Retro Television Reviews: Fantasy Island 3.8 “The Handyman/Tattoo’s Romance”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

This week, on Fantasy Island, Tattoo falls in love!

Episode 3.8 “The Handyman/Tattoo’s Romance”

(Dir by Lawrence Dobkin, originally aired on November 10th, 1979)

Following the death of his wife last week, Mr. Roarke is once again back to being his usual cranky, Tattoo-hating self.  And this week, Mr. Roarke has a special reason to be annoyed with his assistant.  Tattoo has gone rogue!

As Mr. Roarke explains it, he has rejected the fantasy of Donna May Calloway (Audrey Landers) twice.  Donna May says that she wants to be a country-western superstar but Mr. Roarke doesn’t feel that she has the talent and he also feel that Donna May is being pushed into it by her aunt, Ellie Simpson (Carolyn Jones).  Ellie had to give up her own musical dreams when she was younger and now she’s forced them onto Donna May.  However, Tattoo takes it upon himself to bring Donna May to the Island and to get her an audition with country-western producer, Colonel Hank Sutton (Richard Paul).  Mr. Roarke correctly perceives that Tattoo is being blinded by his own crush on Donna May.

Col. Sutton is not impressed with Donna May’s audition.  (It doesn’t help that Ellie pressures Donna May to sing a corny song about losing her boyfriend to her best friend.)  Still, Ellie is convinced that Tattoo can somehow talk Col. Sutton into giving Donna May another chance.  Ellie tells Donna May to use Tattoo’s attraction towards her for own purposes.  Though reluctant, Donna May starts to flirt with Tattoo.

Tattoo may be in love but Mr. Roarke is enraged.  He confronts Ellie and Donna May in their cabin and tells them that he will not allow them to manipulate Tattoo.  (Much as with last week, Ricardo Montalban is obviously energized by having the chance to play Mr. Roarke as being something other than just an enigmatic host.)  Ellie goes to Tattoo and lies, claiming that Mr. Roarke told them that Tattoo is not good enough for Donna May.  What a bitch!

This leads to — and I’m not joking here — a sincerely touching scene between Mr. Roarke and Tattoo.  Tattoo tells Mr. Roarke what Ellie said.  Mr. Roarke replies that what worries him more than Ellie saying that is the thought that Tattoo might believe it.  Tattoo says that he doesn’t but that he loves Donna May and that he’s going to leave Fantasy Island to be with her.  By most accounts (including their own), Ricardo Montalban and Herve Villechaize did not get along on the set but you’d never guess it from this wonderfully performed scene.  Both of them deliver their lines with such sincerity and emotional vulnerability that it’s impossible not to be moved by their friendship.

Mr. Roarke confronts Donna May and Ellie in the Fantasy Island recording studio.  (Yes, Fantasy Island has its own recording studio.)  Donna May is stricken with guilt when she hears that Tattoo is giving up Fantasy Island for her.  She tells Ellie that she’s going to live her own life from now on.  After Ellie leaves in a huff, Donna May says that she must find Tattoo and apologize to him.

Suddenly, Tattoo reveals that he’s been in the recording the booth the whole time.  “Apologize to the boss, first,” Tattoo orders, revealing that his first allegiance will always be to Mr. Roarke.  Donna May and Tattoo then sing a country song together.  No, I’m not making that up.  It’s weird but kind of sweet.

As for the other fantasy, it’s far less interesting.  Holly Ryan (Future Congressman Sonny Bono, who was a bit of a regular on both this show and The Love Boat) is an accountant who witnessed a murder committed by a gangster named Spider Sloat (Joey Forman).  Holly’s fantasy is to hide out from Spider and, when Spider and his men suddenly show up on the Island, Holly ends up doing just that at an orphanage run by Emily Perkins (Shelley Fabares).  Holly falls in love with Emily, takes care of the orphans, and puts on a dress when Spider comes looking for him.  It’s a thoroughly lightweight fantasy that largely serves to remind us that no one nicknamed Spider can be convincingly intimidating.

As silly as the second fantasy may be, the first fantasy makes up for it.  Much as with last week’s episode, both Ricardo Montalban and Herve Villechaize give such strong performances that this silly little show actually brought a tear to my mismatched eyes.

Will next week be as good?  We’ll find out!

Retro Television Reviews: Fantasy Island 2.17 “The Stripper/The Boxer”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles, everyone, smiles!  This week, we’ve got stripping and boxing!

Episode 2.17 “The Stripper/The Boxer”

(Dir by Lawrence Dobkin, originally aired on February 10th, 1979)

This week, Tattoo is wearing a monocle because his cousin Igor has discovered that they are descended from royalty.  Roarke is not impressed.  Indeed, he seems to be genuinely angered by Tattoo’s suggestion that he’s somehow better than him.

As for the fantasies, first off the plane is Maureen Banning (Laraine Stephens).  Maureen is a runaway heiress.  Her father doesn’t want her to marry a poet named Barnaby (William Beckley) so she has snuck off to Fantasy Island so that she can get married over the weekend.  Unfortunately, her father’s private detectives have followed her to the island.  In a panic, Maureen hops onto the first bus that she sees.  It turns out the bus is the tour bus for a burlesque show and the show’s manager, Russ McCoy (Michael Callan), has a fantasy that concerns bringing the show to Broadway.  Maureen is mistaken for a famous burlesque dancer.  Fortunately, Sheba Palumbo (Mamie Van Doren) and Betty (Beverly Powers) are avid tabloid readers and they immediately recognize Maureen as the runaway heiress.  They agree to teach her how to dance so that she can stay on the island and marry Barnaby.  Except, of course, Maureen is now starting to feel more attracted to Russ….

