Late Night Retro Television Reviews: Check It Out! 1.8 “….Or Get Off The Pot”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

After celebrating Thanksgiving and my sister’s birthday, all in the same week, I’m exhausted but I still managed to review yet another episode of Check It Out!  So, I guess …. check it out below!

Episode 1.8 “….Or Get Off The Pot”

(Dir by Ari Dikijian, originally aired on November 20th, 1985)

As this week’s episode opens, Edna (Dinah Christie) is excited because it’s her 7-year anniversary with Howard!  Seven years ago, Howard took her out to celebrate Secretary’s Day and they ended up going back to his place.  What some people would call a clear breach of workplace etiquette, Edna calls the beginning of something wonderful.  She can’t wait to see what Howard is going to do for their anniversary!

And what is Howard planning on doing?  He’s planning on going bowling with the guys.

YIKES!

Realizing that Howard seems to have real issues with commitment, Edna follows a friend’s advice and she demands that Howard join her in seeing a relationship therapist.  Howard is not a big fan of therapy and he tries to get out of it by moving back his bowling game and offering to take Dinah to a theme restaurant afterwards.  (The restaurant’s theme?  Bowling!)  Edna does not agree.  Therapy it is!

Needless to say, the therapy doesn’t go well.  There’s only one happy couple at the session and they’re married but not to each other.  Everyone else is miserable, despite the fact that their therapist is played by Helen Seymour, who played the nice (and doomed) laundromat owner in the original My Bloody Valentine.  Edna eventually gives Howard an ultimatum about proposing to her but she changes her mind after Howard apologizes for taken her for granted.  After a night of anniversary sex (“You apologized several times,” Edna says), Howard agrees to marry her someday and Edna agrees not to run off with her building’s gardener.

Meanwhile, the employees of Cobb’s pool their money to buy Howard and Edna an anniversary gift.  Why would they do that?  Like seriously, they’re always talking about how little they get paid but now, they’re pooling their money to buy a gift for someone else’s anniversary?  Anyway, Christian takes their money and buys Howard a new golf club.  Good for him!

This episode didn’t add up too much but, on the plus side, Don Adams and Dinah Christie had more chemistry in this episode than they had in previous episodes.  This is the first time, since I started watching this show, that I’ve believed Howard and Edna as a couple.  That said, their relationship is still probably the least interesting part of this show.  So far, the best episodes of Check It Out! have been the ones taking place not in the office but on the salesfloor.

Next week, someone is stealing the store’s pricey gourmet food!  Can Howard catch the Phantom of the Market!?

Boobs, Music, and Sci-Fi: Heavy Metal (1981, directed by Gerald Potterton)


Heavy MetalI think I was twelve when I first saw Heavy Metal.  It came on HBO one night and I loved it.  So did all of my friends.  Can you blame us?  It had everything that a twelve year-old boy (especially a 12 year-old boy who was more than a little on the nerdy side) could want out of a movie: boobs, loud music, and sci-fi violence.  It was a tour of our secret fantasies.  The fact that it was animated made it all the better.  Animated films were not supposed to feature stuff like this.  When my friends and I watched Heavy Metal, we felt like we were getting away with something.

Based on stories from the adults-only Heavy Metal Magazine, Heavy Metal was divided into 8 separate segments:

Soft Landing (directed by Jimmy T. Murakami and John Bruno, written by Dan O’Bannon)

Heavy Metal opens brilliantly with a Corvette being released from a space shuttle and then flying down to Earth, surviving reentry without a scratch.  Who, after watching this, has not wanted a Space Corvette of his very own?

http://www.youtube.com/watch?v=DWMPe3wF9jQ

Grimaldi (directed by Harold Whitaker)

On Earth, a terrified young girl listens a glowing green meteorite called the Loc-Nar tells her that it is the source of all evil in the universe.  This sets up the rest of the film, which is made up of stories that the Loc-Nar tells about its influence.  The Loc-Nar is the film’s MacGuffin and, seen today, one of Heavy Metal’s biggest problems is that it has to find a way to force the Loc-Nar into every story, even if it meant sacrificing any sort of consistency about what the Loc-Nar was capable of doing.  Even when I was twelve, I realized that the Loc-Nar was not really that important.

