Music Video of the Day: Apollo 9 by Adam Ant (1984, directed by Daniel Kleinman)

Apollo 9 is a part of what has been referred to as being Adam Ant’s “Rockers in Space” phase. Though the album on which it appeared was not one of Ant’s more commercially successful offerings, Apollo 9 was a hit in the UK.

This video was directed by Daniel Kleinman, a British commercial director who has also directed music videos for just about everyone. Kleinman has also designed the title sequence for every James Bond film since Goldeneye.


Music Video of the Day: Rock ‘n’ Roll Children by Dio (1985, dir. Daniel Kleinman)

Since I started with Rainbow, I might as well do a video by Dio next.

This video is bizarre. Not only because of Ronnie James Dio watching children through a crystal ball…

but because this music video seems to exist in a universe parallel to Young Turks by Rod Stewart where the kids happen to be metal-heads.

Unlike a lot of the videos I do on here, this one comes with info from the book I Want My MTV. The following is from the director Daniel Kleinman about Ronnie James Dio and this video:

Ronnie Dio was a funny little guy. I made a video called “Rock n’ Roll Children” for him. He had two huge minders with him. Because Ronnie was very short–about five-foot-four–they told us we weren’t allowed to allude to his height. But there’s a type of spotlight in America called a “midget.” It’s a very small spotlight, and it has a different name in England. We were getting ready to do a take and the gaffer shouted, “All right, bring on the midget!” The minders thought we were referring to Dio. They went out of their minds.

The video starts with a couple of young lovers who are on the outs that decide to take refuge from the rain in a shop. What they didn’t know is that the shop is Dio’s. I like to think that he waits in there in the dark for runaway metal-heads.

The kids spot someone with a cop looking for them so they go hide in Dio’s closet. This transports them inside Dio’s crystal ball. Dio flips his “Open” sign and pulls down the blinds. Two are his max for a trip through the maze of conformation confrontations.

Inside, we get a far-shot of the maze.

After getting separated, we get the first confrontation. It’s Christmas time, or the time when parents get you things they want you to wear instead of letting you be yourself.

Inside is a sweater that is a far cry from the kind of thing she wants to wear.

Then we get a nice little touch that Kleinman didn’t have to do, but I’m glad he did. The mirror not only has lets her see the sweater over her, but it changes her appearance in general to the established norm that these kids don’t fit into.

Next we cut back to the other kid who has to face the double whammy of a We’re Not Gonna Take It reference by Twisted Sister after he picks up his guitar on the bed and a Girls Just Wanna Have Fun by Cyndi Lauper reference in the form of an abusive looking version of “Captain Lou” Albano.

Jeez! I’ve lost count of the number of 80’s music videos that seem to be inspired by German Expressionism.

You’re not welcome here.

Now she faces a teacher because if you’ve already referenced We’re Not Gonna Take It, then why not I Wanna Rock.

Sorry kid, you’re not the kind of help we want at our store.

Metal-heads don’t play basketball. Get out here!

Get out of here wannabe T-Bird.

I’ll kick you out of my home if you don’t cut that hair!

The kids are finally reunited and get ambushed by actors from the previous scenes, so Dio smashes his crystal ball to let them out.

They leave Dio’s shop and seem to be reunited to fight for their right to be themselves.

Then Dio flips the “Closed” sign back to “Open.”

I’m a little confused here. Does that mean Dio has a supply of crystal balls in there in case more kids wander in? Does he magically repair the ones he breaks? Did Dio cause the rain in the first place to rescue the kids? Was he invisible in there or was he really just cloaked in darkness? Also, again, why does this feel like the dark metal version of Young Turks? So many questions!

The video was produced by Simon Fields who there are some stories about in the book I Want My MTV. In particular, the ones that involve Madonna. I’ll just quote the one from director Daniel Kleinman about him in general.

Simon Fields and I used to share a house together. Simon has an edge of the wheeler-dealer about him, but he’s also the most charming man in the world, which is quite a quality for a producer. I had the looks and no charm, and he had the charm and no looks. I thought he had a face like the back of a bus. I mean, how he got Janice Dickinson into bed, I do not know.

I know these aren’t the best pictures, but here’s a comparison between Daniel Kleinman and Simon Fields as they appeared in Billboard magazine back then.

Daniel Kleinman

Simon Fields

Simon Fields

Simon may or may not have slept with Madonna as well. I’ll include those quotes when I do one of her videos where he was involved.

Crystal Lujan was the casting director for the video. She’s worked on at least 100 music videos. She’s also worked in casting in related fields like feature films and television.


30 Days Of Surrealism:

  1. Street Of Dreams by Rainbow (1983, dir. Storm Thorgerson)

Music Video of the Day: Goody Two Shoes by Adam Ant (1982, dir. Mike Mansfield & Adam Ant)

It’s my birthday today so I chose to spotlight Goody Two Shoes by Adam Ant. Among other ties to the song, I too am a goody two shoes. It also happens to fall in line with the last two music videos I did as something that is so much fun to sing along to while you watch it.

One of the most interesting things to me about this video is the use of repeated actions throughout it. It matches the lyrics and title, but it also fits with theories I have read for why temporal overlaps exist in early films. They say that perhaps it wasn’t a mistake, but a double your pleasure, double your fun thing. I know I enjoy seeing Adam dive across the table, then multiple times across the bed with actor Caroline Munro lying in it.

Munro has been in numerous things, but is probably best known for The Spy Who Loved Me (1977). Of course all things are connected, so it turns out actor and music video director Daniel Kleinman who is this video also happened to direct the music video for Sheryl Crow’s song for the Bond film Tomorrow Never Dies (1997) made two decades later.

We also get a cameo from the Jailhouse Rock (1957) set and a clever use of a mirror, which doubles the image. The Jailhouse Rock set can also double as a copy of every set used in an early cinema film called Peeping Tom that was remade endless times. The butler even turns out to be a peeping tom. We also get an iris shot of Adam that is repeated with the shot through the keyhole near the end.

There’s a bunch of interesting stuff going on in this video.

Since it is my birthday, let’s amp it up, and triple our fun with two more performances/music videos for Goody Two Shoes.

Enjoy all three!