Song of the Day: When the Levee Breaks (by Led Zeppelin)


c16f548f4fbcd77437f8aaa3fb70dfc2Who would’ve thought that Ben Affleck, the same guy who was in one of the most ridiculous romantic scenes ever put on film (hint: animal crackers), would be turning out to be one of the brightest directors these last few years. He hasn’t missed yet with two directing gigs with Gone, Baby Gone and The Town. With Argo he makes it three solid hits in a row.

One thing that really struck me about the film Argo was Affleck’s use of licensed music to cue up particularly important scenes throughout the film. One such musical cue used one of my favorite rock and blues song ever. It’s Led Zeppelin’s cover of the Memphis Minnie and Kansas Joe McCoy song of the same name. Most young people seem to know this song from it’s constant use to score scenes and sequences about the Katrina disaster, especially scenes of a flooded New Orleans when the levees broke during the hurricane. It was nice to hear the song used in a scene not dealing with the aftermath of Katrina but to highlight the mental situation of the characters in Argo. I won’t say which scene exactly, but for those who have seen the film will know what I mean and the lyrics to the song should become even more weighty once they put two and two together.

I really love this song. From the use of harmonicas by John Paul Jones (and probably another sessions player) to Robert Plant’s emotional wailing right up to one of the best drum work by the great John Bonham. You can almost literally feel those drum sticks drop heavy on those drums. One would almost think Bonham was using tree trunks to play this song.

When the Levee Breaks

If it keeps on rainin’ levee’s goin’ to break
If it keeps on rainin’ levee’s goin’ to break
When The Levee Breaks I’ll have no place to stay.

Mean old levee taught me to weep and moan
Lord, mean old levee taught me to weep and moan
Got what it takes to make a mountain man leave his home
Oh well oh well oh well.

Don’t it make you feel bad
When you’re tryin’ to find your way home
You don’t know which way to go?
If you’re goin’ down South
They go no work to do
If you don’t know about Chicago.

Cryin’ won’t help you prayin’ won’t do you no good
Now cryin’ won’t help you prayin won’t do you no good
When the levee breaks mama you got to move.

All last night sat on the levee and moaned
All last night sat on the levee and moaned
Thinkin bout me baby and my happy home.
Going go n to Chicago
Go n to Chicago
Sorry but I can’t take you.
Going down going down now going down.

October Music Series: John Lee Hooker – Hobo Blues


http://www.youtube.com/watch?v=zYrVwGxlcFA

I’m going to turn west for my next few posts, and when we look at American folk we can’t ignore the blues. It’s an unfortunate fact that I know absolutely nothing about this genre. It’s a genre I’ve wanted to explore for a long, long time, but free time and interest simply haven’t yet coincided. I stumbled upon Hobo Blues entirely by accident about a year ago and have had a note glaring me in the face ever since: I had to work this song into a post one way or another.

You might ask how it legitimately fits into my theme. It’s certainly not about mythology or horror or anything that might immediately come to mind for the season. Quite the contrary, it calls to mind gritty dust and sweltering heat, tattered clothes and haggard spirits. But this is American folk and American tradition in a very real sense, and no old gods need be invoked to imbue it with otherwordly power. John Lee Hooker is in this video a man possessed, standing firm as steel while delivering an emotionally overwhelming performance. He taps into that same seemingly spiritual power that so many of the eastern bands I’ve featured aim to conjure, he just unabashedly draws it from within himself.

Song of the Day: House of the Rising Sun (by The Animals)


The night is growing late and to close it out I’ve chosen a new “Song of the Day” and it’s an all-time blues-rock classic from the 60’s.

Even if one wasn’t a fan of rock from the 1960’s they still would recognize the biggest hit ever released by the British blues-rock band The Animals with their 1964 hit, “House of the Rising Sun”. The weren’t the first band or musicians to have sung the song. No one truly knows the origin of the song, but music luminaries such as Bob Dylan, Woody Guthrie, Lead Belly, Joan Baez and Nina Simone were just a few to have covered it. It would be The Animals version which would live on as the one best remembered.

The song doesn’t just have the soulful cadence of classic blues, but has lyrics that show’s the band’s folk rock influences. It became part of the British Invasion of the United States during the 60’s when rock bands from them to The Beatles, The Rolling Stones right up to The Yardbirds would dominate American airwaves. The Animals would cement their place amongst these giants with this single. One thing which really powered this song through the juggernaut that was The Beatles would be the powerful vocals by frontman Eric Burdon matched with the keyboard playing of Alan Price.

“House of the Rising Sun” by The Animals continues to entertain fans old and new and still one of the best songs to come out during the 1960’s.

House of the Rising Sun

There is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God I know I’m one

My mother was a tailor
She sewed my new bluejeans
My father was a gamblin’ man
Down in New Orleans

Now the only thing a gambler needs
Is a suitcase and trunk
And the only time he’s satisfied
Is when he’s on a drunk

[Organ Solo]

Oh mother tell your children
Not to do what I have done
Spend your lives in sin and misery
In the House of the Rising Sun

Well, I got one foot on the platform
The other foot on the train
I’m goin’ back to New Orleans
To wear that ball and chain

Well, there is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God I know I’m one

Song of the Day: Irresistible You (by Taj Mahal)


I’m surprised that this is the very first post I’ve made for “Song of the Day” that’s unfiltered blues. I’ve posted songs which have blues influence in them from blues-rock to rhythm & blues, but never just pure blues. To rectify that slight mistake I’ve picked one of my favorite blues songs from one of my favorite bluesman with Taj Mahal’s dixieland blues jazz track, “Irresistible You“.

Right from the start this song just hooks it’s upbeat blues tempo with jazz trumpets and percussion plus Taj Mahal’s raspy, lived-in vocals. Most people equate blues to dour, downbeat songs, but just one listen to “Irresistible You” should disabuse that sort of musical stereotyping. This song may sound like dixieland jazz, but it’s a blues song true and true even when the piano section show’s up later to be followed by some solo horns before it leads to the final chorus.

I’ve listened to this song for an uncounted number of times and it always reminds me of my time when I visited and vacationed in New Orleans. When down and out this song always does it’s job in picking me up and telling me everything will be alright.

Irresistible You

Your magic hands … your lovin’ eyes
Kissable lips …
Baby, mine oh mine
I’m in love … I’m in love
And I know it’s true
Tell me… who-o-o wouldn’t fall for irresistible you.

I don’t know what you got
But it’s got me and I’m hooked
Like a fish in the sea
You make eagles call from above
Make the Devil fall in love
An-a … who-o-o … irresistible you.

Ohhh, come on …
Lets walk awhile … I wanna talk …
Talk talk talk to you honey child …
You’ve been blessed …
And you’re much … too much …
There’s a wonder of a love in your touch.

Don’t ever fret …
Don’t you worry about me I’ll never regret …
How much you mean to me
I love you … I love you
My whole life through
Tell me … who-o-o w=couldn’t fall for irresistible you.

Lets twist awhile …

Don’t ever fret …
Don’t you worry about me I’ll never regret …
How much you mean to me
I love you … I love you
My whole life through
But tell me … who-o-o wouldn’t fall for irresistible you.