Harry Canyon (directed by Pino Van Lamsweerde, written by Daniel Goldberg)

In this neo-noir tale, futuristic cabby Harry Canyon (voiced by Richard Romanus) is enlisted to help an unnamed girl (voiced by Susan Roman) to find the Loc-Nar.  Slow and predictable, Harry Canyon does feature the voice of John Candy as a police sergeant who attempts to charge Harry for police work.

den_1268427864Den (directed by Jack Stokes, written by Richard Corben)

Nerdy teenager David (voiced by John Candy) finds a piece of the Loc-Nar and is transported to the world of Neverwhere, where he is transformed into Den, a muscular, bald warrior.  As Den, David gets to live out the fantasies of Heavy Metal‘s target audience.  On his new planet, Den rescues an Earth woman from being sacrificed, overthrows an evil queen and a sorcerer, and gets laid.  A lot.  Den is the best segment in Heavy Metal, largely because of the endearing contrast between the action onscreen and John Candy’s enthusiastic narration.

Captain Sternn (directed by Paul Sebella and Julian Harris, written by Bernie Wrightson)

heavy-metal_captain-sternOn a space station orbiting the Earth, Captain Lincoln F. Sternn is on trail for a countless number of offenses.  Though guilty, Captain Sternn expects to be acquitted because he has bribed the prosecution’s star witness, Hanover Fiste.  However, Hanover is holding the Loc-Nar in his hand and it causes him to tell the truth about Captain Sternn and eventually turn into a bloodthirsty giant. Captain Sternn saves the day by tricking Hanover into getting sucked out of an air lock.

Captain Sternn was a reoccurring character in Heavy Metal Magazine and his segment is one of the best.  Eugene Levy voices Captain Sternn while Joe Flaherty voices his lawyer and Dean Wormer himself, John Vernon, is the prosecutor.  Even National Lampoon co-founder Douglas Kenney provided a voice.

 B-17 (directed by Barrie Nelson, written by Dan O’Bannon)

After the Loc-Nar enters Earth’s atmosphere, it crashes into a bullet-riddled World War II bomber, causing the dead crewmen within to reanimate as zombies.  Scored to Don Felder’s Heavy Metal (Takin’ a Ride), B-17 is one of the shorter segments and its dark and moody animation holds up extremely well.

http://www.youtube.com/watch?v=ELUP-oZQKM4

So Beautiful and So Dangerous (directed by John Halas, written by Angus McKie)

Nubile Pentagon secretary Gloria is beamed aboard a spaceship that looks like a giant smiley face.  While she has sex with the ship’s robot captain, the two crew members (voiced by Harold Ramis and Eugene Levy) pour out a long line of cocaine and shout “Nosedive!” before snorting up every flake.  So Beautiful and So Dangerous is so juvenile and so ridiculous that it is actually all kinds of awesome.

Taarna

SacrificedIn the film’s final and most famous segment, Taarna, the blond warrior was featured on Heavy Metal‘s poster, rides a pterodactyl across a volcanic planet, killing barbarians, and finally confronting the Loc-Nar.  She sacrifices herself to defeat the Loc-Nar but no worries!  We return to Earth where, for some reason, the Loc-Nar explodes and the girl from the beginning of the film is revealed to be Taarna reborn.  She even gets to fly away on her pterodactyl.  Taarna was really great when I was twelve but today, it is impossible to watch it without flashing back to the Major Boobage episode of South Park.

Much like Taarna, Heavy Metal seems pretty silly when I watch it today.  But when I was twelve, it was the greatest thing ever.

Taarna_Heavy_Metal