Retro Television Review: Decoy 1.13 “My Brother’s Killer”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

Episode 1.13 “My Brother’s Killer”

(Dir by Stuart Rosenberg, originally aired on January 6th, 1958)

Anne (Barbara Barrie) goes to the police because her boyfriend, Victor Bernard (Bernard Kates), has been acting strangely and refuses to let her into his apartment.  At first, the police point out that there’s nothing they can do about this but then Casey, in what can only be described as a miraculous feat of deductive reasoning, guesses that Victor Bernard’s last name might have originally been Bernardino and he might be the brother of wanted robber, Frank Bernardino.

A look at a picture of Victor reveals that he does look a lot like Frank.  However, as Casey discovers when she goes over to Victor’s apartment, Frank is dead.  But his partner, Hal Bishop (Sy Travers), is still alive.  Hal promptly takes Casey and Victor hostage and heads for the Canadian border.

Once you accept that Casey’s miracle hunch (and, seriously, it takes some effort), this is an intense episode.  I’m not really a fan of shows in which people are held hostage — the confined narrative tends to get tedious pretty quickly — but this episode featured a typically good performance from Beverly Garland and an absolutely terrifying one from Sy Travers.  It also features what seems like a surprising amount of violence for a 1950s television show.  Imagine gathering the family in front of the television in 1958 and being immediately confronted by Sy Travers as Hal Bishop pointing a gun at an innocent man’s head and pulling the trigger.  A lot of people get shot over the course of this episode, including Hal Bishop himself.  Casey survives but there are no smiles or celebrations.  There’s just the weary look of someone who has been confronted with the worst that humanity has to offer.

The Super Cops (1974, directed by Gordon Parks)


David Greenberg (Ron Liebman) and Robert Hantz (David Selby) are two tough and smart New York City cops who become detectives and play by their own rules.  They make arrests off-duty.  They drive their lieutenants crazy.  They bust drug dealers and prostitutes and single-handedly clean up their police precinct.  They’re the Super Cops and they’re even nicknamed Batman and Robin.  When they throw punches, a graphic “POW” appears on screen with a sound effect.

There’s an old saying about how, when the truth is different from the legend, always print the legend.  That’s certainly the case here.  The real-life David Greenberg went into politics and ended up doing time for mail fraud, insurance fraud, and obstruction of justice.  Robert Hantz was busted for possessing marijuana while he was on vacation in the Bahamas.  The arrest led to a demotion and Hantz quit the force as a result.  The film hints at Greenberg and Hantz’s involvement with the Knapp Commission, which investigated police corruption in the 70s.  (Lisa wrote about it when she reviewed Serpico.)  But the film does not mention that the Knapp Commission suspected that Greenberg and Hantz murdered two drug dealers.

You don’t get any of that with The Super Cops, which tries to mix the grittiness of films like The French Connection, The Seven-Ups, and Serpico with moments of cartoonish comedy and it really doesn’t work.  (Years after The Super Cops was released, Hill Street Blues proved that gritty drama and dark comedy could be mixed but it has to be done just right.)  Ron Liebman overacts while David Selby doesn’t seem to be acting at all.  (Liebman and Selby are both good actors but you wouldn’t know that from this movie.  For Liebman, I suggest checking out his performance in Night Falls On Manhattan.  For Selby, I recommend an overlooked dark comedy called Headless Body in Topless Bar.)  It’s hard to believe that Gordon Parks went from doing Shaft to doing this.  Shaft would have tossed the Super Cops through a window.  Popeye Doyle would have given him an assist.

There is one good thing to note about The Super Cops.  Edgar Wright is a fan of this film and it partially inspired the far superior Hot Fuzz.

 

Horror On TV: One Step Beyond 3.5 “If You See Sally” (dir by John Newland)


On tonight’s epiosde of One Step Beyond, we visit the legend of the ghostly hitchhiker.

Will Sally ever make it home?

This episode originally aired on October 18th, 1960!

Horror On TV: One Step Beyond 3.5 “If You See Sally” (dir by John Newland)


On tonight’s epiosde of One Step Beyond, we visit the legend of the ghostly hitchhiker.

Will Sally ever make it home?

This episode originally aired on October 18th, 1960!