This fantasy was okay.  I enjoyed the dancing and I also enjoyed thinking about how much Gary Loggins would have enjoyed watching his favorite actress, Mamie Van Doren, teach Maureen all the moves.  I think the main problem with this fantasy is that, even after she ran way, Maureen never seemed to be in control of her own fate.  The appeal of dancing on stage, whether you’re an old school burlesque performer or a modern-day stripper, is that it gives you all the power but, for Maureen, it just seemed like something to do until she finally got around to getting married.

The other fantasy involves Billy Blake (Ben Murphy), a boxer who only has three years to live.  He wants a chance to fight the other leading leading championship contender.  Even though the fight will be unofficial, Billy just wants a chance to show that, if not for his fatal disease, he could have been a champ.  Of course, if he takes too many hits to the head, Billy could die in the ring.  Billy is okay with that until he discovers that his former high school girlfriend, Jennie Collins (Maureen McCormick), is working on the Island.  Billy’s trainer (Forrest Tucker) tells Jennie to stay away from Billy and Jennie is ashamed of all of the “things” she did when she ran off to Hollywood to try to become a star.  (Like starring on The Brady Bunch Hour, perhaps….)  But, in the end, Billy realizes that his real fantasy is to spend his last remaining years with Jennie.  Personally, I found myself wondering why Billy didn’t consider a fantasy where he was cured of his terminal but unnamed disease.  Then he could both be champion and spend the rest of his life with Jennie.

There weren’t many surprises with this fantasy but Ben Murphy and Maureen McCormick were an undeniably cute couple.  I hope they had many good times before Billy’s agonizing and tragic death.

Next week …. John Saxon comes to Fantasy Island!

Shattered Politics #21: Kisses For My President (dir by Curtis Bernhardt)


Kisses_for_My_President_-_1964_-_Poster

If there’s anyone who deserves to be the subject of a big budget biopic, it’s Victoria C. Woodhull.  Back in the 19th century, at a time when women were not even allowed to vote, Victoria C. Woodhull was not only the first woman to ever work as a stockbroker but also the first to ever found her own newspaper.  A fierce advocate for women’s right and free love, Victoria Woodhull was also the first woman to ever run for President.  She was nominated in 1872 by the Equal Rights Party and, for the crime of trying to cast a vote for herself, she spent election day in jail.

Since that day, many more women have run for President but none have been elected.  Since 1984, two women have received major party nominations for vice president but neither came close to being elected.  Since 1964, Margaret Chase Smith, Shirley Chisholm, Patsy Mink, Ellen McCormack, Patricia Schroeder, Elizabeth Dole, Carol Mosely-Braun, Michele Bachman, and Hillary Rodham Clinton have all campaigned for the presidential nomination of one of the two major political parties but none of them have been nominated.

I do believe that a woman will be elected President within my lifetime.  In fact, it could even happen in 2016.  But until then, the only place where you can find a female President is on TV and in the movies.

Take, for instance, today’s final entry in Shattered Politics, the 1964 film Kisses For My President.  This may very well have been the very first movie to feature a woman as President.  Needless to say, in 1964, this idea was considered so outrageous that it had to be played for laughs.

Kisses For My President starts with an image of hundreds of women chanting “We want Leslie!”  We get a shot of Fred MacMurray looking out over the crowd.  The next scene, the new President is being sworn in.  We start with a close-up of the chief justice reciting the oath of office to “Leslie Harrison McCloud.”  The camera pans over to Fred MacMurray, listening intently.  However, just when 1964 audiences were expecting MacMurray to swear to uphold the constitution, the camera pans yet again, over to …. Polly Bergen!

“OH MY GOD!” audiences in 1964 gasped, “LESLIE McCLOUD IS A WOMAN!”

That’s right.  Polly Bergen is playing President Leslie McCloud and Fred MacMurray is playing her husband, Thad.  As the film makes apparent in its opening scenes, Thad is not quite sure what his role is supposed to be.  He has an office in the White House but it’s just so … feminine!  And it’s full of painting of previous first ladies who were all ladies!  And, at one point, Thad even imagines a picture of himself wearing a lady’s hat!

Oh my God!

Now, to be fair to the movie, Polly Bergen does get a few scenes where she shows herself to be a strong President.  There’s a great scene where she coolly dismisses a condescending senator (Edward Andrews) who suggests that, as a woman, Leslie might not be up to the task of standing up to America’s enemies.  It’s a brief scene but it’s a good one.

But, ultimately, it’s impossible to ignore the fact that Kisses For My President, a film about the first female President, is mostly interested in how Thad handles being “first gentleman.”  It’s a film that imagines a historic moment for women and then focuses on what it would mean for one man.

How 1964!

On the one hand, Kisses For My President is a dated comedy that runs way too long and tries to get too much mileage out of one joke (i.e., Fred MacMurray looking confused).  However, the film also features a great performance from Eli Wallach.  Playing a strutting dictator named Vasquez, Wallach is a lot of fun and the scenes where MacMurray shows him around Washington are the best in the film.  I also appreciated the fact that the President’s daughter reacts to the restrictions of living in the White House by dating a guy that she knows her parents will hate, largely because I would have done the same thing in her situation.

I’m a little bit torn on the ending of Kisses For My President.  (Should I spoil it?  No, I don’t think I will.)  On the one hand, it’s outrageously sexist and seems to suggests that Leslie — despite being a strong President during the few times we actually get to see her doing the job — should have been content to just be a wife and mother.  On the other hand, it’s one of those endings that would seem to perfectly capture the dominant culture of the time when the film was made.  So, it has some worth from a historical point of view.

When last I checked, Kisses For My President is currently available for free on YouTube. The film is interesting as a historical document if nothing else.