Brad reviews RETURN TO ME (2000), starring David Duchovny and Minnie Driver!


I’m a sucker for a good romance. Every year during tax season, I like to stream romantic films while I prepare my clients’ tax returns late into the evening. They make me feel good and help my mood as I work the necessary 80 to 90 hours every week leading up to April 15th. My list of favorites includes movies like HITCH (2005) with Will Smith, NOTTING HILL (1999) with Julia Roberts and Hugh Grant, and YOU’VE GOT MAIL (1998) with Tom Hanks and Meg Ryan. I also really enjoy the period romance movies based on the novels of Jane Austen, films like Ang Lee’s SENSE AND SENSIBILITY (1995) and the five-hour mini-series version of PRIDE AND PREJUDICE (1995) starring Colin Firth and Jennifer Ehle. There’s a decent chance that if you walk into my office at the end of one of these films you might even catch me wiping a tear from my eye as the obstacles finally clear, and we’re left with two people in love embarking on their specific “happily-ever-after” together. One such movie, that I don’t hear mentioned very often, but that I personally love, is the 2000 romantic film RETURN TO ME.

RETURN TO ME opens by introducing us to two families. First, we meet Bob Rueland (David Duchovny), a successful architect, and his wife Elizabeth (Joely Richardson), a kind-hearted zoologist, who are clearly very much in love. We follow the couple as they attend a fund-raising dinner that’s been organized to help expand the zoo’s gorilla habitat, a cause that’s very dear to Elizabeth’s heart, with Bob volunteering his own time and talents to design the new facility. The evening includes many sweet words and some quality slow dancing. Next, we meet Grace Briggs (Minnie Driver), who is very sick and in need of a heart transplant in the worst possible way. Her Catholic family and her friends, which includes her loving grandpa Marty O’Reilly (Carroll O’Connor) and her best friend Megan Dayton (Bonnie Hunt), are a wonderful support system, but without the new heart, she won’t be able to live much longer. On the same night that unspeakable tragedy strikes the Rueland’s on their way home from the fundraiser, Grace and her Grandpa’s prayers are answered when they get the call that a healthy heart is now available. A year later, Bob and Grace meet by chance at Marty’s business, O’Reilly’s Italian Restaurant. Bob has been a shell of the man he once was as he’s been unable to deal with his wife’s passing, while Grace has attempted to figure out life with her new heart. There’s just something about Grace though, so Bob asks her out and, after a series of sweet dates, it seems the two may be falling in love. But when Grace accidentally discovers that the heart that Bob is falling in love with was once beating inside the chest of his deceased wife Elizabeth, Grace doesn’t know how to tell him. Feeling guilty, as well as fearful of how Bob may respond to the shocking information, Grace decides she has no choice but to tell him. Will their blossoming love survive this unexpected and tragic revelation?

I love RETURN TO ME, and the main reason is that I love the characters, and especially the world that director Bonnie Hunt creates inside the film. The love story at the center is played well by Duchovny and Driver, but the greater love of family and friends is what sets this movie apart for me. In a way, Hunt creates a world that contains the kind of friends and family that we’d all love to have in real life. She does this by spending a lot of time with the entertaining supporting characters, showing them to be kind and decent people, the kind who make our lives valuable. As an example, O’Connor’s performance as the doting grandpa to Grace is wonderful, but we also get to see the interplay between Grace, Marty and their “family” at the restaurant, played by such great character actors as Robert Loggia, Eddie Jones, William Bronder and Marianne Muellerleile. Hunt herself is excellent in the role as Grace’s best friend Megan, but the time we spend with her blue-collar husband, played perfectly by James Belushi, and their kids are some of the best and funniest of the film. Based on the time and attention to these characters, as well as the time spent at “O’Reilly’s Italian Restaurant,” Hunt has created a scenario that feels like we’re watching real family and friends, in the best possible way. I never watch this film that I don’t want to go eat a big plate of spaghetti afterwards. The relationship between Bob and his best friend Charlie (David Alan Grier) isn’t quite as successful, but it has its moments as well.

RETURN TO ME is the kind of romantic film that we don’t get to see very often these days. A snarky, cynic would probably have a field day with this film, with its outrageous set-up, its old-fashioned values, and even older-fashioned characters. But that’s what I love about this film. As an example, this is the kind of movie where characters ask each other to pray, they do it, and the only purpose of it being shown is so we know how much these people care about each other. That feels very old-fashioned for 2025, but based on my own experiences in life, it’s something I can completely identify with.

Ultimately, RETURN TO ME is not a perfect film. Clocking in at almost 2 hours, there are definitely some scenes that could have been shortened or eliminated all-together. And it may seem like a criticism that I find the central love story of the film less appealing than the love shown by the main characters’ family and friends, but it’s really not. RETURN TO ME is a movie I return to every year because, at the end of the day, it’s an entertaining film that helps me appreciate the love of a family and the possibility that sometimes love is just meant to be.

Late Night Retro Television Review: Pacific Blue 1.8 “Burnout”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Oh no!  It’s the cops!

Episode 1.8 “Burnout”

(Dir by Lyndon Chubbuck, originally aired on April 20th, 1996)

This episode of Pacific Blue opens with a hilarious scene of Victor and Cory sneaking up on some drug dealers that they’ve spotted making a sale.  What makes it hilarious is that Victor and Cory somehow manage to do this while 1) wearing their blindingly white t-shirts and 2) riding their bikes.  There’s not much good to say about this show but there’s an undeniable amusement factor in the show’s insistence that bicycle cops don’t look massively dumb creeping up on people while on their bikes.

It turns out that the dealers aren’t selling the usual “smack,” as Cory puts it.  Instead, they’re selling steroids!  Sheila (Shannon Tweed) is upset that one of her waitresses had gotten hooked on steroids and…. wait, who?  Sheila briefly appeared in the pilot episode but she hasn’t been mentioned since and this is certainly the first time that we learn that Lt. Palermo’s girlfriend owns a restaurant.  This episode acts as if Sheila is a regular character that we all know and love.

I get the feeling this episode was meant to air earlier in the season.  Not only does Sheila return but Chris is back to being her arrogant, bitter self.  Chris was a fighter pilot until her eyesight failed, a story we hear again and again in this episode.  (She no longer has 20/20 eyesight but whenever she talks about it, she makes it sound as if she literally went blind.)  Another pilot, Greg (Peter Barton), comes to visit her and makes a few jokes about how riding a bicycle is lame.  This gives Chris a chance to defend her job and to also call out Greg for being a sexist who just wants to get laid before returning to the skies.  Chris may be right about Greg but he’s played by the totally adorable Peter Barton so really, why not?

Meanwhile, on the beach, a schizophrenic man annoys the owner of a bodega by playing his saxophone.  Fights break out,  Cory tells the saxophone man to play his instrument under the pier.  Presumably, it will be easier for him to get mugged or murdered under there.  I like that the solution when it came to the crazy homeless man was just to find somewhere else for him to be crazy and homeless.  Don’t take him to a shelter or a hook him up with mental health professionals or anything silly like that.

This show …. ugh.  I’m really hoping the first season is an outlier and the subsequent seasons will be an improvement.  The only thing worse than bicyclists are people who are cocky about being bicyclists.  For 8 episodes now, it’s been one person after another expressing shock at the whole bicycle thing.  We get it.  We understand.  The cops look stupid on their Schwinns.  But, that’s the show.  If Pacific Blue is still trying to justify its existence after eight episodes, that’s not a great sign.