equipment leasing company. As Guy put it, “I came in early and stayed late.” He managed their books, meaning he logged the equipment that was checked in and out, he cleaned an repaired the equipment, and drove the company truck. Guy’s diligence impressed his boss who offered to let him go to a Steadicam workshop because he wanted him to keep track of the equipment that was leant to the workshop, allowing Guy to attend a free Steadicam workshop. As Guy leased this equipment he, would meet more and more Directors and Producers. This led to a string of short projects while he continued to work at the leasing shop, which slowly built up his reel (segments showing his camera work) on VHS TAPE.

Guy states that “You live and die by the reputation that you can handle anything without being rattled.” This philosophy set the stage for Guy’s shot at Directing. By working diligently and establishing relationships with the cast, crew, directors, and producers of “Third Watch”, Guy was given his first professional directing opportunity, which would grow into 13 episodes of directing. His success as a director on “Third Watch” led to “Alias” which led to one of my favorite shows of ALL TIME: “Jericho”. “Jericho”, for the uninitiated, is the story of a Kansas town holding together in the wake of Nuclear War. Guy described the show as – “Every scene was important and the stakes were always high. There was no ‘C Story’.” Guy directed three episodes of this show that was gone too soon.

Protips? Flexibility. “If you’re behind because of lighting or someone’s late, you still have to figure out how to get it done in time”. Why? Budgets! Once you cross 12 hours of shooting, everyone’s rates go up. “It takes seven days prep for eight to nine days of filming.” These principles took him to three of my favorite shows: “Supernatural”, “Arrow”, “The Magicians”, and “iZombie”.

The question I had was how was he able to keep working and have one show feed into the next? “[He] never turned down work.” On “Supernatural”, he met Erik Kripke, Kim Manners, Bob Singer, and Sera Gamble and each of these producers led him to other episodes and new shows.

Where does he do the bulk of his work? Not in Hollywood. Why? “New York is busy because the tax incentives have made it sexy to shoot there.” This dates me a bit, but is there a true hiatus anymore? “Everything has changed. Filming used to be from July through April. Now, with basic cable, it’s year round production.”

Protips: I have an artsy daughter- what have I learned from Guy that I can impart to her to help her support herself in the arts?

Be versatile. Guy has more than one skill. If she were interested in filmmaking, I would advise her to not just be a writer. I’m a writer and it’s fallow … A LOT. If she wanted to be a writer, I would tell her that she should also understand how to put together budgets for stories she’s writing. Similarly, Guy has skills as a camera operator, which led to and helped him as a director- the skills were synergistic.

Build relationships. I would tell my daughter to be totally reliable and pleasant to work with (I apologize for ending with a preposition). Guy worked on every project with diligence, never complained, and never turned down work, enabling him to continue working in the arts without a day job.