Lisa Marie Review An Oscar Nominee: The Bishop’s Wife (dir by Henry Koster)


In 1947’s The Bishop’s Wife, Cary Grant stars as Dudley.

We first see Dudley walking down the snow-covered streets of a city that is preparing for Christmas.  He watches Julia Broughman (Loretta Young), the wife of the local Anglican bishop.  He stops to talk to Prof. Wutheridge (Monty Woolly), a secular humanist who is close to Julia and her husband, despite being irreligious himself.  Dudley seems to know all about the professor, even though the professor is not sure who he is.  The professor mentions that he was fired from a university because he was considered to be a “radical,” even though he has no interest in politics.  The professor says that the town’s church has seen better days, especially since the Bishop is more interested in raising money from the rich to build a grand new cathedral than actually meeting with the poor who need help.

The last person that Dudley visits is Bishop Henry Broughman (David Niven).  Dudley reveals to Henry that he’s angel and that he’s come in response to Henry’s prayers.  Henry has been frustrated in his attempts to raise money for a new cathedral.  Dudley has come to provide guidance.

With only the Bishop knowing the truth about Dudley, Dudley becomes a houseguest of the Broughmans.  The Bishop has become so obsessed with his new cathedral that he’s not only been neglecting his diocese but also his family.  While Dudley tries to show Henry what’s really important, he also helps Julia and her daughter Debby (Karolyn Grimes) to fit in with the neighborhood.  (Bobby Anderson, who played the young George Bailey in It’s A Wonderful Life, makes an appearance as a boy having a snowball fight who says that Debby can’t play because no one wants to risk hitting a bishop’s daughter with a snowball.)  The Bishop becomes jealous of Dudley and perhaps he should be as Dudley finds himself falling in love with Julia and considering not moving on to his next assignment.

(And now we know where Highway to Heaven got the inspiration for 75% of its episodes….)

The Bishop’s Wife is an enjoyable film, one that is full of not just Christmas imagery but also the Christmas spirit as well.  The Bishop finally realizes that his planned cathedral is more of a gift to his ego than to the men and women who look to him for guidance and comfort in difficult times.  David Niven is, as always, likable even when his character is acting like a jerk.  That said, this is pretty much Cary Grant’s show from the start.  Suave, charming, and gently humorous, Grant joins Claude Rains and Henry Travers in the ranks of great cinematic angels.  Never mind that Grant’s character is a bit pushy and has his own crisis of faith.  From the minute that Grant appears, we know that he’ll know exactly the right way to answer Henry’s prayers.

Cary Grant was not nominated for Best Actor for his performance here.  Undoubtedly, this was another case of Grant making it all look so easy that the Academy failed to realize just how good of a performance he gave.  Interestingly enough, The Bishop’s Wife was one of two Christmas films nominated for Best Picture that year, along with Miracle on 34th Street.  Both films lost to Gentleman’s Agreement.

Horror Film Review: The Devil-Doll (dir by Tod Browning)


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Paul Lavond (Lionel Barrymore) was just your ordinary Parisian bank owner until he was wrongly convicted of robbery and murder.  Sentenced to Devil’s Island and estranged from his beloved daughter, Lorraine (Maureen O’Sullivan), Paul spends 16 years plotting how to clear his name and progressively growing more bitter and angry.

He also befriends a scientist named Marcel (Henry B. Walthall).  Marcel has figured out the formula for shrinking people.  He’s convinced that shrunken people will eat less, use less fossil fuels, and take up a lot less space on the planet.  They’ll probably also be less likely to wage war on each other.  That’s right — the secret to world peace is shrinking the population.

However, Paul has other plans for that shrinking formula!  What better way to clear his name and seek revenge than by using a shrunken army of henchmen?

Uhmmm — okay, it sounds a little bit overcomplicated to me but who am I to doubt the wisdom of Lionel Barrymore?

(Yes, I know he’s Paul Lavond but, honestly, Lionel Barrymore is Lionel Barrymore regardless of who he’s playing.)

Anyway, Paul and Marcel escape from Devil’s Island but Marcel dies shortly afterward.  Paul, however, forms a partnership with Marcel’s widow, Maleta (Rafaela Ottiano).  Disguising himself as an elderly woman, Paul returns to Paris.  Not only does he use his disguise to watch over his daughter (who doesn’t realize that the kindly old woman is actually her father) but he also starts to develop quite a reputation for selling incredibly realistic dolls…

The Devil-Doll is an odd little mix of comedy and melodrama and, to be honest, it’s a bit too uneven to really work.  That said, the film is definitely worth watching just for the sight of Lionel Barrymore playing an elderly woman.  (Classic film lovers will immediately notice that, when in disguise, Lionel greatly resembles his sister, Ethel.)  This Christmas, when I’m watching It’s A Wonderful Life for the 100th time and Mr. Potter is cackling and plotting to put the Bailey Building and Loan out of business, I’ll have a hard time not thinking about The Devil-Doll.

The Devil-Doll was one of the final films to be directed by the legendary horror specialist, Tod Browning.  I’ve read that Browning’s later films suffered because Browning plunged into depression after the death of Lon Chaney, Sr. and he never quite recovered.  And, really, The Devil-Doll feels like a film that would have been perfect for Chaney’s unique talent.

But, that said, Lionel Barrymore appears to be having a lot of fun as Paul and his performance is the main reason to watch the film today.