The Fabulous Forties #14: The Stork Club (dir by Hal Walker)


40s

For the past two weeks, I have been reviewing all fifty of the films to be found in Mill Creek’s Fabulous Forties DVD box set!  It’s been four days since I reviewed the 13th film in the set, Scared Stiffwhich is probably the longest bloggng break that I’ve ever taken in my life.  However, I am proud to say that I am back and ready to review the 37 remaining films!

Yay! Lisa’s back!

Now, I know what you’re asking.  Why, if I am about to review a film from the 1940s, am I sneaking a random Degrassi GIF into this review?  Well, unfortunately, the movie that I’m about to review isn’t that interesting and there’s not a whole lot to be said about it.  I’ve found some enjoyable and interesting films in the box set — The Black Book, Trapped, the original Jungle Book — but I’ve also found a few that are pretty forgettable.  So, why not liven things up with a shout-out to my favorite show?

Anyway, the 14th film from The Fabulous Forties Box Set was 1945’s The Stork Club.

220px-Stork_Club_poster

When I saw that this film was called The Stork Club, my first thought was that it would be a comedy about pregnancy.  But it turns out that I was totally wrong.  Apparently, The Stork Club was a very popular New York nightclub in the 1940s and this film was meant to take advantage of that popularity.  (That said, according to the imdb, The Stork Club was not filmed at the actual Stork Club but instead on a Hollywood soundstage.)

As for the film’s story — well, this isn’t going to make much sense but here’s what happens.  A millionaire named J.B. (charming, Irish-accented Barry Fitzgerald) falls into a pond and nearly drowns.  Fortunately, his life is saved by Judy (Betty Hutton).

J.B. wants to reward Judy but, for some reason, he doesn’t want her to know that he’s rich.  So, with the help of his lawyer (Robert Benchley), he anonymously arranges for Judy to get both a new apartment and an unlimited credit line at all of New York’s best stores!

But J.B. also wants to keep an eye on Judy and make sure that she’s happy.  But he still doesn’t want her to know that he’s a millionaire or that he’s her benefactor.  After he finds out that she’s a hatcheck girl at the Stork Club, he arranges to get hired on as a busboy.  However, he gets fired after just one night and, believing him to be poor and homeless, Judy invites him to stay at her new apartment.

J.B. agrees and, in the film’s best, non-musical moment, he watches as Judy recklessly spends his money on new clothes.  It turns out that Judy thinks that the apartment and the credit line are all gifts from the owner of the Stork Club and she’s offended because she thinks the owner is trying to steal her away from her boyfriend, Danny Wilson (Don DeFore).

Danny is a bandleader but he’s been serving in the U.S. Army.  When Danny finally returns home, Judy is excited about arranging for him to get an audition to play at the Stork Club.  However, Danny is more concerned about the fact that Judy has a mysterious benefactor and that she’s now living in a luxury apartment with a mysterious old man.

Could Judy be a kept woman!?  Both Judy and J.B. insist that she is not but Danny refuses to believe them because Danny is kind of a jerk.  Of course, Danny isn’t meant to be a jerk but, by today’s standards, he’s definitely a jerk.  Judy could do so much better!

Anyway, the plot’s not really that important.  It’s mostly just an excuse for Betty Hutton to sing a few songs and that’s when the movie is at its best.  Check out some of Betty’s performances below:

Anyway, The Stork Club was pleasant but not particularly memorable.  When it works, it’s largely due to the endless charm of Betty Hutton and Barry Fitzgerald.  It may not seem like much today but I’m sure that, for audiences dealing with the contemporary horrors of World War II, The Stork Club presented a nice diversion.